A PUBLIC SERVICE LINK-HOSTING PROJECT

 

Recently Santa Monica, CA public radio station KCRW stopped hosting the archives of the radio shows of monologist Joe Frank.

Read a fantastic interview with Joe Frank by Douglas McGowan.

I don't know why they did it, since Joe Frank has a legion of followers far and wide who flocked to the KCRW site in droves because of these archives. Maybe those people just didn't visit any other part of the KCRW site, rendering the whole thing an exercise in wasted bandwidth. Or maybe KCRW's just not hosting his show anymore on the air (a tragedy, if it's true).

In any case, it turns out that the shows themselves are not hosted on the KCRW site, but rather on rbn.com, and they're still there to be heard. So, at risk of some kind of DMCA lawsuit (because linking itself seems to be of dubious legality these days), I provide the links here, free of charge, as a public service.

There are .mp3 archives of Joe's shows up on the web at this site . And Joe's show can still be heard every Thursday at 6pm on the station where I discovered him, WFMU in Jersey City, NJ.

These shows have been encoded or re-encoded using RealMedia. You can listen to the programs using Real Player 6 or higher. Click on to listen.

It's true. Joe Frank has decided to consolidate his power and centralize the hosting of his archives under his own site, joefrank.com. Click here to go to the shows there. The owner of this formidable list has some other links, but I'm not sure which, if any, work. Finally, a host of other Joe Frank info and resources can be found here , including archives of the Joe Frank mailing list.

 

Terminal
Originally produced in 2001.

Don't Know Mind
Originally produced in 2001.

Evening Sky
Originally produced in 2001.

Summer Hill
Originally produced in 2001.


Emptiness
Originally produced in 2001.


What Women Want
Originally produced in 2001.


Woman And Bull In Paint Factory
Originally produced in 2001.


Waiting for the Bell
Originally produced in 2001.


Stoner
Originally produced in 2001.


Love Prisoner
Originally produced in 2001.


The Angina Dialogues
Originally produced in 2001.


Fire and Ice
Originally produced in 2001.


Margarita
Originally produced in 2001.


Where Will It End?
Originally produced in 2001.


Always
Originally produced in 2001.


Insomnia
Originally produced in 2001.


The Future
Originally produced in 2001.


The Nature of Things
Originally produced in 2000.


Caged Heart
Originally produced in 2000.


The Sunday Morning Service
Originally produced in 2000.


Bitter Pill
Originally produced in 2000.


Jam
Originally produced in 2000.


Karma Memories
Originally produced in 2000.


Windows
Originally produced in 2000.


Silent Sea
Originally produced in 2000.


Dreamland
Originally produced in 2000.


Endings
Originally produced in 2000.


At the Dark End of the Bar
Originally produced in 2000.


The Wire
Originally produced in 2000.


Zen
Originally produced in 2000.


At Last
Originally produced in 2000.


Mystery
Originally produced in 2000.


Bad Karma

Originally produced in 2000.


Mercy
Originally produced in 2000.


Clement at Christmas
Originally produced in 1999.


Lover Man
Originally produced in 1999.


Predator
Originally produced in 1999.


The Box
Originally produced in 1999.


Holy Land
Originally produced in 1999.


Prison Songs
Originally produced in 1999.


No Angel
Originally produced in 1999.


The O.J. Chronicles
Originally produced in 1999.


Third World Country *
Originally produced in 1996.

An Enterprising Man
Originally produced in 1996


Higher Learning
Originally produced in 1996.


The Street
Originally produced in 1996.


Talk To Me
Originally produced in 1996.


Lost Soul
Originally produced in 1996.


The River
Originally produced in 1996.


Great Lives
Originally produced in 1996.


Escape From Paradise
Originally produced in 1996.


4 Part Dissonance
Originally produced in 1996.


Policemen's Ball
Originally produced in 1996.


Brothers
Originally produced in 1996.


A Death in the Family
Originally produced in 1996.


Red Sea
Originally produced in 1996.


Road To Calvary
Originally produced in 1996.

 

Fat Man Down
Originally produced in 1996.


Soulmate
Originally produced in 1996.


The Street
Originally produced in 1996.


Bible Salesman
Originally produced in 1996.


Blues Singer
Originally produced in 1996.


Just Get Me Out Of Here
Originally produced in 1996.


Black Light
Originally produced in 1996.


Eye In The Sky
Originally produced in 1996.


Mountain Rain
Originally produced in 1996.


Jerry's World, (Part 1)
Originally produced in 1996.


Jerry's World, (Part 2)
Originally produced in 1996.


Jerry's World, (Part 3)
Originally produced in 1996.


Hot Line
Originally produced in 1995.


Iceland (Part 1)
Originally produced in 1995.


Iceland (Part 2)
Originally produced in 1995.


3 Shingles
Originally produced in 1995.


Coma *
Originally produced in 1992.


A Natural Disaster *
Originally produced in 1992.


Tomorrow *
Originally produced in 1992.


God *
Originally produced in 1992.


The Death of Trotsky *
Originally produced in 1992.


Haiti *
Originally produced in 1992.


That Night *
Originally produced in 1992.


Cave Dreamer
Originally produced in 1992.


Anthology of Love
Originally produced in 1992.


The Other Side
Originally produced in 1992.


Prayer
Originally produced in 1992.


Hawaii
Originally produced in 1992.


Green Cadillac
Originally produced in 1992.


