The door opened again. This time a woman of middle age
entered. Zane had never seen her before. She glanced
approvingly at the fallen figure. "Excellent," she murmured.
Zane wrenched his horrified gaze to her. "I killed
Death!" he exclaimed.
"Indeed you did. You shall now assume his office."
"I-what?" Zane was having trouble regaining mental
equilibrium.
"You are the new Death," she said patiently. "This is
the way it is done. He who kills Death becomes Death."
"Punishment..." Zane said, trying to make sense of
this.
"Not at all. This is not murder in the normal sense.
After all, it was him or you. Self-defense. But you are
committed to take his place and to do the best job you
can."
"But I don't know how to-"
"You will learn on the job. We all do. Certain enchant-
ments will imbue you, to facilitate your performance and
stabilize you, but the real motivation must be yours." She
stooped to strip Death's black cloak from his body. "Help
me, please; we do not have excessive time and we don't
want to get blood on the uniform."
"Who are you?" Zane demanded, getting half a grip on
himself despite the overwhelming unreality of the scene.
"At the moment I am Lachesis. You can see I am of
middle age without much sex appeal." She was quite cor-
rect; her face had the lines of solid maturity, and her hair
was nondescript under a tight bun. She was comfortably
overweight, but moved efficiently. "I determine the length
of the threads. Now lift his body; I don't want to tear the
cloak."
page 36
Distastefully, Zane put his hands on Death's corpse
and lifted. "Who is Lachesis? What threads? What are
you doing here?"
She sighed as she worked the cloak off the body. "I
suppose you do deserve some minimal explanation. Very
well; you keep working, and I will tell you some of what
you need to know. Not all of it, for some secrets are
reserved to me, just as some, you will discover, are re-
served to you. Lachesis is the middle aspect of Fate.
She-"
"Pate?"
"You will not leam very much if you insist on inter-
rupting," she said with some asperity.
"Sorry," Zane mumbled. This felt unreal!
"Now get his shoes. They're invulnerable to heat, cold,
penetration, radiation, et cetera, just as is the cloak. You
must always be properly garbed when making a collec-
tion, or you become vulnerable. It is essential that you
not be vulnerable. Your predecessor here was careless;
had he closed his hood across his face, the bullet would
not have harmed him. See that you are more careful; you
will have greater need to be on guard than he did."
"But-"
"I believe that interjection constitutes an interruption."
Zane was silent. There was an eerie power about this
woman that had nothing to do with her appearance. She
could be the mother of any rebellious teenager.
"I am Fate, with three aspects," she continued after
just enough of a pause to verify her command of the
situation. "I determine the threads of the tapestry of life.
I am here to ensure that you change roles expeditiously.
It is very important that you perform better as Death than
you have as a living person, and I believe you do have
the potential. Now stand up so I can fit the cloak to you."
page 37
Zane stood, and she set the cloak on his shoulders. It was
not heavy, but it carried a peculiar mass. She had spoken of
magic; this item of apparel reeked of it. "Yes, it is close enough. Go ahead and don the shoes; and don't forget the gloves. The shoes will, among other things, enable you to walk on water. Your rounds must not be balked by mundane trifles."
"But this is preposterous!" Zane protested. "I was about
to kill myself and now I'm a murderer!"
"Certainly. I had to measure your thread very care-
fully. Technically, your life just ended; see, Death's body
will be taken for yours." She turned over the body, and
Zane saw that it looked uncomfortably familiar. It now
resembled his own-with a bullet hole in the face. "You
will fill the office until you, too, grow careless and permit
a client to turn on you."
"Or until I die of old age," Zane said, not really be-
lieving any of this.
"Old age will never come to you. Neither will death,
if you perform well. If you ask the average person what
he most desires, he will answer, 'Never to die.' That is,
of course, an absolutely foolish wish; in due time you will
be better able to appreciate the importance of dying. It
is not the right to live, but the right to die that is most
important."
"I don't see-"
"What is life, except an ongoing instinct for survival?
