The concept
of this album is about a girl named Astaroth, who the last time she was
loosed upon the Earth, she posed her con juror's mistress. The poor girl
was terribly tormented until, driven insane, she threw herself to her death.
The year 1764, over two centuries later, a young occultist, having discovered the power to cast his mind backthrought his previous incarnations, revisits his early life in Egypt and hearing reference to Astaroth by a demon which he conjured all those years ago, he goes on to re-witness the tragic results of his experiment in the 18th century. The songs on the album tells the continuing story... Packed with satanic, mystic, witchcraft lyrics, makes this album the grandfather of all occult rock that has ever followed!
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The idea of the black magic act came from the drummer Clive Box. Box
was always full of good idea's that Jim Gannon (guitars) at the time put
to music. Although this concept was very successful it worked against them
in many ways. The radio stations were very off about playing records that related to black magic on the air (this was in 1970) so their stage hit; "Come To The Sabbat" got very little airplay. In addition to all the lyrics containing nothing but pure evilness, much in the way of witchcraft etc., Widow didn't exactly change the view people had on them when teaming up with the "most powerful man in Europe" at the time. The self professed "King Of Witches", Alex Sanders. Sanders was the head of a cult of modern Wicca witches and had a certain interest in Black Widow's music. He gave them advice on the art of witchcraft and of the occult. Widow even did a film documentary together with Alex, where they played "Come To The Sabbat" live with a bunch of witches dancing naked all around them. This film has not yet been recovered. Performing live, Black Widow had the help of a girl, Alex's wife Maxine Sanders in their show. She played the role of Lady Astaroth and ended up naked, having sex with the vocalist (not for real though) and sacrificed (not for real either) on stage. This, an extravagant mystic show (choreographed by members of Leicester´s Phoenix Theater Company) and outrageous effects like a magic circle on the stage, swords, candles, incense, and Alex telling them the correct words to say to conjure up the right spirits made the press to show up allot, but also other groups of people.... At concerts, the crowd where often met by Vicars turning up, waving
crosses and telling the audience to leave and beware of the evil dark magic
of Black Widow. Religious fanatics would preach at the waiting queues
urged on by journalists looking for a story. But, of course, the crowd never
did leave and clubs were forced to put up notices warning about the bands
stage show and act. This only made kids show up by the thousand, so it was
not a success for the church - but for Black Widow! The band were due to go on tour to the USA (together with Black Sabbath), but at the same time Charles Manson did his black magic murders and the powers in the States decided that it would not be a very good idea to let them tour at that time. It is not certain why though.....where they thinking about the bands safety or that it might be bad publicity for them to let Black Widow into the country. Also when the album was released in the UK it came out on CBS the same week as they released Simon and Garfunkel's "Bridge Over Troubled Water". That song was such a seller that they stopped printing Sacrifice and concentrated on that album(!) This left Black Sabbath free to go to the States because they always denied that they were involved with occult magic and Satan. It seemed like everything Black Widow tried to do was doomed all around. Still, the album Sacrifice reached the number 32 in the U.K. charts, and the group toured throughout Europe and appeared at the Isle of Wight Festival in 1970. Their management wanted them to drop the black magic, hoping to get
more sales and good publicity this time. This was something that split the
band. Reasons were that Kip Trevor (vocalist) & Jim wanted to drop the
ideas while Box and Clive Jones (flute, sax) were for keeping it and to hell
with the bad publicity. They where "forced" to move away from the black magic,
Box left in protest and their relationship with Sanders dropped. In the words
of Jones; "We lost, and so did the band". Gannon and Trevor later worked
on a project to turn the Black Widow stage show into a Broadway musical.
This never happened... |
Tracks: 1. In Ancient Days (7.40) 2. Way To Power (3.58) 3. Come To The Sabbat (4.56) 4. Conjuration (5.45) 5. Seduction (5.38) 6. Attack Of The Demon (5.37) 7. Sacrifice (11.10) (Click on song titles for meanings and lyrics)
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Band Members:
Jim Gannon - Lead guitar, vibes, spanish guitar (composer of all tunes, except track 3 by Clive Jones) Zoot Taylor - Organ, piano Kip Trevor - Vocalist Clive Jones - Flute, sax, clarinet Bob Bond - Bass guitar Clive Box - Drums & percussion --- Produced by: Pat Meehan Jnr.
An excellency production Engineer: Roy Thomas Baker Cover: Rick Breach |
Release info: Released by CBS March 1970 - Sacrifice (LP) (CBS 63948) Also released: CBS May 1970 - Come To The Sabbat/Way To The Power (7") (CBS 5031) Reissued on CD (CLACD 262) 1992. |
The next tracks "Conjuration" and the ballad "Seduction" are both soft songs but very different. "Conjuration" is symphonic and drum dominated, "Seduction" has allot of different moods that change trough the song, it also includes a beautiful almost flute solo... "Attack Of The Demon" is more intense again, and it only sounds more like "Sacrifice" the last and following tracks. Both songs are faster then the rest on the album, and the ending of "Sacrifice" sounds like judgment day! A real piece of what should have been made more of back then, a real jewel this one!!! B. E. Eide |
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