Black Widow - Sacrifice (1970)

Black Widow - Sacrifice The concept of this album is about a girl named Astaroth, who the last time she was loosed upon the Earth, she posed her con juror's mistress. The poor girl was terribly tormented until, driven insane, she threw herself to her death. 
The year 1764, over two centuries later, a young occultist, having discovered the power to cast his mind backthrought his previous incarnations, revisits his early life in Egypt and hearing reference to Astaroth by a demon which he conjured all those years ago, he goes on to re-witness the tragic results of his experiment in the 18th century. The songs on the album tells the continuing story... 
Packed with satanic, mystic, witchcraft lyrics, makes this album the grandfather of all occult rock that has ever followed!

 



The idea of the black magic act came from the drummer Clive Box. Box was always full of good idea's that Jim Gannon (guitars) at the time put to music. Although this concept was very successful it worked against them in many ways. 
The radio stations were very off about playing records that related to black magic on the air (this was in 1970) so their stage hit; "Come To The Sabbat" got very little airplay. In addition to all the lyrics containing nothing but pure evilness, much in the way of witchcraft etc., Widow didn't exactly change the view people had on them when teaming up with the "most powerful man in Europe" at the time. The self professed "King Of Witches", Alex Sanders. Sanders was the head of a cult of modern Wicca witches and had a certain interest in Black Widow's music. He gave them advice on the art of witchcraft and of the occult. Widow even did a film documentary together with Alex, where they played "Come To The Sabbat" live with a bunch of witches dancing naked all around them. This film has not yet been recovered. 

Performing live, Black Widow had the help of a girl, Alex's wife Maxine Sanders in their show. She played the role of Lady Astaroth and ended up naked, having sex with the vocalist (not for real though) and sacrificed (not for real either) on stage. This, an extravagant mystic show (choreographed by members of Leicester´s Phoenix Theater Company) and outrageous effects like a magic circle on the stage, swords, candles, incense, and Alex telling them the correct words to say to conjure up the right spirits made the press to show up allot, but also other groups of people.... 

At concerts, the crowd where often met by Vicars turning up, waving crosses and telling the audience to leave and beware of the evil dark magic of Black Widow. Religious fanatics would preach at the waiting queues urged on by journalists looking for a story. But, of course, the crowd never did leave and clubs were forced to put up notices warning about the bands stage show and act. This only made kids show up by the thousand, so it was not a success for the church - but for Black Widow
At a show at the Lyciam in London (where miss World was held in those days), Black Widow were told they could do the show if the girl wasn't naked at the end. Of course they agreed, but the girl ended up naked anyway and all hell broke loose. 
The audience went mad when the owners tried to stop the show and everyone was searched for camera's when they left because of the nude girl. But a picture was smuggled out and made the Sunday papers the next day. News writer Paul Green said that Black Widow's music and stage show was not an example of Satanism, but more an example of Satanic bad taste. This was another reason why people where shocked by them. 

The band were due to go on tour to the USA (together with Black Sabbath), but at  the same time Charles Manson did his black magic murders and the powers in the States decided that it would not be a very good idea to let them tour at that time. It is not certain why though.....where they thinking about the bands safety or that it might be bad publicity for them to let Black Widow into the country. Also when the album was released in the UK it came out on CBS the same week as they released Simon and Garfunkel's "Bridge Over Troubled Water". That song was such a seller that they stopped printing Sacrifice and concentrated on that album(!) This left Black Sabbath free to go to the States because they always denied that they were involved with occult magic and Satan. It seemed like everything Black Widow tried to do was doomed all around. Still, the album Sacrifice reached the number 32 in the U.K. charts, and the group toured throughout Europe and appeared at the Isle of Wight Festival in 1970. 

Their management wanted them to drop the black magic, hoping to get more sales and good publicity this time. This was something that split the band. Reasons were that Kip Trevor (vocalist) & Jim wanted to drop the ideas while Box and Clive Jones (flute, sax) were for keeping it and to hell with the bad publicity. They where "forced" to move away from the black magic, Box left in protest and their relationship with Sanders dropped. In the words of Jones; "We lost, and so did the band". Gannon and Trevor later worked on a project to turn the Black Widow stage show into a Broadway musical. This never happened... 
Black Widow recorded three more albums after Sacrifice, but since none of them contained Sacrifice's occult witch style material, they are not added to this page.



Tracks:
1. In Ancient Days (7.40)
2. Way To Power (3.58)
3. Come To The Sabbat (4.56)
4. Conjuration (5.45)
5. Seduction (5.38)
6. Attack Of The Demon (5.37)
7. Sacrifice (11.10)

(Click on song titles for meanings and lyrics)
 
 

 

Band Members:
Jim Gannon - Lead guitar, vibes, spanish guitar 
(composer of all tunes, except track 3 by Clive Jones) 
Zoot Taylor - Organ, piano 
Kip Trevor - Vocalist 
Clive Jones - Flute, sax, clarinet 
Bob Bond - Bass guitar 
Clive Box - Drums & percussion 
---
Produced by: Pat Meehan Jnr. 
An excellency production 
Engineer: Roy Thomas Baker 
Cover: Rick Breach


Release info:
Released by CBS March 1970 - Sacrifice (LP) (CBS 63948) 
Also released: CBS May 1970 - Come To The Sabbat/Way To The Power (7") (CBS 5031) 
Reissued on CD (CLACD 262) 1992. 


Review:
The number one 70's occult album! This album is totally filled with strange, witchcraft lyrics, fairy tale atmosphere music and an interesting story told through the lyrics of the album. There are a lot of flute, sax and organ here, making the tracks full of life. Black Widow's style was quite unique and their song writing was so fun evil that you would think they did go of to meet Satan at the sabbat. The opening track, "In Ancient Days", is a great track and starts with a sort of church organ getting more and more intense until the music begins (sort of an intro). "Way To Power" is a great track with acoustic guitar and sax, and the following "Come To The Sabbat" just kicks ass! That track became a stage hit for the band, and I can see why. The track first starts with voodoo drum and flute, plus a choir. Suddenly, the song changes completely, and sounds like a bunch of tiny devils dancing around a big fire, then it stops, and a choir voice says "come come, come to the sabbat, come to the sabbat, Satan's there" over and over again. A great piece of well combined music and lyrics....perfect! 
The next tracks "Conjuration" and the ballad "Seduction" are both soft songs but very different. "Conjuration" is symphonic and drum dominated, "Seduction" has allot of different moods that change trough the song, it also includes a beautiful almost flute solo... "Attack Of The Demon" is more intense again, and it only sounds more like "Sacrifice" the last and following tracks. Both songs are faster then the rest on the album, and the ending of "Sacrifice" sounds like judgment day! 
A real piece of what should have been made more of back then, a real jewel this one!!! 

B. E. Eide


A BIG, HUGE thanks goes to the flutist of Black Widow - Clive Jones, for allot of history, info and lyrics meanings. Thanks Mr. Jones.

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Source: Album sleeve, Internet, emails, Clive Jones and the Black Widow homepage. All tracks, lyrics etc. is copyrighted to Black Widow.