Issue #15, 30 November 2005
 



NEBULAR

The English version of Nebular No. 2 "Triton Base in Danger", can be downloaded for free at:
http://www.scifi-world.de/eng/scripts/download.php?wahl=2

click on the appropriate version: MS reader, PDF (Acrobat) etc.

Each Nebular issues comes with its own piece of music, composed by Karsten Löperick. Just click on the music note symbol on the download page.

The translation of Issue No. 3 "Scorge" is finished and is currently running through its editorial paces. We intend to make it available before Christmas.

Please, submit comments or suggestions to:

Thomas Rabenstein: ThoRab@scifi-world.de (German or English)

Götz Piesbergen: GotzGps@aol.com (German or English)

Michael Koeckritz for TRI: perry-rhodan-ca@rogers.com (German, English or Spanish)

The German NEBULAR team:

Thomas Rabenstein, Artur "Jeff" Diessner, Arthur Frey, Karsten Löperick, Peter Sartorius, Nino Coviello, Markus Mayer, Matthias Meier

The English NEBULAR team:

Götz Piesbergen, Michael Koeckritz, Norman Riger, Tim Anderson, Tom Norris and Kevin Breen.

 

TRI Mystery Price

And the winner is ...

Since there was very little response to the Mystery Price contest,
I have decided to issue the price to all of the 4 participants.

The winners are:

Thomas Ruddock, Ukia, California, USA, with the name: Hellian

Jim Rapp, El Paso, Texas, USA, with the name: Funnel Face

Norman Riger, Minneapolis, Minnesota, USA, with the name: Green Nose

Tom Norris, Los Angeles, California, USA, with the name: Conundrum

At this point in time I will not reveal the price as I have intended it to be a Christmas surprise!

 

   

 

 


Kurt Mahr


Atom Alert


Tabu-Planet Shaft

Perry Rhodan Author's Profile

 

Kurt Mahr

Klaus Mahn alias Kurt Mahr was considered the »Physicist« of the PERRY RHODAN-Team. He was born 1934 in Frankfurt and started civil engineering after he had finished high school. However, in 1956, he changed his course to become a Physicist. Having received his diploma, he decided to move to the USA to start employment at Pratt & Whitney.

His writing career began at the end of the 50's when he was writing Romance and Wild West novels. He wasn't too successful with these genres, but this all changed as soon as he dived into science fiction. In 1960 his novel »Zeit wie Sand« (Time like Sand) as part of the »Terra« series was released, followed by PERRY RHODAN novel 5 »Atom-Alarm« in 1961.

His professional knowledge as physicist was very important for the success of the Perry Rhodan series, especially because his novels contained exact technical and scientific extrapolations. Kurt Mahr left the States in 1972 and returned with his family to Germany .

Then in the same year, he started to also work for the Perry Rhodan sister series ATLAN.

Kurt Mahr was now fully involved writing the stories for the weekly PR novels, the pocket book series as well as ATLAN.

Kurt Mahr returned to the US in 1979 and continued his work from there. Together with Ernst Vlcek, he was in charge of the Perry Rhodan Exposés from 1985 on. Another one of his accomplishments was the “PERRY RHODAN-Computer” which he wrote for over one and a half decades.

Kurt Mahr, who lived in Florida, USA , died in a car accident 1993. Johnny Bruck, the well-known Perry Rhodan cover artist dedicated the cover of PR 1700 »Möbius« to Kurt Mahr.

 

 

Adaptation: MK

Source: PMV

 


Alfred Kelsner

A little Friend

The Explosive Force

Perry Rhodan Artist Profile

Alfred Kelsner

Majestic size spaceships are racing by suns and planets. Gliders swoosh across the surfaces of ice planets and jungle worlds, while people, robots and alien beings have peaceful encounters, at times even engaging in raging battles.

