Episode 7
‘The Attila the Hun Show’
(Stock
film of fast moving Huns thundering around on horseback.)
1st
Voice Over: In the fifth century, as the once-mighty Roman Empire crumbled, the
soft underbelly of Western Europe lay invitingly exposed to the barbarian
hordes to the East. Alaric the Visigoth, Galseric the Vandal and Theodoric the
Ostrogoth in turn swept westward in a reign of terror. But none surpassed in
power and cruelty the mighty Attila the Hun.
2nd
Voice Over: Ladies and gentlemen, it's the 'The Attila the Hun Show'.
(Cut
to film. Music plays: 'The Debbie Reynolds Show' theme - 'With a little love,
just a little love'. We see Attila the Hun running towards Mrs Attila the Hun
in slow motion, laughing and smiling. Caption on screen: 'THE ATTILA THE HUN
SHOW' Attila and his wife frolic and fall over in slow motion for a bit).
Captions:
'STARRING
ATTILA THE HUN'
'AND
KAY SLUDGE AS MRS ATTILA THE HUN'
'WITH
TY GUDRUN AND NIK CON AS JENNY AND ROBIN ATTILA THE HUN'
'MUSIC
BY THE HUNLETS'
(Cut
to stock film of fast-moving Huns on horseback.)
1st
Voice Over: In the second quarter of the fifth century, the Huns became a
byword for merciless savagery. Their Khan was the mighty warrior Attila. With
his devastating armies he swept across Central Europe.
(Cut
to American-living-room-type set. Doorbell rings. Attila the Hun enters the
door.)
Attila:
Oh darling, I'm home.
Mrs
Attila: Hello darling. Had a busy day at the office?
Attila:
Not at all bad. (playing to camera) Another merciless sweep across Central
Europe.
(Canned
laughter.)
Mrs
Attila: I won't say I'm glad to see you, but boy, am I glad to see you.
(Enormous
canned laughter and applause. Enter two kids.)
Jenny:
Hi, daddy.
Robin:
Hi, daddy.
Attila:
Hi, Jenny, hi, Robby. (brief canned applause) Hey, I've got a present for you
two kids in that bag. (they pull out a severed head) I want you kids to get
a-head.
(Enormous
shriek of canned laughter and applause. Enter one of us blacked up like
Rochester, holding a tray of drinks.)
Uncle
Tom: Hear you are, Mr Hun!
(Masses
of dubbed applause.)
Atilla:
Hi, Uncle Tom.
Uncle
Tom: There's a whole horde of them marauding Visigoths to see y'all.
(Cut
to more stock film of these Huns rushing about on their horses. Superimposed
image of announcer at his desk.)
Announcer:
And now for something completely different.
It's
Man: It's ...
(Massive
canned applause. Animated credit titles.)
Attila the Nun
(Cut
to a country road. After three seconds a motorbike appears in the distance and
speeds towards the camera. We see that a wild-looking nun is riding it.)
1st
Voice Over: Yes, it's Attila the Nun.
(Attila
the Nun flashes past the camera, There is a loud sound of the bike crashing off
camera.)
2nd
Voice Over: A simple country girl who took a vow of eternal brutality.
(Attila
the Nun on a hospital bed, struggling wildly with two doctors and a nurse who
are trying to hold her down. She looks really fearsome. Another doctor enters
and summons the nurse away.)
Doctor:
Nurse!
(The
camera tracks away and comes up on another bed in which is sitting a beautiful
girl revealing more than a patient normally would and endowed with Carol's . .
. undoubted attributes. Screens are placed around her. The doctor and nurse
come in through the screens.)
Doctor:
Hello, Miss Norris. How are you?
Miss
Norris: Not too bad, thank you, doctor.
Doctor:
Yes, well I think I'd better examine you.
(Cut
to a line of half a dozen shabby men in filthy macs down to the floor and caps,
who shuffle in through the screens and stand at the foot of the bed leering.)
Miss
Norris: What are they doing here?
Doctor:
It's all right, they're students. Um... lights please, nurse. (a single red
spotlight spills down on the girl; cut back to the men leering) Oh... and...
er... music, too. (nurse presses a switch beside bed; stripper music; very
loud; cut to line of men getting very exalted - hands deep in pockets) Breathe
in ,.. out ... in ... out...
(After
about five seconds the music reaches a climax and ends. The men in macs all
applaud.)
