[Questions on Act Four]
Questions on Act Four
The Plot
Gertrude lies to the king by telling him that Hamlet
killed Polonius in a mad rage which he now regrets and
Claudius lies to her by saying that his love for Hamlet
prevented him from restraining the Prince. Emotionally
(perhaps), Claudius calls his loyal servants,
Rosencrantz and Guildenstern, to search for Hamlet and
worries about how he can avoid being blamed for the
murder.
Hamlet is found by Rosencrantz and Guildenstern. He
explains why the former is like a sponge and runs away
again.
Claudius will not prosecute Hamlet because of his
popularity. He interrogates Hamlet and is eventually
told where Hamlet has hidden the dead body. The
conversation between the two protagonists is filled with
scarcely veiled threats. After Hamlet and the others
leave, Claudius reveals his plan to have Hamlet killed
by the English king.
On his way to England, Hamlet encounters Fortinbras and
his army on their way to Poland to fight over a small
patch of land. In his final soliloquy, Hamlet ponders
(a) the difference between men and beasts, (b) the
reasons for which he has delayed his revenge, (c) the
way in which Fortinbras, despite being despicable in
terms of his ambition, provides Hamlet with an example
to follow, and (d) the nature of greatness. He resolves
to think only warlike thoughts from now on.
Gertrude is persuaded to speak to Ophelia on the grounds
that her mad speech will allow suspicious people to
create their own suspicious interpretations. Ophelia
enters and sings songs which concern faithless love and
the death of an old man. Claudius interprets her madness
as mourning for the death of her father. He then bewails
the catalogue of woes that his rule has recently
encountered. He finishes with the news that Laertes has
arrived secretly from France and is listening to rumours
of the King's involvement in Polonius' murder. At this
moment, Laertes enters, at the head of a riotous rabble,
who want him to be king. He wants to kill Claudius but
the Queen holds him back. Laertes is determined to have
his revenge, and is made considerably more angry by the
arrival of the mad Ophelia who gives everyone cryptic
flower messages. Laertes interprets this as her wish to
have him take revenge. Claudius manages to talk Laertes
out of killing him, first by calling his bluff regarding
the blasphemous idea of killing a king and, second, by
telling Laertes that another person is to blame. He
takes Laertes out of Gertrude's hearing in order to tell
him about this other person.
Horatio receives letters from via seamen from Hamlet who
has done a deal with some pirates who captured Hamlet
while defending their ship against the pirates.
Claudius and Laertes plot against Hamlet. Claudius will
not take overt action against Hamlet because of the
peoples' and Gertrude's love for him. The two plot to
engage Hamlet in a fencing match involving an unblunted
rapier which is also poisoned and, as a backup, a
poisoned drink. The Queen enters with the sad news that
Ophelia has accidentally drowned. Claudius finishes the
act by lying to Gertrude again that he has been trying
to calm Laertes' rage.
What? Why? How?
1. Claudius begins and ends the act by lying
to Gertrude. Name FOUR other aspects of his
character that are provable on the basis of
what he says and does in this act. Is he still
wracked with guilt, do you think?
2. Has Gertrude reformed after her
confrontation with Hamlet in III.iv.?
3. In what ways does Hamlet appear to change
during this act?
4. When Laertes speaks in this act, he often
uses hyperbolic (over-exaggerated)
expressions. What might this imply about him?
5. Why has Ophelia gone mad? How might this be
proven?
6. What does the Queen's speech about
Ophelia's drowning suggest about her madness
and the reasons for her death?
Structure
1. A past exam question reads: 'The action of
the play begins to break down after act
three'. Discuss. Why might you agree on the
basis of act four?
Themes and Imagery
1. Where is disease imagery used in this act?
Find FOUR examples. How is the meaning of this
imagery made explicit?
2. What do scenes five and seven suggest about
what commitment to taking revenge does to
people?
3. Nonetheless, in what ways might Hamlet
appear to be (morally) better than (a)
Fortinbras and (b) Laertes?
Ê
Ian Delaney.
Copyright © 1997
Shakespearean Education
Last Updated: Monday, 23-Feb-98 11:34:44 EST
email: ian@hamlet.hypermart.net