Alfred Kelsner was born 1949 in the city of Buende, Westphalia, Germany .
At a very early age, he began exploring the world of art by drawing pictures on the wall paper in his home, even before he was ready for grade school. As a child he was mostly interested in drawing pictures of knights and castles. This changed however, in his adolescent years after he purchased some astronomy books and a telescope. This paved the way to become a hobby astronomer and encouraged him to try his kills on science fiction art, which then developed into a passion.

Alfred apprenticed as a sign and bill board painter and later studied graphic design at the Cologne Technical College . Since 1978 he's working as freelance graphic artist and illustrator.

Looking at his pictures, one might think that Alfred was a science fiction fan from way back then, but that is a deception. Not before the 1980's, he wasn't even remotely interested in science fiction until he found a Perry Rhodan issue written by William Voltz. He discovered that Willi Voltz had a similar life philosophy, which prompted Al to spontaneously send some photographs of his pictures to Willi Voltz.

Alfred is drawing the cover pictures of the PR pocket book edition already for quite some time and had joined the group of cover artists for the Perry Rhodan series since early 1996.

However, that's not all. Alfred Kelsner also wrote short stories, which were, together with his pictures, published in the Moewig hard cover edition »Zeitsplitter« (Time Fractures).

Before he starts his work on a new PR picture, he first reads the exposé of the novel the title picture is to be made for. Since the finished novel is not yet at hand at that time, the exposé has to suffice and a quick phone call to the author is nothing out of the ordinary. The author then explains how he / she envisions the scenario. Sometimes it's the other way around, where the author calls Al and asks him to create a nice spaceship for which the author then develops the story. The latter is more suitable for Alfred's creativity as he then roams freely and let his imagination fly.

Many times, he portrays scenes of people, overwhelmed by the vastness of space or spaceships approaching a planet. He draws scenes of children with big eyes, viewing their future, which to them seem strange and uncertain, while discovering eternity in ways grown-ups have forgotten to see.

His pictures, outside the Perryverse, sometimes reflect not only optimistic schemes, but also show another side of this talented artist, where he portrays pessimistic visions through which he wants to show the viewer the decay of our world, indications by which the audience can be part of real life changes and relations. Many times, he presents his figures with staring visual expressions, conveying a sensation of despair.

This seems to be the moment where his creations produce a mirror image and allow the viewer a snapshot into his soul.

The Article based on a text by Volker Nübel, previously published as part of the »Großes PERRY RHODAN-Fanbuch«


Adapted and interpreted by Michael Koeckritz

Source: PMV


Fig. 1.

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Fig. 6.

Fig. 7.

Fig. 8.

Fig. 9.

Fig. 10.

Fig. 11.

Fig. 12.

Instructions for the Discoverer Type II, Saturn-Class Spaceship. Card Board Model

Scale: 1: 11,250, layout for A4 print. (It will fit on a 8 ½ by 11 sheet)

What's needed other than fine tuned skills, time, a patient wife, all the lizards leashed up and the kids in bed?

The following list is not complete, because well versed card board model builders have their own idea of what to use to build a model.

You need or should have:

A hobby knife, (surgical knife, even an Exacto knife might be okay)

A steel ruler or a steel edged wooden ruler (metric or imperial, don't matter)

Glue!!! (“UHU” All purpose glue, if you have good connections to Germany or paper glue that isn't too much water based, as it could quilt the cardboard, ruining your model. UHU Pritt stick is OUT !)

What else?

A cutting mat or what I use is a clear, glass, fridge crisper cover or a window pane, as long as it has a smooth surface. (If everything fails use the glass doors of your stereo rack, just make sure you clean it again after your done or else!)

Scissors large and small for the long and tinier cuts. Make sure the scissors are SHARP!