Secretary of State Striptease
(Cut
to reverse angle to show that we are no longer in a hospital but in a seedy
strip club. The curtains have just swished shut.) Compere: (Eric Idle) Thank
you, thank you. Charles Crompton, the Stripping Doctor. And next, gentlemen and
ladies, here at the Peephole Club for the very first time - a very big welcome
please for the Secretary of State for Commonwealth Affairs.
(Curtains
apen. The compere leaves the stage. A man in city gent's outfit walks into the
spotlight.)
Minister:
(Terry Jones) Good evening. Tonight I'd like to restate our position on
agricultural subsidies, (soft breathy jazzy music creeps in behind his words
and he starts to strip as he talks) and their effect on our Commonwealth
relationships. Now although we believe, theoretically, in ending guaranteed
farm prices, we also believe in the need for a corresponding import levy to
maintain consumer prices at a realistic level. But this would have the effect
of consolidating our gains of the previous fiscal year, prior to the entry. But
I pledge that should we join the Common Market - even maintaining the present
position on subsidies - we will never jeopardize, we will never compromise our
unique relationship with the Commonwealth countries. A prices structure related
to any import charges will be systematically adjusted to the particular
requirements of our Commonwealth parreefs (he has now removed all his clothes
apart from a tassel on each nipple and one on the front of some skin-tight
briefs; he starts to revolve the tassels on his nipples) - so that together we
will maintain a positive, and mutually beneficial alliance in world trade (he
turns revealing a tassle on each buttock which he also revolves) and for world
peace. Thank you and goodnight.
(He
removes the last tassle from his G-string with a flourish. Blackout and
curtains quickly close. Compere bounces back on stage.)
Compere:
Wasn't he marvellous? The Secretary of State for Commonwealth Affairs! And now
gentlemen and ladies, a very big welcome please for the Minister of Pensions
and Social Security!
(Burst
of Turkish music and curtains swish back as another bowler-hatted pinstriped
minister enters doing a Turkish dance. Cut to still of Houses of Parliament.
Slow track in. Music changes to impressive patriotic music.)
Voice
Over: (Graham Chapman) Yes, today in Britain there is a new wave of interest in
politics and politicians.
(Cut
to vox pops outside Houses of Parliament. Caption: 'A GROUPIE')
First
Girl: (Eric Idle) Well, we're just in it for the lobbying, you know. We just
love lobbying.
Second
Girl: (Graham Chapman) And the debates - you know a good debate ... is just...
fabulous.
Third
Girl: (Michael Palin) Well, I've been going with ministers for five years now
and, you know... I think they're wonderful.
Fourth
Girl: (John Cleese) Oh yes, I like civil servants.
Third
Girl: Oh yes, they're nice.
Fifth
Girl: I like the Speaker.
Fourth
Girl: Oh yes.
Second
Girl: I like Black Rod.
Voice
Over: What do their parents think?
(Cut
to suburban house. Mr Concrete standing in front of door of outside loo.)
Mr
Concrete: (Terry Jones) Well she's broken our hearts, the little bastard. She's
been nothing but trouble and if she comes round here again I'll kick her teeth
in.
(He
turns and goes in.)
Ratcatcher
(Cut
to interior: the Concrete's sitting room. Mrs Concrete is sitting on the sofa,
knitting. Mr Concrete enters.)
Mrs
Concrete: (Michael Palin) Have you been talking to television again, dear?
Mr
Concrete: (Terry Jones)Yes, I bloody told 'em.
Mrs
Concrete: What about?
Mr
Concrete: I dunno.
Mrs
Concrete: Was it Reginald Bosanquet?
Mr
Concrete: No, no, no.
Mrs
Concrete: Did he have his head all bandaged?
Mr
Concrete: No, it wasn't like that. They had lots of lights and cameras and tape
recorders and all that sort of thing.
Mrs
Concrete: Oh, that'll be Ray Baxter and the boys and girls from 'Tomorrow's
World'. Oh, I prefer Reginald Bosanquet, there's not so many of them. (the
doorbell rings) Oh - that'll be the ratcatcher. (she lets the ratcatcher in)
Ratcatcher:
(Graham Chapman) Hello - Mr and Mrs Concrete?
Both:
Yes.
Ratcatcher:
Well, well, well, well, well, well, well, well, well, well, well, how very nice.
Allow me to introduce myself. I am Leslie Ames, the Chairman of the Test
Selection Committee, and I'm very pleased to be able to tell you that your flat
has been chosen as the venue for the third test against the West Indies.
Mrs
Concrete: Really?
Ratcatcher:
No, it was just a little joke. Actually, I am the Council Ratcatcher.
Mrs
Concrete: Oh yes, we've been expecting you.
Ratcatcher:
Oh, I gather you've got a little rodental problem.