Nature uses that instinct to make us perform; otherwise
we would all relax, and the species would disappear. Na-
ture is a cruel green mother. The survival instinct is a
goad, not a privilege."
"But if I don't age-"
"Time holds all supernatural agents, especially the sev-
eral Incarnations, in abeyance. You will live until you die,
however many days, years, or centuries that may be, but
you will never change from your present physical age."
She guided him to his wall mirror.
"Supernatural agents?" Zane was grasping at periph-
erals, being as yet unable to get to the nucleus of this
situation. "Incarnations?"
page 38
"Death, Time, Fate, War, Nature," she said. "The ma-
jor field agents operating between God and Satan, an-
swerable to neither. If any of us were scheduled to die
like mortal folk, we would have to be concerned for the
disposition of our souls, and that's a conflict of interest.
No, we are immortal, as we have to be, accountable to
neither superpower. But we do have to do our jobs, or
things become complicated."
"Our jobs," Zane repeated weakly. "I'm no killer. At
least I wasn't, until this-"
Fate glanced at him penetratingly, and suddenly he
knew she knew about his mother. He felt cold, and the
guilt rose up in him again. But Fate did not raise that
matter. "Of course not," she agreed, eying the body on
the floor. "This was a mismanaged suicide. Death does
not kill; Death merely takes the souls of those who are
dying, the problematical ones, lest they be lost and wan-
der forever inchoate."
Now Zane found something concrete to argue. "There
are five billion people in the world! A hundred million or
so die each year. Death would have to take several each
second, scattered across the globe. That's impossible!"
"Not impossible, but perhaps unfeasible," she said.
"Look in the mirror, please."
Zane looked. The death's-head gaped back at him, en-
cased in its hood. Hits hands in the gloves were skeletal,
and his ankles above the shoes were fleshless bones. He
had assumed the visage of Death.
"You are, of course, invisible to most people when in
uniform," Fate said. "Clients can perceive you, and those
who are close to them emotionally, and the truly religious
people, but the rest will overlook you unless you cali
attention to yourself."
"But the mirror reflects my image-as that of Death!
People will faint!"
"Perhaps I misspoke myself. You are not physically
invisible; you are socially invisible. People see you, but do not
page 39
recognize your significance, and forget you once you pass. But when you remove the uniform, your powers fade. You are then vulnerable; you can age and be touched and hurt. So don't step out of character without reason."
"Why would Death want to step out?"
She formed an obscure little smile. "It does get dull
socializing with your own kind exclusively. I am said to
be attractive in my Clotho aspect-" She became abruptly
young and lovely, a striking figure of a woman with hair
so light in color it seemed to shine and with skin like
alabaster, but her eyes remained disturbingly knowing.
"Yet I would not hold your interest for centuries, perhaps
not even decades. So we must dally on occasion with
mortals."
Zane wondered how many decades or centuries it would
take to get bored with a woman who looked like that. It
was an intriguing thought, but in a moment he returned
to his prior concern. "How can a single Deathperson take
several people each second? Hundreds of people must
have died just while we've been talking here! I didn't
collect their souls and I don't think this person did." He
indicated the defunct Death.
"I see I will have to explain in greater detail." Fate
shifted back to her middle-aged aspect and sat down in
Zane's best chair. Her eye caught the Wealthstone on the
table beside it. "Oh, I see you have ajunkstone. You use
it to produce dimes for telephones?"
"Something like that," Zane admitted sheepishly.
"I've seen them before. The stone is dirt-grade ruby
from India, imported wholesale and sold in five-thousand
carat lots for fifty cents a carat. It's technically corundum,
but too poor a quality to hold a decent spell. I understand
some idiots are deluded into paying gem-grade prices for
individual stones."
"True," Zane agreed, drawing the Deathhood close
about his face so his flush would not show.
"Still, as a cheap novelty item, it's not bad. Once in a while a stone like this will take a better spell and locate dollar bills.
page 40
But it's axiomatic that such a rock will never
produce the value paid for it."
Zane thought again, painfully, of the beautiful, rich,
romantic Angelica. "True."