Some sort of grooving or creasing tool, knitting needle, back of a DULL knife, even shirt packaging needles work if used at an angle of about 20 to 45 degrees. (You don't want to scratch up the paper, just grove it for easier bending or folding)

Now, the German instructions want you to go out, drive all over town and by a plastic sphere which can be taken apart into two semi-spheres. I don't think that's necessary, unless you want to use the individual semi-spheres to simulate an energy shield above the finished model later. Nevertheless, the diameter should be 16 cm (6 5/16th inches)

Print out sheet 1 once and sheet 2 trice (I mean three times)

Recommended card board stock should be 320 M, 80 lbs cover weight, about 11 points or one weight gauge lower. Everything below is too flimsy and everything heavier makes the model look awkward and the seams might not fit anymore because of “added” thickness. If you decide to use glossy cardboard, be advised that not all laser or ink jet printers support this type of material. If you use an Epson R 200 or R 300 Photo printer, set the media to CD print. All other printers: be careful as the glossy paper cannot take the usual ink spray amount and therefore produces smudgy images and wastes a lot of ink. (This covers Mic's Tech Tips for this month)

The following instructions should be followed in sequence; however, you decide how you want to proceed, although it would be best to follow the instructions first time around.

Caution : As you can see, there is not too much space in-between the A segments and in-between the B segments. Carefully and precisely cut out all parts. (I'd advice to cut them out in sequence as they are needed, less clutter on the table, plus if you need to make some groves, it is better to cut the parts out AFTER you grooved the lines that need grooving. It's a pain in the neck if you slip on an already cut out part, making the intended grove inaccurate and fitting becomes a nightmare.)

Locate the line between the glue flaps and the “model area”. Use your ruler and your grooving / creasing tool and grove exactly on that line. These are folding lines and should be worked accurately. Round lines can be grooved along the edge of a water glass or simply free hand. It is suggested in the German original to even use the edge of the semi-spheres which you didn't buy because I said it's not needed.) If you do it free hand then take your time. Only apply enough pressure needed to put a nice groove into the card board. If a flap needs to be bent toward the back, it is a good idea to grove the line from the back of the card board; otherwise, the front (printed side) could break open, revealing an ugly white stripe as you assemble the model. Use a fine pencil and extend the grooving line into the free area of the sheet by ¼ inch or so. Use a thin needle and prick a hole through the paper, turn the paper around and put your ruler exactly on these pin holes, then grove the paper from the back.

Sometimes this doesn't work out because of too many curves, then only a smaller ruler and patience will help or free hand grooving. Prepare ALL pages!

Note: the sheets show a vertical line through the center of parts A, connecting to a small circle at the tapered end. DO NOT groove these lines; they were used as alignment markers when the model was drawn.

Contrary to the German instruction, I'd suggest to cut out and assemble the parts for the stand first Parts H1 to H3 on all sheets. This provides you with a model scaffold / stand / pedestal on which the completed and assembled lower or upper semi-sphere can be placed, while you're working on the second semi-sphere. It is also helpful when assembling both semi-spheres to form the completed model. If you intend not to use the stand for display purposes and would rather suspend the model on a string from the ceiling then build the stand anyway for obvious handling reasons. I will tell you later what to do to make the model hang from the ceiling or Christmas Tree …

Fig. 1. shows how to cut the top curvature of the stand by means of one of the plastic semi-spheres, using a cutting knife. However, that's not necessary.

The construction of the model will proceed in quarter segments. Each quarter segment contains strips A1 to A6 and the stiffeners / jointers B. A semi-sphere will therefore need 12 (2 X A1 to A6) and 6 (2 X 3 B) segments. Sorry for the Algebra.

Cut out the material needed to complete the first quarter. A1 to A6 and 3 strips B.

You probably saw that you have two sets per page. One set is for the northern hemisphere the other set for the southern hemisphere.

After you've cut the parts out, run the backside (unprinted) of the strips over the table edge to pre-form them. (just slightly, make sure they don't curl up) You can also run them between your thumb and index finger while applying a slight drag onto the paper as you pull the paper through your fingers. (Watch out there is a danger of receiving “paper cuts”, so, do it slowly, Mensch!)