Mrs
Concrete: Oh, blimey. You'd think he was awake all the night, scrabbling down
by the wainscotting.
Ratcatcher:
Um, that's an interesting word, isn't it?
Mrs
Concrete: What?
Ratcatcher:
Wainscotting ... Wainscotting ... Wainscotting ... sounds like a little Dorset
village, doesn't it? Wainscotting.
(Cut
to the village of Wains Cotting. A woman rushes out of a house.)
Woman:
We've been mentioned on telly!
(Cut
back to Concretes' house.)
Ratcatcher:
Now, where is it worst?
Mrs
Concrete: Well, down here. You can usually hear them.
(Indicates
base of wall, which has a label on it saying 'Wainscotting'.)
Ratcatcher:
Sssssh
Voice
Over: Baa ... baa ... baa ... baa ... baa ... baa...
Ratcatcher:
No, that's sheep you've got there.
Voice
Over: Baa ... baa.
Ratcatcher:
No, that's definitely sheep. A bit of a puzzle, really.
Mrs
Concrete: Is it?
Ratcatcher:
Yeah, well, I mean it's a) not going to respond to a nice piece of cheese and
b) it isn't going to fit into a trap.
Mrs
Concrete: Oh - what are you going to do?
Ratcatcher:
Well, we'll have to look for the hole.
(We
follow them as they look along the wainscotting.)
Mrs
Concrete: Oh yeah. There's one here.
(She
indicates a small black mousehole.)
Ratcatcher:
No, no, that's mice.
(He
reaches in and pulls out a line of mice strung out on a piece of elastic. Then
he lets go so they shoot in again. The ratcatcher moves on. He moves a chair,
behind which there is a three-foot-high black hole.)
Ratcatcher:
Ah, this is what we're after.
(The
baa-ings get louder. At this point six cricketers enter the room.)
Cricketer:
(John Cleese) Excuse me, is the third test in here?
Mr
Concrete: No - that was a joke - a joke!
Cricketer:
Oh blimey, (exeunt)
Ratcatcher:
Right. Well, I'm going in the wainscotting.
(Cut
to 'Wains Cotting' woman, who rushes out again.)
Woman:
They said it again.
(Back
to the sitting room.)
Ratcatcher:
I'm going to lay down some sheep poison.
(He
disappears into the hole. We hear:)
Voice
Over: Baa, baa, baa.
(A
gunshot. The ratcatcher reappears clutching his arm.)
Ratcatcher:
Aagh. Ooh! It's got a gun!
Mrs
Concrete: Blimey.
Ratcatcher:
Now, normally a sheep is a placid, timid creature, but you've got a killer.
Killer Sheep
(Poster:
'Wanted For Armed Robbery - Basil' with a picture of a sheep. Exciting
crime-type music. Mix through to newspaper headlines: 'Farmers Ambushed in
Pen', 'Merino Ram in Wages Grab'. Eerie science fiction music; mix through to a
laboratory. A scientist looking through microscope and his bushy attractive
assistant.)
Professor:
(Eric Idle) It's an entirely new strain of sheep, a killer sheep that can not
only hold a rifle but is also a first-class shot.
Assistant:
But where are they coming from, professor?
Professor:
That I don't know. I just don't know. I really just don't know. I'm afraid I
really just don't know. I'm afraid even I really just don't know. I have to
tell you I'm afraid even I really just don't know. I'm afraid I have to tell
you... (she hands him a glass of water which she had been busy getting as soon
as he started into this speech) ... thank you ... (resuming normal breezy
voice) ... I don't know. Our only clue is this portion of wolf's clothing which
the killer sheep ...
(Cut
to Viking.)
Viking:
(Terry Gilliam) ... was wearing...
(Cut
back to sketch.)
Professor:
... in yesterday's raid on Selfridges.
Assistant:
I'll carry out tests on it straight away, professor.
(She
opens a door to another lab; but it is full of cricketers.)
Cricketer:
(John Cleese) Hello, is the third test in here, please?
(She
slams the door on them.)
Assistant:
Professor, there are some cricketers in the laboratory.
Professor:
This may be even more serious than even I had at first been imagining. What a
strange... strange line. There's no time to waste. Get me the Chief
Commissioner of Police.
Assistant:
Yes, sir!
(She
opens a cupboard and slides out the Chief Commissioner of Police on a sort of
slab. He grins and waves cheerily. 'This is Your Life' music and applause.)
Professor:
No, no, on the phone.
Assistant:
Oh... (she pushes him back in)
Professor:
Look of fear! (he is staring transfixed at something in the doorway) Another
strange line. Look out, Miss Garter Oil!
