Date | Event |
1677 | Giulio Cesare (Sartorio) |
1681 | Opus 1 (church trio sonatas, Corelli) |
1687 | Armide (Lully) |
1689 | Dido and Aeneas (Purcell) |
1692 | Opus 5 (incl. ripieno conc., Torelli) |
1698 | Opus 6 (ripieno and solo conc., Torelli) |
1711 | L'estro armonico (solo conc., Vivaldi) |
1712-14 | Opus 6 (Corelli) |
1716 | Art of Playing Clavecin (F.Couperin) |
1717 | Orgelbuechlein (Bach) |
1721 | Brandenburg Concertos (Bach) |
1721 | Griselda (A. Scarlatti) |
1722 | Well-Tempered Clavier Book I (JS Bach) |
| Treatise of Harmony (Rameau) |
1724 | Giulio Cesare (Handel) |
1725 | Concert Spirituel (Philidor) |
| Gradus ad Parnassum (Fux) |
| Opus 8 ('Four Seasons', Vivaldi) |
1727 | St.Matthew Passion (Bach) |
1728 | Beggar's Opera (Gay) |
1730 | Clavecin Pieces Book IV (ordres, F. Couperin) |
1731 | Cantata: Wachet auf ruft uns... (JS Bach) |
1733 | La serva padrona (Pergolesi) |
| Mass in B minor (short version, JS Bach) |
1735 | Coffee Cantata (JS Bach) |
1737 | Tafelmusik (Telemann) |
| Castor et Pollux (Rameau) |
1740 | Symphony in D (Sammartini) |
1741 | Messiah (Handel) |
1742 | Peasant Cantata (JS Bach) |
1747 | A Musical Offering (JS Bach) |
1748 | Art of the Fugue (JS Bach) |