NOTES ON OUTLINING AND GLASS PAINTING
By Doreen Scerri
If you have never used outliners or glass paints before here are a few instructions which might help you in your projects.
To start outlining: Always make sure the surface you are working on is dust free. Clean glass by washing in warm water, dry with a clean teatowel making sure the object is lint and dust-free. Alternatively, you can clean object by wiping with a soft cloth dampened with a little white spirit. For practise use acetate sheets. Touch tip (nozzle) of your outliner to your project, holding the tube as you would almost hold a pen tilting it slightly for a better flow.
Work slowly and steadily when you are outlining. Make sure you have enough elbow space and work in a clean, well-lighted place. Remember, when you squeeze the tube the liner will flow so you have to keep moving, otherwise you will get blotches of liner in your work. Do not panic. Lift off any excess with a toothpick.
Larger areas can be cleaned off with a tissue dampened with water. If you want to correct any liner that has dried you can use a blunt knife to gently scrape off liner. You can also hide a mistake by making it part of your design.
It is important to keep the nozzle free of paint so you should frequently wipe the tip with tissue while you are working. If the tip becomes clogged, insert a pin into opening to unclog.
Before attempting any project it is better to practice on acetate (plastic) sheets. Try different shapes in different sizes and in a continuous pattern without lifting the nozzle as much as possible:
^^^^^^^^^^ ~~~~~~~~~~ ^^^^^^^^^ ^^^^^^^^^^^^^~~~~~~~~~~~~
When you are outlining a straight line, use the ‘touch, lift and pull’ technique. This means that you touch the nozzle to the surface you are outlining and as you gently squeeze, you lift the nozzle and pull the liner gently in the direction of your design letting it fall in place without touching the surface. Do not give up - you will soon feel more confident.
COPYING A DESIGN FOR GLASS PAINTING
Choose your design, one that is suitable for outlining and glass painting. If you are a beginner, start with a simple design ex. a flower or a butterfly or even a freehand design.
Copy your chosen design by either tracing the outline or by copying the design onto paper using carbon paper then, transfer your copied design, again using carbon paper, onto the glass surface you will be outlining.
Another method, which in many cases is easier, is to put your copied design inside your jar or glass container or on the reversed side of the flat piece of glass you will be decorating. Tape in place with masking tape and outline your design with your outliner. Remove the copied design when the outliner is dry.
Using Glasspaints
Make sure your outliner is dry before painting with your glass paints. As a beginner you can start with the basic colours, yellow, blue and red. Later, you can mix these to make other colours. Use a palette or a shallow plastic container to mix colours. Always keep your jars and lids clean and do not dip dirty brushes into your jars.
Stir paint well with a toothpick before use. Either load brush directly from jar, or transfer a little paint to your palette. With your brush, drop paint into an area you wish to colour and carefully spread it out to outlined edges. Take care not to go over the outlines, if possible. If you do, wipe off with the tip of a paper towel. You can use smaller brushes for small areas or corners. Avoid streaks or brush marks and do not paint over an area that has started to dry – it will clog. As you work, take care not to put your fingers in the wet paint!
Brushes used for Glass painting can be cleaned with a little white spirit in a glass (not plastic) jar or in a foil dish. Whenever you use white spirit make sure you are working in a well-ventilated room. Wash and dry brushes frequently giving them a final clean and re-shape on finishing your project.
Note: there are now also water-based glass paints on the market. These, of course, should be cleaned off with water only.
If you are working on a big area, work out beforehand the best way to go about your painting. You might find it easier to work outwards from your centre design or you could turn your pattern/acetate as you go along to avoid having to work at an uncomfortable angle. This precaution will avoid smudges in your work. Planning the sequence of your outlining will also help you avoid unnecessary joins in your work.
Enjoy and remember “Practice makes Perfect.”

|