Performer
Originally produced in 1992.


Just Hold Me
Originally produced in 1992.


Road To Hell
Originally produced in 1989.


In the Dark
Originally produced in 1989.


Pilgrim
Originally produced in 1989.


At the Border
Originally produced in 1989.


Two Women
Originally produced in 1989.


Rain
Originally produced in 1989.


Talking About Love
Originally produced in 1989.


Performer
Originally produced in 1989.

Rent A Family (Part 1)
Originally produced in 1988.


Rent A Family (Part 2)
Originally produced in 1988.


Rent A Family (Part 3)
Originally produced in 1988.


In The Middle of Nowhere (Part 1)
Originally produced in 1988.


In The Middle of Nowhere (Part 2)
Originally produced in 1988.


In The Middle of Nowhere (Part 3)
Originally produced in 1988.


Reprise
Originally produced in 1988.


Black Hole
Originally produced in 1984.


The End
Originally produced in 1983.


The Decline of Spengler
Originally produced in 1983.


Til You're Gone
Originally produced in 1979.


Summer Notes
Originally produced in 1979.


A Call In The Night
Originally produced in 1979.


Arena
Originally produced in 1979.


 

 


Why do I like Joe Frank so much? Because he writes things like this:

He went to a small college in Iowa. It was in the sixties. He didn't take part in the sit-ins and marches, but still saw himself as a rebel.

In his freshman year he drove to Manhattan on Thanksgiving. It was a long trip, more than fourteen hours. The car was packed with students. Their first stop was a service area just outside Cleveland. They sat at the counter of a Howard Johnson's restaurant, looking at a sign that listed more than fifty kinds of ice cream. And, to the amusement of his friends, he asked for even more exotic flavors.

"Can I have a broccoli-mint apple pie cobbler?

"No, wait, I think I'd prefer the orange sunburst chicken-nut-fudge crunch"

"Or, perhaps the pistachio fried-egg okra delight with the dehydrated applesauce topping and stewed lungs."

*       *       *         

It started as an accident.

There was a stack of brownies on the counter, wrapped in cellophane. He took one, and meant to pay for it, but he realized on the way to the car that he'd forgotten. Rather than go back, he unfolded the cellophane and ate it. At the next service area, he stole two more brownies to share with his friends.

At the third stop, he borrowed a purse from one of the girls, held it in his lap at the counter, and emptied a dozen brownies from the display platter, and passed it back to her. Finally, just outside New York, he emptied an entire platter of brownies into his book bag. The restaurants were so busy that no one noticed.

As they drove, he and his classmates munched on the chocolate. But they could only eat so many, and he soon found himself with a surplus. By the time he got back to college, he'd accumulated so many brownies he thought he'd build something out of them. But he didn't know what. All he knew was that he needed more.

So whenever he drove home for vacations, he'd stop at every Howard Johnson's coming and going, to steal as many brownies as he could. And over a period of a year, he amassed two steamer trunks full.

The brownies got hard and stale. He banded them together, the way they stack money in bank-heist movies. Eventually his brownie collection became famous. Students from all over the campus came to look at it. His only problem was that by next fall, the brownies began to stink up his room. The odor of stale chocolate was in his clothes, his shoes, his hair. He couldn't stand the smell, and decided to get rid of them. But he didn't want to just throw them out. He wanted to do something whimsical and original, to feed his reputation as a campus legend.

Finally he came up with an idea — he'd return them.

So that Thanksgiving vacation he placed one of the trunks in his car, and set out on the journey home with a new sense of mission. Now, every time he stopped at a Howard Johnson's, he would fill the pockets of his shirt, overcoat, and pants with brownies, walk in, sit down at the counter, and while he sipped a Coke he'd furtively empty his pockets, emptying his own stale brownies onto the platters in front of him. Soon all the students knew of his project. He was the talk of the college. They thought it was a great idea, and they were all behind him.

Both Thanksgiving and Christmas went well. He had managed to return one and one half trunks of brownies because he and his friends stopped at every service area between Cedar Rapids and New York.

Then, during Easter, he arrived at the first Howard Johnson's rest stop, his pockets filled with the dried chocolate squares, but the brownie platters were gone. He was stunned. Were they onto him? He looked around, half expecting to be seized by security guards, when he noted, with relief, that the brownies had been moved to the candy counter in front of the cash register.

It was too risky to add his stolen brownies to the stacks in front of the cashier, so he sat down at the counter and ordered dinner. When he'd finished his meal, he polished his plate with his napkin, and holding the plate on his lap, stacked his brownies, Howard-Johnson's-style, on it, put it back on the counter, paid the check, and left.

At the next plaza, his friends helped him. They argued heatedly with the cashier, claiming they'd been overcharged, while he reached in the deep pockets of his overcoat, drew out dozens of stale brownies, and placed them on the shelves over the lollipops, Caramello bars, and maple sugar people. And by the summer, he managed to return every brownie he'd stolen.

And it wasn't long before Howard Johnson's restaurants were converted into cafeterias with pay toilets and cheap air dryers in the bathrooms, and not long after that that he saw them closing down.

Although he realized that it was because of the expanding fast food industry — the McDonald's, Burger Kings, Pizza Huts, Taco Bells, Kentucky Fried Chicken outlets, and all the rest, he felt a bittersweet sense of victory. He knew he'd played a small part in the decline of a great American institution.

—from " Fat Man Down "