| Date | Event |
| 15th c. | Old Hall MS (Dunstable/Power) |
| | Bodlein Codex (Dufay/Busnois) |
| | Trent Codices (Dufay) |
| | Chigi Codex (Ockeghem) |
| | Eton Choirbook (English) |
| 1430s | Se la face ay pale (chanson, Dufay) |
| 1436 | Nuper rosarum flores (Dufay) |
| 1440s | Martin le Franc's contenance angloise |
| 1440s | Missa Alma Redemptoris
(uses cantus firmus, L. Power) |
| | Missa Rex seculorum
(free c.f., Power/Dunstable?) |
| 1450s | Missa Se la face ay pale (Dufay) |
| 1460s | Adieu m'amour (rond., Dufay) |
| 1470s | Ave regina caelorum (4v mot./Dufay) |
| 1477 | Liber de arte contrapuncti (Tinctoris) |
| 1490s | Missa La sol fa re mi (Josquin) |
| | Ave Maria gratia plena (Josquin) |
| | Missa L'homme arme super voces (Josquin) |
| 1501 | Harmonice musices Odhecaton |
| 1501-05 | Missa Hercules (Josquin) |
| 1504 | First Book of Frottole (Petrucci) |
| 1514-20 | Missa Pange lingua (Josquin) |
| 1515 | La Guerre (descriptive chanson, Janequin) |
| 1520s | Attaignant's Chanson Collections |
| 1523 | Toscanello (Pietro Aron) |
| 1527 | Willaert at St. Mark's, Venice |
| 1528 | Chanson nouvelles (Attaignant) |
| 1530 | Madrigali (1st printed collection) |