"Well, you won't need money now, unless you spend
a lot of time out of uniform and get hungry. Better to
acquire a small cornucopia and use it for such occasions.
Your job should keep you too busy for that, until you
develop proficiency."
"I still don't see how-"
"Oh, yes, I was about to explain. Only a small per-
centage of people need Death's personal attention. The
vast majority handle the transition themselves-though,
of course, this is via the extended ambience of Death's
will."
"Death's will?"
"Oh, my, you are a novice! Let me see, I need an
analogy. You know how your body goes on breathing
when you're not paying attention, even when you're
sleeping? It's a bit like that. Death's power is immediate
and personal, but it is also distant and impersonal. When
Death attends to a client personally, it is like consciously
breathing; when Death merely permits a soul to depart
its host unattended, that is like your autonomic system,
the automatic functioning of your body. But when you
die, these functions cease, both the conscious and the
unconscious. When Death dies, all deaths in the world
cease, until the new Death commences the office. The
former Death, for example, is not really dead yet; his soul
remains pinned in his body. He can not die until you act,
though his body will never again be animate. That is why
it is so important that the transition be facilitated. Imagine
the havoc if no one ever died!"
"I don't know. If people lived forever-"
"I haven't time to argue foolishness!" she snapped.
"Just be satisfied that the first soul you personally attend to will free all the rest to depart naturally, on their private schedules, as my threads have dictated. Up to half an hour can be tolerated; I
page 41
have arranged for this. But be yond that, there will be one atrocious tangle."
"What souls do I-does Death have to attend to per-
sonally? I really don't understand-"
"It relates to the nature of souls and the balance within
each soul of good and evil. Every good thought and deed
lightens the burden, and every bad deed or thought weights
it down. A newborn infant, generally, is about as close
as we come to true innocence; only when self-discretion
comes can evil be indulged in. As William Henley put it:
It matters not how strait the gate. How charged with
punishments the scroll, I am the master of my fate; I am
the captain of my soul. So the younger the person is at
death, the more likely his soul is to remain innocent, and
to float to Heaven when released. As William Words-
worth put it: Not in entire forgetfulness. And not in utter
nakedness. But trailing clouds of glory do we come From
God, who is our home: Heaven lies about us in our in-
fancy! With age and self-discretion, the evil tends to ac-
cumulate, weighting the soul, until the balance is negative.
Such souls plummet like lead sinkers when released. But
a few souls are in balance, with equal freighting of good
and evil; these have no dominant affiliation and tend to
cling to their familiar housing. These are the ones who
need assistance,"
"That's what Death does!" Zane exclaimed, catching
on at last. "Collects ambiguous souls!"
"And sorts them out carefully, determining their proper
destination," Fate concluded. "Those few that are in per-
fect balance must be delivered to Purgatory for profes-
sional treatment."
"This is really to be my job?" Zane asked. "To collect
balanced souls?"
"And to facilitate the progress of all the others," Fate
agreed. "It really is. You may find it difficult at first, but
it is certainly better than the alternative." She glanced at
the virtually dead Death.
page 42
Zane shuddered. "But why was I chosen to fil! this
office? I'm completely unqualified! Or is it pure chance?"
Fate stood. "1 prefer to answer that at another time. I
must not keep you from your appointed rounds any
longer."
"But I don't even know how to locate my-my clients!"
"There should be an instruction manual somewhere.
Mortis will help you."
"Who is Mortis?"
She looked about. "Oh, I almost forget. You had better
take the accouterments; I'm not sure how they work, but
you'll need them."
"Accouterments?"
"The jewelry. The magic devices."
"My Wealthstone? I don't see-"
"Not thatjunkstone. Leave everything of your former
life here as it is. Especially the star. Sapphire is no good
for wealth divination at its best, and this one's inferior.
Leave your watch, too, and any rings you have. You are
through with living." She walked toward the door.
"But I have so much to learn!" Zane cried plaintively.
"Then get to it. Death," she said, closing the door
behind her.