Assistant:
Professor! What is it? What have you seen?
Professor:
Look - there, in the doorway.
(Cut
to doorway: through it is animation of a huge sheep with an eye patch.)
Assistant:
Urghhh! Arthur X! Leader of the Pennine Gang!
(ANIMATION:
perhaps even mixed with stock film - as the fevered mind of Gillam takes it -
sheep armed to the teeth, sheep executing dangerous raids, Basil Cassidy and
the Sundance Sheep, sheep with machine gun coming out of its arse etc. At the
end of the animation, cut to studio. A narrator sitting in what could be a news
set at a desk.)
Narrator:
But soon the killer sheep began to infect other animals with its startling
intelligence. Pussy cats began to arrange mortgages, cocker spaniels began to
design supermarkets...
(Cut
back to the animation again: a parrot.)
The News for Parrots
Parrot:
And parrots started to announce television programmes. It's 8 o'clock and time
for the News.
First
Announcer (Michael Palin): Good evening. Here is the news for Parrots:
No
parrots were involved in an accident on the M-1 today when a Lorry carrying High-octane
fuel was in collison with a bollard. That's a BOLLARD and *NOT* a PARROT. A
spokesman for parrots said he was glad no parrots were involved. The Minister
of Technology (photo of minister with parrot on his shoulder) today met the
three Russian leaders (cut to photograph of 3 Russian men in a group and each
with a parrot on his shoulder) to discuss a 4 million pound airliner
deal....None of them went in the cage, or swung on the little wooden trapeze or
ate any of the nice millet seed. Yum, Yum.
That's
the end of the news, now our program for parrots continues with Part 3 of 'A
Tale of Two Cities', specially adapted for parrots by Joey-Boy. The story so
far, Dr. Manette is in England after eighteen years (as he speaks French
Revolution type music creeps in under his words) in the Bastille. His daughter
Lucy awaits her lover Charles Darney, who we have just learned is in fact the
nephew of the Marquis de St Evremond, whose cruelty had placed Manette in the
Bastille. Darney arrives to find Lucy tending her aged father.
(Superimposed
caption: 'LONDON 1793' Music reaches a climax and we mix slowly through to an
eighteenth-century living room. Lucy is nursing her father. Some low music
continues over. Suddenly the door bursts open and Charles Darnay enters.)
Darnay:
(in parrot voice) 'Allo, 'allo.
Lucy:
'Allo, 'allo, 'allo.
Old
Man: 'Allo, 'allo, 'allo.
Darnay:
Who's a pretty boy, then?
Lucy:
'Allo, 'allo, 'allo.
(And
more of the same. Cut back to the narrator.)
First
Announcer: And while that's going on, here is the news for gibbons. No gibbons
were involved... (fade out)
Voice
Over (Terry Jones): And while that's going on, here from Westminster is a
parliamentary report for Humans.
Second
Announcer (Eric Idle): In the debate, a spokesman accused the goverment of
being silly and doing not at all good things. The member accepted this in the
spirit of healthy criticism, but denied that he had ever been naughty with a
choir boy. Angry shouts of 'What about the Watermelon then?' were ordered then
by the speaker to be stricken from the record and put into a brown paper bag in
the lavvy. Any further interruptions would be cut up and distributed amongst
the poor. For the Government, a front-bench spokesman said the Agricultural
Tariff WOULD have to be raised, and he fancied a bit. Whats more he argued,
this would give a large boost to farmers, and a lot of fun to him, his friends,
and Miss Moist of Knightsbridge. From the back benches there were opposition
shouts of 'Postcards for sale' and a healthy cry of 'Who likes a sailor then?'
from the Minister Without Portfolio. Replying, the Shadow Minister said he
could no longer deny the rumors, but he and the Dachsund were very happy. And
in any case he argued Rhubarb was cheap, and what was the harm in a sauna bath?
(Cut
back to First Announcer. Caption: '7 Hours Later')
First
Announcer: ...were not involved.
The
Minister of Technology (cut to photograph of minister with a wombat on his
shoulder) met the three Russian leaders (Russian leaders again all with
wornbats on their shoulders) today to discuss a 4 million pound airliner
deal....none of them were indigenous to Australia, carried their babies in
pouches, or ate any of those yummy Eucalyptus leaves..Yum Yum. Thats the news
for wombats...now Attila the Bun.
(Cut
to animated sequence)
The Idiot in Society
(Animation:
a vicious rampaging bun)
Voice
Over: Well that's all for Attila the Bun, and now - idiots!