Pre-align all odd strips: A1, A3 and A5 on top of strips B. Then glue Strips B underneath Strips A1, A3 and A5. Fig. 2. Bend the grooved flaps of strips B ever so slightly backward, so they are out of the way for fitting. (I hope you've also cut out the little triangles of the B strips so they look like some glorified saw blades. If not do it now, this is your last chance, but be careful not to cut into the A strips.) After the strips have dried, pre-bend them again as before by running them over a table edge or between your fingers.

If you would have bought the plastic sphere then you could have used the surface curvature as a guide, but it also works without the plastic stuff, trust me! Fig. 3.

Now take strip A2 and attach it to the glue flaps of A1. The numbers are on the bottom! Glue the flaps step by step. Now align the two strips so that the edges are nicely coming together, there should not be any buckling and the seam should be smooth. Now attach the next strip A3 to A2, proceed the same way as before and follow the number sequence so it reads A1 to A6 at the bottom. Fig. 4. You have now completed a quarter segment of a hemisphere. Fig. 5.

Now do the same with the next set of segments until you have finished 4 quarters.

It's up to you if you want to continue and finish all the segments for both hemispheres, make sure however, not to get confused! I'd suggest completing one hemisphere first by assembling 4 quarters to one body! There will be a small hole at the top which will be closed later with Part C.

This is the time to make a decision about the model if it should be standing on a desktop etc. or be suspended from the ceiling. If you chose the latter then get a string and a small screw nut, thread the string through the nut hole and tie a good knot or three. Now thread the string through the hole at the top of the hemisphere, poke a tiny hole into part C (provided it is cut out already) thread the string through part C and glue it as a cap onto the top of the upper hemisphere. Let it all dry thoroughly. Wind up the string; otherwise, it'll drive you nuts when proceeding with the model.

See also Fig. 6.

The next steps require all sheets, as necessary parts are scattered all over these sheets.

Cut out parts D and assemble four of them to form a circle by means of using strips E. Strips E are glued underneath parts D and serve as jointers. Make sure that strips E are glued alongside the inner radius (inner edge) without protruding beyond the edges of parts D. This will leave ample space for the glue flaps of parts F and F1. Fig. 7.

Do all the D and E parts to obtain TWO rings.

Now take the upper hemisphere (the one with that string) and bend back the A flaps by 90 degrees and align them with the shaded flap-like depictions of one of the E-Rings. (The second ring will be used later.) Glue the ring to the hemisphere and let the parts dry. Fig. 8.

Cut out and assemble parts F and G in the same manner as D and E.

Align the conical ring F with ring E and glue the bent back flaps on to part E. Fig. 9.

(Now your stand comes in handy by placing the hemisphere up-side-down on the stand. Eureka ! Hands-free operation!)

Make sure NOT to align the seams exactly vertical, off set them by one flap step to the right or left for better stability. This will not affect the printed pattern flow as it is printed horizontally around the Ring Bulge.

Cut out parts F1 and G1 and assemble them the same way, but leave the ends open. Align the open ring and off set the starting point once more by one step. Fold back the flaps and glue the ring to parts F. Now close the ring. Fig. 10.

Align and attach the second ring D to the glue flaps of ring bulge segments F1. Fig. 11. Take your time!

Let it dry!

Now assemble the parts for the lower hemisphere (don't forget the C part!) and when this is done let it dry and then attach the hemisphere to the ring bulge as it was done with the upper one.

That's it. Fig. 12.

Ceiling suspension: After the model has dried, make a small loop into the string and attach the string with a thumb tack to the ceiling.

