apollo.htm

contents actively under preparation
(rev. 11/12/2000)



Apollo

comments by Patrick C. Ryan (rev. 11/12/2000)







Apollo






return to Animals of Creation (Part Two)









BIBLIOGRAPHY



Allen, Richard Hinckley. 1963. Star Names - Their Lore and Meaning. New York: Dover Publications, Inc.

Black, Jeremy and Green, Anthony. 1996. Demons and Symbols of Ancient Mesopotamia. Austin. University of Texas Press.

Bonnet, Hans. 1971. Reallexikon der ägyptischen Religionsgeschichte. Berlin/New York: Walter de Gruyter

Brugmann, Karl. 1972 (1888). A Comparative Grammar of the Indo-Germanic Languages. 5 vol. 2nd reprint. Varanasi, India: Chowkhamba Sanskrit Series Office

Budge, E. A. Wallis. 1969 [1904]. The Gods of the Egyptians - or Studies in Egyptian Mythology. 2 vol. New York: Dover Publications, Inc.

Eberhard,Wolfram. 1996. A Dictionary of Chinese Symbols — Hidden Symbols in Chinese Life and Thought. London/New York: Routledge & Kegan Paul

Gershenson, Daniel E. 1991. Apollo the Wolf-God. Journal of Indo- European Studies Monograph No. 8. McLean, Virginia: Institute for the Study of Man.

Graves, Robert. 1959. The Greek Myths. 2 vol. New York: George Braziller, Inc.

Guerber, H. A. 1895. Myths of Northern Lands. New York/Cincinnati/Chicago: American Book Company

Hallo, William W. and Simpson, William Kelly. 1971. The Ancient Near East - A History. New York etal.: Harcourt, Brace, Jovanovich, Inc.

Jacobsen, Thorkild. 1970. Toward the Image of Tammuz and Other Essays on Mesopotamian History and Culture. Cambridge: Harvard University Press

Jacobsen, Thorkild. 1976. The Treasures of Darkness - A History of Mesopotamian Religion. New Haven and London: Yale University Press

Leach, Maria (editor). 1984. Funk & Wagnalls Standard Dictionary of Folklore, Mythology, and Legend. San Francisco etal.: Harper & Row, Publishers

Pokorny, Julius. 1959. Indogermanisches Etymologisches Wörter buch. Volume I. Bern and Munich: Francke Verlag

Seyffert, Oskar. 1995. The Dictionary of Classical Mythology, Religion, Literature, and Art. New York etal.: Random House (Gramercy Books)







the latest revision of this document can be found at
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Patrick C. Ryan * 9115 West 34th Street - Little Rock, AR 72204-4441 * (501)227-9947
PROTO-LANGUAGE@email.msn.com


1.

I received the perceptive email below from Miryam y César Librán Moreno, which raises some worthwhile questions concerning my proposed connection of Apollo to Silenus.

One could argue that Sophocles probably would not have incorporated this motif into his satyr-play unless the mythic connection had been made elsewhere (currently lost to us) but while this might be suggestive, it is certainly not conclusive.

With her permission, I have included this email to contribute to an objective appraisal of the proposal.

----- Original Message -----

From: "Miryam y César Librán Moreno" (libran@jet.es)
To: proto-language@email.msn.com
Sent: Sunday, November 12, 2000 3:26 AM
Subject: Seilenos and Apollo

Hello.

I've been reading your page and essays, and, although I can't claim to be competent on the subject of linguistic reconstruction by any means, I found them very lucid and compelling. However, I should note that in the essay about Apollo there are some perhaps misreported statements concerning Seilenos. In point of fact, the story about Hermes theft of Apollo's cattle with Seilenos' intervention in tracking it down comes straight from a lost satyr-play by Sophocles, Ichneutae or The Trackers. Seilenos must intervene in the matter not because he has any special connection to Apollo, but because Seilenos, as the satyrs' father, always took a speaking part in any satyr-play we know. For instance, you can find him, too, in connection with the Cyclops and Odysseus in Euripides' satyr-play The Cyclops, even though there are no links between satyrs and cyclops outside of satyr plays. The evidence provided by satyr plays comes always under suspicion because of the special nature of the cast (a chorus always comprised of young satyrs plus their father Seilenos as an actor) and the requirements of the standard plot. Not to mention that the tracking motif can be counted among the dearest ones to the hearts of the Greek playwrights!

I hesitate to add some bibliography on the matter as that would be too presumptuous on my part and besides you will most surely already know of it.

I hope I haven't incommoded you as the rest of the essay is quite thought-provoking and compelling.

Best,
Miryam Libran-Moreno

2.

Pokorny I (1959), p. 65: "Specht (Dekl. 1141) setzt wegen gr. árme: - leuké: Hes. eine Farbwurzel ar- an, die er mit al- (oben S. 31) gleichsetzt."