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Antonius Rex's second, and their first real commercially
released album, was Zora - an observation by Antonius Rex. Released
on the small Tickle label and, again, with an outrageous cover that was replaced
with a different one a year later (the first AR album was boycotted by Vertigo
due to the "Devil letter" track and cover art). Antonius Rex didn't
really wish to record anymore, but being contacted by Emanuele Daniele,
wealthy editor of the Sidet-Tickle, they subscribed, in exchange of a substantial
advance and the exclusive rights of Zora with a sleeve quite similar
to the one of Tardo Pede In Magiam Versus (Jacula). The guiding
principle for 1977 became "only money" because as Antonio Bartoccetti explained:
"when you have a son, life changes and you have to start thinking about
him as well". The three (Bartoccetti, Norton and Goodman) entered the recording studios and in a very short lapse concretised the Zora project (much pre-recorded in a hurry in a private studio in 1975). 3000 copies was released and was sold in about ten days. The work contains four excerpts, two of which strangely re-entitled and re-arranged by Tardo Pede. The band seemed to be aiming always more at making money and maybe that's why the band handed over the production to the cinematographic company BE.PA. which dealth in Italy and Great Britain. |
The four tracks on the album were all composed by Bartoccetti along
with Franco Mussita and Angelo "India" Serighelli from I Raminghi, both
also listed among the LP contributors. Doris Norton played keyboards, but
between one recording session and another she was breast-feeding her son,
even if the progressive-piano of "Necromancer" is still fantastic. Antonio
Bartoccetti played Gibson guitar live in the console, smoking and anxious
to get it over and done with. He sang just two words in "Necromancer" and
then got his friend Franco Mussita to sing "Zora". Zora is an album
that Antonius Rex's Bartoccetti has said he don't like despite the
fact that some reviewers consider it good work and many people know it.
Zora became a ridiculous album both on the conceptual and the
artistic-technical side he has later said. On Zora Mr Albert Goodman
wanted to play the drums leaving tympani and percussion…. the rhytmical
result of Zora became really terrible.
In 1978, according to Antonio Bartoccetti's will, the second series of the Zora LP was released with a more stern sleeve and the excerpt "The gnome" added to it. The work sold over five thousand copies in hardly one month and was reprinted in the memory of the percussionist Albert Goodman (1942-1978), who died under mysterious circumstances at Brno. The death of Goodman resulted in the cancellation of a huge live concert at Teatro Argentina in Milan despite the fact there were 2000 followers at the doors. The band had reached their goal to release records only for themselves and the few who followed them, but this one and the later Ralefun (1979) never became likeable with them, but the commersial market said otherwise... |
Tracks: 1. The Gnome (6.15) * 2. Necromancer (5.02) 3. Spiritualist Seance (9.00) 4. Zora (7.42) 5. Morte Al Potere (6.11) (No lyrics yet) * Not included in the first LP edition. |
Band Members:
Antonio Bartoccetti - guitar, vocals Doris Norton - keyboards, vocals Albert Goodman - drums --- All tracks by A. Bartoccetti - F. Mussita - A. Serighelli except "The gnome" by A. Bartoccetti - Medilou All cover designs and tracks printed by courtesy of TICKLE s.r.l. - Rome Licensed by TICKLE s.r.l. - Rome |
Release info: Released by Tickle april 1977 - Zora (LP) (TLPS 5013) Re-released by Tickle Jun 1978 - Zora (LP) (TLPS 5018) Musik Research 2001 - Zora (CD) Reissued on Mellow Records 1994 - Zora (MMP231) (CD) |
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