The instructions in English, no pictures, are also available as free PDF version upon request at: Request me

Critique: Being an experienced card board model builder (War ships like: Carrier Forrestal, Bismarck, Prinz Eugen, Scharnhorst, Sailing ships like: Gorch Fock, Planes like: F 104 Starfighter, Hustler, Phantom, Ships like: Bremen , Europa etc.) I would rate this model as easy to build. However, I would have chosen a consecutive numbering scheme instead of letters. The size of strips B could have been way narrower and devised differently. The lack of a landing gear puts a tear in my eye. Over all it is fun to build, fool proof. (Not damn fool proof, though. But you'll never be able to get that anyway) Being delivered as a PDF file, everybody can start over or even build his or her Solar Fleet ... oops LFT Fleet.

Thanks Marco, Raimund and Bollie, job well done!!!

Photos: Marco Scheloske

Source: PMV http://www.perry-rhodan.net/aktuell/news/2005110401.html

Translation and extras: Michael Koeckritz

The model was constructed by Marco Scheloske and Raimund Peter in collaboration with Klaus Bollhöfener of VPM.

 

Fig. 1.

Fig. 2.

Fig. 3.

 

 

Tri Model Spaceship from scratch.

Since PMV has released the Discoverer Spacer, we cannot let this release pass unchallenged!!!

Here is TRI's answer, a spaceship that can be assembled within 10 to 20 minutes!

What do you need?

Nothing you haven't got already in your household anyway.

A small bowl, coffe cup, Mason Jar etc.

One double sheet of news paper or two

A roll of masking tape

Some duct tape

8 toothpicks.

An Awl or something pointy for poking holes.

Assembly:

Take the newspaper double page or two and crumble it together to a paper ball. Fig. 1.

Take the masking tape and tape the paper up, around and around and around until only the card board ring is left. (Don't throw it away) Fig. 2.

Take the duct tape and tape it around the masking tape ball until there is no more masking tape visible. Fig. 3.

Now squeeeeze the ball through the card board ring, I told you not to dicard. STOP! Make sure the ring fits snuggly around the equator of the ball. This is your Ring bulge! (Get it?)

Place the ball into the small bowl or coffee cup, whatever ...

Take your toothpicks and stick them, well and equally distributed, into the lower half of the sphere at a 30 degree angle, kind of. Level them out so they are equal in length. Fig. 4.

Flip the model around and let it stand on the "Quicky Landing Gear"

Voiala, done. Attach a name to it and Christian it with your worse American beer you can get a hold off.

This well balanced, sturdy, spaceworthy model, flies quite well over a distance of 3 meters (9 feet)
into the garbage can. (no actual in-flight picture available due to top secret Area 51 trials)

Try it out.


Fig. 4.

All the best
Mic

Mic's TRI-Tech Tips

See construction guide of the Discoverer Model!

Ad adstra.

Mic

TRI-Giveaway

Will be continued in January 2006

 

 

 

Galactic News Preview

December 2005 (Christmas Edition)

Author profile: Andreas Finding. (if possible)

Intro to Graphic Artist: Arndt Drechsler. (if possible)

 

 

TRI-Used Bookstore

Perry Rhodan, Atlan, Utopia, Sci Fi, hard-to-come-by items. Out of print stuff ...

Please follow the link for detailed information. It's worth it!

We have added 300 more book titles in June.

TRI-Bookstore

 

 

Dates and events


Will be continued with the 2006 schedule calendar in our December issue.

 

Preview

Perry Rhodan first edition:

No: 2312
Die Unschlagbaren (The Invincables) by Horst Hoffman
9 December 2005

No: 2313
Das Goldene System (The Golden System) by Hubert Haensel
16 December 2005

No: 2314
Das Leben eines Seecharon (The Lif of a Seacharan) by Hubert Haensel
23 December 2005

No: 2315
Kampf um Salkrit (Battle for Salkrit) by Michael Marcus Thurner
30 December 2005

No: 2316
Rivalen der Kolonne (Rivals of the Column / Convoy) by Arndt Ellmer
6 January 2006

 

Source: PMV © 2005

Adaptation: MK

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