Chapter 06: Death's Dominion

The Deathcar phased south, emerging in dense jungle. The rutted mud trail here was too difficult for the mechanical vehicle, so it shifted to the stallion Mortis and trotted readily through the steamy growth.
"Halt!" someone cried in Spanish, the translation sounding in Zane's left ear. He looked around and spied a camouflaged soldier whose rifle was pointed menacingly.
Zane halted, drawing cloak and hood close about him, just in case. "Where is this?"
"I'll ask the questions!" the soldier snapped. "Who are you and what is your business?"
Should he tell the truth? Zane knew that could complicate things. Yet he was increasingly disinclined to deal in falsehood for any reason. "I am Death, come to collect a soul."
"Oh. Yes, sir," the soldier said, snapping to attention.
Surely he had not heard what Zane had said! The words must have come across as the recognition code for a high officer of this army. Well, if that was the way of it, he would play the part, as he didn't want to get lost in a region of violence. "Identify yourself and your mission," Zane said curtly.
"Sir, I am Femando of the Loyal Niqueldimea Army, on patrol to rout out the Seventh Communist renegades."
Zane remembered now: Niqueldimea was a banana republic, where guerrilla infiltration had been occurring for some years as the Communists sought to topple its unpopular autocratic government. Naturally there would be many killings here, and some would require Death's personal service.
His watch showed thirty seconds. "Carry on, Fernando," he said, and urged Mortis on toward the rendezvous.

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In a moment he entered a rather pretty jungle clearing. But as he did so, small-arms fire erupted. A bullet bounced off his impervious cloak. There was a scream beside him, and a Niqueldimean soldier jumped up, stiffened, and spun to the ground. Zane needed only a glimpse before the man was buried in the brush below to see that the right side of his head was gone. He was definitely dead — in fact, it was amazing that he had been able to jump — but this was not Zane's client. This soldier could make it to Eternity on his own.
More government soldiers charged into the clearing, intent on obliterating the sniper. The ground gave way under three of them, and they fell, screaming, into a pit. Yet the surface of the ground remained unbroken. Zane realized that this trap was concealed by a spell of illusion. In one sense, illusion wasn't real, but it could be just as deadly as tangible magic. Enchantment was countering bullets quite effectively.
Zane looked at his orientation stone. His client was in that pit, it seemed. Zane dismounted and stepped forward cautiously, following his gem-arrow as his watch countdown swung to zero.
His foot found the edge. He squatted, then sat, putting his feet down into the invisible hole, leaning forward, and getting his head inside the spelled region. Now he could see reality.
It wasn't pretty. It was a large, open cavity, with a dozen sharpened wooden stakes set upright in the bottom. The three soldiers were skewered on these. Two were dead, the third dying. The third was his client.
Zane slid carefully down the steep side of the pit and landed on his feet. This required only a few seconds, but in that time he became aware how the man was suffering. The soldier had somehow turned as he fell, and the cruel spike had penetrated his back and emerged from the side of his abdomen. He had been impaled excruciatingly, his head and feet dangling down to the ground. His blood was hardly flowing; the stake filled the puncture.
Zane tried to retch, but clamped his mouth shut. He lurched across and hooked out the soldier's soul, relieving

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him of his agony. Then he turned and leaned against the pit wall, breathing in long, shuddering efforts.
"You're new at this, aren't you?" someone said.
Zane turned about, still feeling dizzy and sick. A large man stood between the stakes. He wore brief, polished armor, a short, woven-metal skirt, and sported an ornate golden helmet, just like the picture of a Greek god of —
"War!" Zane exclaimed.
"Death!" the man returned sardonically.
"I didn't know —"
"That I existed?" War made an imperious gesture. "And who but Mars do you suppose should supervise this altercation?"
"No one else," Zane acknowledged, relaxing. "I just didn't think it through."
"I have been meaning to meet you," Mars said. "After all, we must often associate closely."
"Yes," Zane agreed distastefully. "I'm still breaking in. I've got the routine down well enough, but scenes like this —"
"This is a good scene," Mars said. "Small, but intense. It is the best that offers between major engagements."
"You like your work?" Zane asked, hardly concealing his revulsion. "What is accomplished by combat and bloodshed?"
"I'm glad you asked that question," Mars said expansively, and suddenly Zane was sorry he had asked it. Speeches of self-justification were seldom worthwhile for any but the speaker. "War is the final refuge against oppression and wrongdoing. You have another client on your watch. I'll walk with you while you attend to him."
Zane saw that it was so. Now he lacked even the excuse to quit the company of this grim warrior.
Mars walked to a corner of the pit where an earthen ramp led to the jungle floor. Zane glanced again at his watch, verifying that he had five minutes to reach another client close by, and followed.