Zane looked desperately about, seeking some better
hold on reality. How could he be Death? He had never
even imagined anything like this!
He saw something flashing. It was a solid watch on
the wrist of the dead Death that would hardly be in keep-
ing with the corpse of Zane, who had been too broke to
redeem his pawned watch. This was surely an'accouter-
ment. He bent, with a certain distaste, to remove it, then
put it on his own wrist. It was heavy, a good four ounces,
but fitted comfortably, as though sized for him, and the
flashing stopped. Evidently the watch had merely been
calling attention to itself so that it would not be over-
looked; it went with the office. It was, of course, dead
black: a mechanical, self-winding instrument that seemed
dull but expensive.
page 43
Why would Death use a mechanical watch, of whatever
quality, instead of a sophisticated electronic one, or a
miniature magical sundial? Zane couldn't answer that at
the moment. Maybe the last Death officeholder had been
of a conservative bent. He might have lived for centuries
before getting careless and failed to keep up with the
times.
Odd, Zane thought, that he felt no special remorse for
the person he had killed. His initial shock at the act was
wearing off, so that what remained was mostly horror that
there had been a killing, as if he had just watched a sin-
gularly brutal murder on television. Maybe this devel-
oping indifference was because, to him. Death remained
an "it" rather than a human being. But he, Zane, was now
that "it."
He spied another flash. It was from an ear ornament,
almost concealed because Death's left ear lay against the
floor. Surely he was meant to take this, too; it was one
of the items of jewelry Fate had mentioned. He nerved
himself for another contact with the dead flesh and got
the gem removed. It was an earring, with a red garnet
cabochon, rounded on one side, flat on the other, shining
prettily.
The thing was designed to fit a pierced ear, and Zane's
ear was whole. He hesitated, then put the gem in his
voluminous cloak pocket.
There were footfalls in the hall, followed by a tentative
knock on the front door. "Mr. Z, are you all right?" a
voice came. It was his elderly neighbor, a nosy woman,
but nice enough.
Zane stood frozen again. What should he do? If he let
her come in-
"Mr. Z!" the neighbor called more urgently.
"I'm all right!" he called back.
"Mr. Z," she repeated. "I heard what sounded like a gunshot from this room. Please answer me!"
"It's all right!" Zane shouted.
The door opened. The woman's head poked in. "Mr. Z, why
page 44
don't you answer? I know you're home; I saw you come in. If there is anything wrong-if a mugger shot you-"
"I am home! There's no mugger!" Zane shouted. "Please
get out!"
The woman came all the way into the apartment. "I'm
sure I heard-" Then she spied the body on the floor. It
now wore Zane's clothing, though he did not remember
dressing it; probably Fate had done that while he was
distracted by the enormity of his situation.
She screamed "Mr. Z! You're hurt!" She hurried to
inspect the corpse, running right past Zane as if not seeing
him. "In fact-you're dead!"
"So it seems," Zane said, somewhat wryly. Now the
shock of what he had done was washing back across him,
animated by the neighbor's reaction. He had set out to
suicide-and instead had killed another man. He was a
murderer! The immediately following events had been so
surprising that much of the horror had passed him by.
Now it was clarifying, and he was appalled. He had done
many unfortunate things in his life, and today had been
the worst, for never before had he killed another human
being.
Well, technically he had killed. But that had been a
special case, and his mother- He cut off that thought.
He had guilt, and he was indeed somewhat hardened to
the evils of the world. Still-
The neighbor woman turned. Now she saw him. "Oh,
officer!" she said. "I'm so glad you're here. Mr. Z is dead!
I fear it was suicide! I heard the shot, and he didn't an-
swer-"
Why had she waited so long before investigating? He
had fired the gun half an hour ago. It must have taken
her that long to work up her curiosity sufficiently. "Yes,
thank you," Zane said gravely. "I will take it from here."
"Oh, that's a relief!" The woman fluttered out.
Zane relaxed slightly. So it was true: he was mostly
unrecognizable while in the Deathcape. The woman had seen
page 45
him neither as himself nor as Death; she had taken him for a policeman, the kind of reassuring person she expected. Soon she would have the whole building informed.
