Buck Owens 1929-2006

One of the great influences in my life was meeting and working for Buddy Rogers. He was the guy that handled my bookings during the first few years of my career. He taught me a lot about life and respect of my elders, among other things. He opened doors for me that had been closed. He was a fantastic friend that I will talk about until I can't do so anymore.

Buddy used to book me in big cities as well as small towns and kept me busy at least 24-27 days a month crossing these United States. It was during one of these trips that we were booked to wrestle in Los Angeles at the old Olympic Auditorium. Buddy had met me in Phoenix, and we rode together that night to Los Angeles.

Arriving a day early as scheduled, Buddy took me to see a huge country music festival. At the time, I was not a huge country fan, but I could take it or leave it. Buddy knew some of the guys performing and got us backstage. It was there where I first met Buck Owens. He left an impression on me that has been there for over 40 years.

Buck was quite the businessman as he scurried around the stage area lining up different people to do various things. He not only stopped in his tracks when he saw Buddy Rogers but came right to him and grabbed him in a big hug. They shook hands and asked about each other’s family and where they had been. He included me in the conversation many times, even though we had just met.

Buck was just that kind of guy. I will never forget him saying he was sorry that he would have to get back to work. What a humble loving person he was. I was very shocked to learn of his death while getting on the Internet Saturday morning.

I have gathered a few things about Buck that I would like to share with my readers. Now, you’re in Heaven with all the greats of the entertainment industry, including Kenny Price and Grandpa Jones, whom you shared the stage with as the Hee Haw Gospel Quartet.

Singer, songwriter, and guitarist Buck Owens has died. He ruled the country music scene for a period in the mid-1960s, producing a clear, twangy, danceable sound that he repeated across dozens of chart-topping singles. Though he would later become a fixture on television through the success of Hee Haw, Owens is best remembered by fans and those younger stars he has influenced for timeless hits like “Act Naturally” (#1, 1963) and “My Heart Skips a Beat” (#1, 1964).

His early life followed the classic Depression-era Dust Bowl family stereotype. Sharecroppers from North Texas near the Oklahoma border, his family moved west to Arizona in 1937, barely making ends meet. Having experienced the depths of poverty, Owens began playing the honky-tonks of Phoenix and Mesa, Arizona, to make money, learn a trade, and stay away from the harsh conditions of farm labor.

The musical influences on the young Owens were diverse, reflecting both the popular music of the time and places in which he matured and the various styles that he had to learn to play as a working dance-hall musician in the Southwest. He listened to stringband and cowboy music on Mexican border radio stations and learned to play and synthesize western swing, rhythm & blues, and the emerging genre of honky-tonk. In 1947, he met Bonnie Campbell, with whom he worked in a group called Mac & the Skillet Lickers, and the two married in 1948.

In 1951, Buck and his new wife, Bonnie Owens, moved to Bakersfield, California, where Dust Bowl refugees had ended their trip west in fertile farm fields and the burgeoning oil industry. From 1951 to 1958, Buck played at the Blackboard, the center of the vibrant Bakersfield music scene. As lead guitar player and singer for the house band led by Bill Woods, Buck worked marathon shifts and played anything to get folks dancing, including country, R&B, rockabilly, rhumbas, polkas, and even sambas.

He also took advantage of Bakersfield’s proximity to Los Angeles to play sessions at Capitol studios, establishing himself as a session guitarist for artists such as Tommy Collins and Gene Vincent. He made a few singles for local labels, and even recorded a rockabilly single, “Hot Dog,” for Pep Records in 1956, which was released under the name Corky Jones so that Buck’s country credibility would not suffer. Capitol producer Ken Nelson signed Owens to Capitol in 1957. Two years later, “Second Fiddle” became Owens’ first chart record.

During a period he spent in the Seattle area in the late fifties, Buck struck up a musical relationship and personal friendship with a young fiddler, Don Rich. Their partnership was crucial in Buck’s career, and Rich stayed with Owens as musician, guitarist, and leader of Buck’s band, the Buckaroos, until his death in 1974.

Owens’s first #1 hit, which began a string of six years in which he had at least one #1 and usually had three, was “Act Naturally” in 1963, later covered by the Beatles. Following this with a series of similar singles with a clear sound that seemed literally to jump out of AM transistor radios, Owens hit the top again and again with songs such as the ballad “Together Again” (#1, 1964), “I’ve Got a Tiger By the Tail” (#1, 1965), “Think of Me” (#1, 1966), and “Sam’s Place (#1, 1967).

Unlike most other artists during the heyday of the Nashville Sound, Owens would virtually always record with his road band, giving his records both a distinctive sound and a live feel. From 1963 to 1967, during the peak of Owens’ commercial and artistic career, Owens and Rich were joined by pedal steel player Tom Brumley, drummer Willie Cantu and bassist Doyle Holly on all of Owens’ records and on the Buckaroos’ own marginally successful releases on Capitol. While Nelson nominally produced his sessions, Owens would shape and control the band’s sound and songs. These factors, and Owens’ desire to keep the same winning song and arrangement formula, helped to create the conditions for his signature style based upon simple storylines, infectious choruses, twangy electric guitar, an insistent rhythm supplied by a drum track placed forward in the mix, and high two-part harmonies featuring Owens and Rich.

Owens’ control of his music was reflected in his business interests. He established himself as a savvy businessman early in his career with Blue Book, a music publishing company that controlled his own work and that of other Bakersfield writers like Merle Haggard. Owens also invested in radio stations throughout the Southwest, and, with his manager, Jack McFadden, established his own management and booking agency that handled a number of artists.

After many career highlights, including shows at Carnegie Hall and the Fillmore in San Francisco, Owens’ recording career faded both commercially and artistically in the 1970s, though he kept quite busy with his many business interests and with Hee Haw. He was coaxed out of retirement in 1988 by Dwight Yoakam, who helped him return to the top of the charts with the duet “Streets of Bakersfield.”

Rest in Peace, Alvis Edgar Owens, Jr.

Percival A. Friend, Retired
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