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"What refuge do these dead soldiers have?" Zane asked, discomfited. "How did this battle help them?"
"They have glory," Mars explained. "All men must die sometime, and most go ignominiously from age or illness or mishap. Only in war do large numbers get to expire in decent glory."
"Glory?" Zane thought of his recent client, impaled agonizingly on a wooden stake. "Seems more like gory to me."
Mars bellowed out his laughter. "Cute, Death! You perceive only the instant of discomfort; I perceive the eternal reputation. A moment of pain for eternal fame! These men are sacrificing their blood on the altar of righteousness. This is the termination that renders their entire mundane lives sublime."
"But what about those who die fighting for the wrong cause?"
"There is no wrong cause! There are only alternate avenues to glory and honor."
"Alternate avenues!" Zane exclaimed. "It's pointless brutality!"
"You speak of brutality," Mars said, as if pleased to meet the challenge of opposition. "You are as brutal in your own office, I believe. How many of your clients go sweetly to Eternity on blithe wings of song? I will answer that—damned few! Even your reforms are savage things, less defensible than what I offer my clients."
"Your clients are my clients!" Zane protested.
"Your clients, my clients," Mars said, shrugging. He had excellently broad shoulders, making the shrug im- pressive. "Some coincide. Most don't. Consider the mode of executions. Do you approve of stoning a person to death, regardless of his crime, which may have been simply making time with a willing woman? Of crucifying him for his religious beliefs? Of breaking his body on the wheel because he stole a loaf of bread to keep himself from starving, or pulling his limbs off by means of chains

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attached to six horses because he refused to pay sufficient graft to get out of it, or burning him at the stake on a false charge of witchcraft?"
"No, of course not!" Zane said, taken aback by this savage catalogue. Mars had a rough-and-ready tongue! "But execution has been reformed."
"Reformed!" Mars snorted. "I remember the French reform. Doctor Guillotine invented a huge humane blade to sever necks quickly and cleanly. No more of this messy and sometimes inaccurate chopping that could cut into the shoulder or lop off the top part of the head or even take out the hands of the innocent person holding the condemned head in place. This modem method brought elitism to the poor, for before then only nobles had warranted execution by the sword. But do you remember what they did with that invention? I will inform you. They discovered that it could bring mass production to political murder! They could kill thousands in a day, chop-chop! The French Revolution became notorious for that humane reform!"
Zane didn't answer. Mars was too ready to fight.
They came to a ramshackle peasant house. A government soldier was passing it. Suddenly a child of about ten, a little girl, dashed out. The soldier swung his rifle around, but paused when he saw it wasn't a guerrilla. The girl rushed up to him, carrying something in her hands. As she reached him, she did something to the object.
"Hey — that's a grenade!" the soldier exclaimed, aghast.
The girl flung her arms about him, still clutching the grenade. The soldier tried to get hold of it, but she clung like a leech, her thin frame possessing the strength of fanaticism. Then the grenade detonated. She had armed it as she approached.
Pieces of the two of them sprayed outward. Blood splatted against the side of the house. "That was beautiful," Mars said. "That child brings great honor on her family."