He walked out himself, traveling along the narrow hall
and down the stairs toward the waiting vehicle. As he
did, he realized in a random revelation that the Deathstone
in the Mess o' Pottage shop had been technically correct,
but significantly wrong. It had signaled his encounter with
Death, but had not advised him that he would in fact
assume a new office and become immortal. That was the
problem with omens; they suggested the fact without sug-
gesting the implication.
He paused. What waiting vehicle? He had no car of
his own, and no one had told him of one. Yet he had
somehow assumed-what?
Well, how had Death traveled here? Did he flap his
arms and fly through the air, or did he drive a car? What-
ever it was, that was what Zane had to do.
He stepped outside, peering about, letting his eyes ad-
just to the night. There was a vehicle: a pale limousine,
parked sedately in the landlord's parking space. The land-
lord would have had the intruding car towed away-but
the man was coincidentally absent. Probably coincidence
favored the operations of the-what had Fate called
them?-the Incarnations. After all, how could Death han-
dle his rounds if his car kept getting towed away by irate
mortals?
Zane thought it was the Deathcar, because its parking
lights were blinking at him. The things of Death made
sure Death did not neglect them. Zane would have been
pleased, if the whole thing were not so grim.
He walked up to it and around the rear. The license
plate said MORTIS. That explained Fate's reference to
the name; he had somehow thought she referred to a
person, but obviously it was the machine. There was a bumper sticker: DEATH IS NATURE'S WAY OF TELLING YOU TO
page 46
SLOW DOWN. Just so. He opened the door and climbed onto the plush driver's seat.
This was as elegant and comfortable an automobile as
he had ever encountered. Somber quality emanated from
every part of it. The upholstery was genuine alligator
leather and the metalwork was solid chrome. It was prob-
ably worth thirty-five thousand dollars in stock condition
before the expensive options were added. He wasn't sure
he dared try to drive it.
His watch flashed, calling attention to itself. It was
mechanical, but it had a magic way about it. The glowing
hands indicated 8:05 P.M., the correct time of day. But
the red sweep hand was moving. It hadn't been before;
the seconds were marked by a miniature inset dial on the
left, opposite the day-date windows on the right. This
little hand was still moving, so he knew that function had
not been usurped by the sweep. What was the red hand
doing?
As he watched, the sweep passed the noon spot-and
the hand in the little thirty-minute dial just below it clicked
back from 9 to 8. The stopwatch function was operating-
and now he realized it was running backward. The sweep
hand was moving counterclockwise. What kind of stop-
watch was that?
A countdown timer, he realized. This watch was telling
him he had less than eight minutes to do something, or
to get somewhere. But what, or where?
A cold shiver crawled down his back. He was Death,
or some poor facsimile thereof. He had to go and collect
his first soul!
Zane rebelled. He had not sought this office! Only the
purest coincidence had brought him to this incredible pass.
Coincidence? He had touched on that before. If the
woman who had explained things really had been Fate,
then she must have measured the thread of his life; she
had guided him to his damnable destiny. She had put him
here deliberately. In so doing she had in effect killed his
predecessor. Why had she done that?
The watch was blinking insistently. He now had six minutes.
page 47
He wasn't sure what would happen if he missed whatever appointment he had, but knew already that these supernatural entities played hardball politics. Maybe his predecessor had balked, and so Fate had arranged to eliminate him. Certainly she had evinced no grief at his demise. If Zane balked, she could do the same to him. He wasn't sure how he felt about this office, but knew he wasn't ready for that. So he had better get on with the
job, trying to buy time to figure out his real feelings about it, and to ascertain what his real options might be.
Where was the instruction manual Fate had mentioned? He didn't see it, and didn't have time to look for it. The thing could have been lost a century ago by his predecessor.
Zane put his hands on the steering wheel of the car
named Mortis and touched his right foot to the acceler-
ator. Where was the ignition key? He had none. Maybe
it was back on the body of the former Death.
Zane shuddered. He had been propelled into this mis-
adventure, but he didn't want to go back to its starting
point! He checked the panel, hoping for an alternative.
After all, many vehicles operated by magic in minor ways,
just as many magic things had mechanical controls. A
simple touch switch was marked ON/OFF. He flicked it
to ON-and the car came to life. The front panel lighted,
the radio came on, and the seat harness clasped him pro-
tectively. The motor thrummed with muted power. Oh,
yes, this was some car!
Well, so be it. Zane found the reverse control and started
backing th car out. It handled like a dream device, amazingly
smooth and responsive. Death had live no spartan existence!
A warning beeper sounded, and the rearview mirror flashed;
the way was not clear. But in a moment it was, as a stray auto
passed, and he was able to back onto the street.
The Deathmobile continued to move smoothly, responding
so instantly and accurately to his smallest guidance that it
page 48
almost seemed alive. Zane was no automotive expert, bu
suspected this was one of the finest machines of its breed. It
was not magic, basically, but was as apt an instrument of
transport as anything magical could be. Oh, yes, Death
possessed the best!
Yet death, for all his perquisites, was dead. This was the
sombre reality beyond the seeming affluence. Death's killer
inherited the estate.
He shifted to DRIVE and moved carefully forward, getting
the feel of this wonderful thing. It was easy to merge with the
traffic. The windows and mirrors provided excellent visibility
all around, and the wheels seemed almost to steer themselves.
Maybe there were crash guards, magnetically distancing the
car from other vehicles. Certainly the driving seemed better
than Zane's own, since poverty had kept him out of cars for
some years.
The Deathwatch now indicated four minutes. Where was he going.
Zane concentrated on the passing geography and realized
he was heading west. But this did not necessarily bear any
relation to the direction in which he should go to make his
appointment. How did Death home in on his victims?
Victims? He did not like the term. Fate had used the word
'client', as he recalled; that was better.
By whatever term, there had to be a way. Zane felt about his
cloak and found an inner pocket with an object inside. He drew
this out and glanced at it while driving.
It was a bracelet, with the band broken. That explained why the
former Death had not been wearing it. Death had grown careless
about a number of details, it seemed! But what did this this item
signify?
There were three prominent jewels set in the bracelet. One
was an orange-yellow cat's eye, the eye stretching across half
the polished suface. It seemed almost alive, looking at him.
The middle one was a pink stone with a line across it, the line
page 49
capped by a kind of arrowhead at one end. The third was
greenish gridstone, probably rutilated quartz, pretty in its
fashion, with two imperfections on its surface. One marking
was light, the other dark. There was also a light tracery of
curved lines marring the otherwise straight-line pattern.
Zane couldn't make much sense of this. The watch now
showed only two minutes remaining. He had to figure things
out in a hurry!
He turned a corner - and as he did so, he saw that the pink
stone changed. Its arrow swung around to point in a new
direction. No - the car had swung about; the arrow pointed
the same way it had before, northwest.
Zane goosed the accelerator and cut into the fast lane. A
driver honked in protest, but gave him room. He turned
another corner, now going east - and the arrow swung again.
It definitely pointed somewhere.
He turned north, then east, orienting as well as he could on
the direction shown. The arrow remained true to its heading
- but now the cat's eye was changing, grrowing larger on its
stone. That must mean he was getting closer. It was a
perspective-stone, telling him when he got near to his destination.
But the cat's eye was expanding very slowly; if its rate was
linear, he would never get to his appointment on time.
Somehow it seemed very important that he did so. Was
lateness as bad as an outright baulk?
Zane turned another corner - and noticed that the green
gridstone brightened as he did so. What did that mean?
He turned again - and saw that a button on the car's dash
glowed in concert with the flash of the green grid.
Experimentally, he turned again, ignoring the chorus of
protests by the other cars to his erratic behaviour, and touched
the button with forefinger, just as it flashed.
The car wrenched. The outlines of the city blurred. Zane
felt as if he were in a spaceshuttle, zooming at supersonic
page 50