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"Honor!" Zane cried, outraged. "I call it horror!"
"That, too," Mars agreed equably. "They do tend to associate on such occasions. That's part of what makes even a minor fracas intriguing."
Another soldier appeared. He had heard the explosion and now saw the carnage. This one had a hand-held flame thrower. He ignited it and swung the flame around toward the house.
Another child, a boy, younger than the first, ran from the house toward the soldier. But the man played the flame thrower directly on him, and in an instant the child was a mass of fire. Then the soldier concentrated on the house, starting it burning.
There was a whimper from the smoking mass on the ground. "Your client, I believe," Mars reminded Zane.
How could he have overlooked this! The Deathwatch stood at zero and the arrow pointed at the boy. Zane hurried over and took the child's soul. The whimpering ceased. "What honor was there for this child?" he demanded.
"Not much," Mars admitted. "He failed in his mission. Failure does not deserve reward."
"That wasn't my point! Without this war, there would have been no deaths at all! I would never have been summoned. All this horror would never have existed!"
"On the contrary," Mars responded tolerantly. "Without this war, the oppression of this populace would have continued indefinitely, grinding the people down, dispossessing them of their property, starving them out. They would have died later, it is true, but in a worse manner — that of sheep led to the slaughter. Now they are learning to die in the manner of wolves defending their territory. Violence is but the most visible aspect of a necessary correction, much as an earthquake is a release of enormous subterranean pressures. Blame not the symptom, my good associate; blame the fundamental social inequities that stifle innovation and freedom and can be

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corrected in no other way. I come to right wrongs, not to wrong rights. I am the surgeon's scalpel that removes the cancer. My edge may hurt for a moment, and some blood may flow, but my cause is just, as is yours."
Zane found himself unable to refute the ready and roughhewn logic of Mars. But as he looked at the still-smoking little corpse of the child whose soul he had harvested, he feared it was not God whom Mars served so much as Satan.
"I think in due course you will find yourself at war," Mars continued. "I recommend that you prepare yourself for that occasion by familiarizing yourself with your weapon."
"My only weapon is the scythe," Zane muttered.
"And an excellent one it is," Mars agreed.
"Mortis!" Zane called, and the good Deathsteed appeared. Zane mounted and departed, without speaking again to Mars.
He arrived early, as he was doing more often now. The address was a rundown nursing home in a slum district in the resort city of Miami, wedged between a rickety dance hall and an old evangelistic church. The interior was gloomy and stank of urine. Old people sat unmoving, perhaps asleep. There were no games or magazines, and no conversations. The general mood was hopelessness. Zane didn't like such places and had fought to keep his mother out of one — too successfully.
His client was an old man with a white shock of hair and a dribble of brown where the comer of his mouth leaked. Zane walked toward him, but paused as he saw the rope. "You're tied to your chair!" he exclaimed.
The man looked up. "Otherwise I'd fall," he explained.
Zane realized that adequate facilities and competent attendants were beyond the means of this establishment. The poor and homeless could not afford a luxurious retirement.
"One favor," the man said. "If it is not too much to ask."

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"If I can grant it," Zane said guardedly. "You know I can not grant a reprieve if it is a terminal illness that — "
"I'd like to have a hymn, to see me out."
Zane was surprised. "A hymn?"
"Holy, Holy, Holy. It's my favorite. I haven't heard it in years, and I miss it."
Zane wrestled with perplexity. "You want someone to sing a song?"
"Oh, a recording would be fine," the old man said. "Just to hear the sound. It's a great hymn! But I know my wish is foolish."
Zane considered. "It seems simple enough."
The man shook his head, now ready to argue the other side. "They don't allow music here."
Another man spoke up. "We get enough noise from the neighbors, though! That infernal racket from the dance hall, so we can't sleep at night, and those screaming sermons and rehearsals from the other side, that 'gelical church."
Now there was general interest, as the others in the room came to life. Zane's appearance was a novelty, relieving the utter boredom they were accustomed to. "Everyone else gets to do his thing — why not us? What's wrong with one hymn?"
"I think you should have it," Zane said. "All we need is a phonograph, or a cassette player, or a magic music box."
There was a murmur ofdemurral. "They won't let us have it," another man said.
"You shall have it," Zane said firmly. He walked up to the nurses' station, where a male nurse was reading a popular magazine. There was a full-page color ad on the back: HELL—IT ISN'T JUST FOR BADNESS ANY MORE. Bright orange flames surrounded a scene of enthusiastic debauchery, and the Dee & Dee trademark devils were doing something that made Zane wince.
"Nurse," he said.

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The nurse glanced up. "No music allowed. House rule," he said, and returned to his page.
"We can make an exception," Zane said. "A man is about to die, tied to a chair like a condemned criminal. His last wish shall be honored."
"Are you for real? Get out of here." The man's eyes remained on the page.
Zane, annoyed, reached out and lifted the magazine from the nurse's hands. He leaned forward, gazing into the man's face. "There shall be music," he said.
The man started to protest, but froze as he met the hollow eye of Death. "There's nothing here," he mumbled, fazed. "I would get fired if — " "Then we shall do it without you," Zane said. "You may register your protest for the record — but take care that it is not too vigorous. We are going to have one hymn here, with or without your cooperation." He pointed his finger at the man's nose; in the Deathglove it looked skeletal. "Do you understand?"
The nurse blanched. "You aren't going to hurt anyone? I only follow rules, I don't want trouble, but I don't want anyone hurt."
So the man did have some meager conscience. He was lazy and indifferent, but not evil. "One man will die, as he was fated to. No one will be hurt."
The nurse considered that, evidently having a bit of trouble reconciling death with not hurting. He swallowed. "Then I'll call in my protest to the owner's answering service. It usually takes them forever to get back to me, especially when there's an emergency." He scowled. "Emergencies cost money." He reached for the phone. "But there's no stuff here to use, not even a radio. My boss says silence is golden, and he does love gold."
Zane turned away, disgusted with that owner. Perhaps one day that character would discover himself grubbing

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for gold in Hell. "I shall tend to this," he told his client, turning off his countdown timer. "You will not feel discomfort until you have had your hymn." He walked out of the nursing home.
First he tried the dance hall next door. The entry foyer was crowded with machines dispensing candy bars, two- bit love potions—"Slip her this, and she'll promise you anything!"—and spot dressings for blisters. The main hall was empty, for this was the dead morning shift. Several shaggy teenagers were on the stage, working out with drums, guitars, and an electric organ, bashing out dissonance with a deafening beat. This was rehearsal time, though Zane could not see how such noise could profit from practice.
Zane approached and put his hand on the largest drum, the fingers of the glove causing its sound to die immediately. "I require a performance," he said.
He had their instant attention, though they did not recognize his nature. "Hey, a gig? How much?"
"One song, for charity, next door."
They laughed. "Charity! Go soak your snoot in battery acid, mister!" the drummer said. "We don't do nothing for nothing!"
Zane turned his potent gaze on the kid. "One song."
Like the nurse before him, the youth blanched. People seldom saw Death when they were not clients or closely attached to clients, but Death could indeed force his awareness on them when he wished. Hardly ever did a person face Death directly without feeling the impact. "Uh, yeah, sure. Guess we can do one song, like for practice."
"A hymn," Zane said.
The laugh was louder, though somewhat uncertain. "Man, we don't do church junk! We're the Livin' Sludge! We boom, we flow, we fester; we don't damn well hymn!"
Again Zane delivered the Deathstare. Young punks like this were more resistant to it, since they did not believe

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they were ever going to die. "One hymn. Holy, Holy, Holy." His bony, square eye sockets bore into the fleshed orbs before him.
Again the kid was fazed. "Sure, well, I guess we could try. Like, it's only one tune. But our singer's out, she's zonked on magic H, and anyway, we'll have to rehearse. It'd take two, maybe three days, you know, just to start."
"Now," Zane said. "Within the hour. I will find you a singer."
"But we don't have no music or nothing!" the youth protested desperately.
"That, too, I will provide," Zane said, controlling his ire. Had he ever been this age himself? "Go now to the nursing home next door and set up your gear. I will rejoin you with a singer presently."
"Yeah, sure, man," the kid said faintly. "We'll be ready in half an hour. But you know, this ain't exactly our bag. It ain't going to be too sharp."
"It will suffice." Zane left them and strode to the church on the other side of the nursing home.
He was in luck. The church choir was rehearsing for the coming weekend service. Several black girls were present, doing what to Zane's ear was a mishmash of notes and ululations.
The preacher spotted him immediately. "Hey, don't you go takin' none of mine. Death!" he protested. "We're good folk here. We don't want no trouble with you!"
Zane realized that this church might be poor and backward, but the preacher was a true man of God, able to discern a supernatural manifestation instantly. That would help. "I only want a hymnbook and a singer," Zane said.
"Hymnbooks we got," the old man said eagerly. "This white do-gooder group, they raise money, bought us books, don't know nothin' 'bout our music. Got a big pile of 'em under dust in the closet. But one of my girls — Death, I won't stand by and—"

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"Not to die," Zane said quickly. "To sing one hymn for the folk next door. For a man who is about to die."
The preacher nodded. "Man's got a right to one last melody. What's it called?"
"Holy, Holy, Holy."
"That's in the book, but we don't sing it. Not our style."
"Find a singer willing to try."
The preacher addressed the practicing choir. "Anyone sing white music? Hymnbook stuff?"
There was a murmur of confused negation.
"Listen," the preacher said. "You don' know this person in the hood, and you don' want to. But / know him. The eye of the Lord is on him, and he needs one hymn, and we've got to help him any way we can. So if any of you can even try to oblige him, come on."
At length one rather pretty girl in her teens spoke. "Sometime I sing 'long on the radio stuff, jus' for fun. I guess I could try, if I got the words."
The preacher rummaged in the closet and brought out an armful ofhymnbooks. "You got the words, sister. Come on, we'll go help this person. Won't be long."
Zane took some of the books and led the way to the nursing home, where the Livin' Sludge was setting up, to the considerable entertainment of the inmates and the non-protesting nurse. Probably there had not been an event like this here in decades. Cables and loudspeakers and instruments seemed to fill the main room. "Hey, don't set those big speakers in here," the nurse was saying. "Small place like this, that noise'll deafen these old folk, and they've got problems enough already. Face those monsters out the windows." And it was done, for it seemed the Livin' Sludge was constitutionally unable to function without full-volume amplification.
The young singer eyed the Sludge, and the Sludge eyed her. Each evinced a certain morbid fascination with an

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alien life form, but neither evinced approval. Zane realized it had probably been a mistake to involve the instrumental group; the girl would have done better a cappella. Too late now;
The preacher stepped in, seeing the need. "You boys don' know hymn music, okay? This is Lou-Mae; she don' know junk music, so you're even. So let's try her doing the hymn, you follow, okay?" He was more or less speaking pigeon, in order to get his meaning across to these foreigners. He passed out the hymnbooks.
The musicians leafed through the books, bewildered. "This scene's worse'n bad-spelled H!" one muttered. Zane knew that H was bad, enchanted H was worse, and badly enchanted H was a horror. But addicts had to take what they could get. "We'll never live this down."
"You boys getting high on S-H?" the preacher asked, frowning. "That'll put you in H!" He pointed down, signaling the change in meaning. "You better find some better interest before it's too late."
"Wish we could," the drummer confessed. "But you know, we're locked into the scene. S-H don't let nobody go."
"Neither does H," the preacher said, with a dark glance down. "Nobody hooked on either H in my church."
"Yeah, sure," the drummer said wearily.
Zane got them on the page with Holy, Holy, Holy. "Play this," he said.
They tried. They were, underneath, reasonably competent musicians. The tune did not adapt well to drum and guitar, but the electric organ picked it up easily enough.
The phone rang, the sound almost lost amidst the noise of preparations. "But I can't sing into a mike," Lou- Mae protested. "It's in my way, and it looks funny."
"I'll tell you what it looks like!" the Sludge drummer said, grinning.
"Jus' ignore it, sister," the preacher advised quickly. "Jus' sing your way."
"There are people gathering outside," a nursing home inmate cried gleefully by the window. "Gawking at the loudspeakers!"

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