(A
village idiot in smock and straw hat, red cheeks, straw in mouth, sitting on a
wall, making funny noises and rolling his eyes.)
1st
Voice Over: Arthur Figgis is an idiot. A village idiot. Tonight we look at the
idiot in society.
(Cut
to close-up of Figgis talking to camera. Very big close-up losing the top and
bottom of his head.)
Figgis:
(educated voice) Well I feel very keenly that the idiot is a part of the old
village system, and as such has a vital role to play in a modern rural society,
because you see ... (suddenly switches to rural accent) ooh ar ooh ar before
the crops go gey are in the medley crun and the birds slides nightly on the oor
ar ... (vicar passes and gives him sixpence) Ooh ar thankee, Vicar ...
(educated voice) There is this very real need in society for someone whom
almost anyone can look down on and ridicule. And this is the role that ... ooh
ar naggy gamly rangle tandie oogly noogle Goblie oog ... (passing lady gives
him sixpence) Thank you, Mrs Thompson... this is the role that I and members of
my family have fulfilled in this village for the past four hundred years...
Good morning, Mr Jenkins, ICI have increased their half-yearly dividend, I see.
(We
see Mr Jenkins pass, he is also an idiot, identically dressed.)
Mr
Jenkins: Yes, splendid.
Figgis:
That's Mr Jenkins - he's another idiot. And so you see the idiot does provide a
vital psycho-social service for this community. Oh, excuse me, a coach party
has just arrived. I shall have to fall off the wall, I'm afraid.
(He
falls backwards off the wall. Cut to Figgins in idiot's costume coming out of a
suburban home. He walks on to the lawn on which are several pieces of gym
equipment. He rum head-on into horse [speeded up] and falls over, concussed.)
2nd
Voice Over: Arthur takes idiotting seriously. He is up at six o'clock every
morning working on special training equipment designed to keep him silly. And
of course he takes great pride in his appearance.
(Figgis,
dressed in nice clean smock, jumps into a pond. He immediately scrambles up,
pulls out a mirror and pats mud an his face critically, as if making-up.)
2nd
Voice Over: Like the doctor, the blacksmith, the carpenter, Mr Figgis is an
important figure in this village and - like them - he uses the local bank.
(Village
square. A bank. Figgis is walking towards it. People giggling and pointing. He
goes into a silly routine. Figgis enters the bank. Cut to bank manager standing
outside bank. Caption on screen: 'M. BRANDO - BANK MANAGER')
Bank
Manager: Yes, we have quite a number of idiots banking here.
3rd
Voice Over: What kind of money is there in idioting?
Manager:
Well nowadays a really blithering idiot can make anything up to ten thousand
pounds a year - if he's the head of some big industrial combine. But of course,
the more old-fashioned idiot still refuses to take money.
(We
see Figgis handing over a cheque to cashier; cashier pushes across a pile of
moss, pebbles, bits of wood and acorns.)
Manager:
(voice over) He takes bits of string, wood, dead budgerigars, sparrows,
anything, but it does make the cashier's job very difficult; but of course
they're fools to themselves because the rate of interest over ten years on a
piece of moss or a dead vole is almost negligible.
(A
clerk appears at door of bank.)
Clerk:
Mr Brando.
Manager:
Yes?
Clerk:
Hollywood on the phone.
Manager:
I'll take it in the office.
(Cut
to a woodland glade.)
3rd
Voice Over: But Mr Figgis is no ordinary idiot. He is a lecturer in idiocy at
the University of East Anglia. Here he is taking a class of third-year
students.
(Half
a dozen loonies led by Figgis come dancing through the glade singing
tunelessly. They are wearing long University scarves.)
3rd
Voice Over: After three years of study these apprentice idiots receive a
diploma of idiocy, a handful of mud and a kick on the head.
(A
vice-chancellor stands in a University setting with some young idiots in front
of him. They wear idiot gear with BA hoods. One walks forward to him, he gets a
diploma, a fateful of mud and stoops to receive his kick on the head. Cut to
happy parents smiling proudly.)
3rd
Voice Over: But some of the older idiots resent the graduate idiot.
Old
Idiot: I'm a completely self-taught idiot. I mean, ooh arh, nob arhh, nob arhh
.... nobody does that anymore. Anybody who did that round here would be laughed
off the street. No, nowadays people want something wittier.
(Wife
empties breakfast over him. Cut to idiot falling repeatedly off a wall.)
3rd
Voice Over: Kevin O'Nassis works largely with walls.
Kevin:
(voice over) You've got to know what you're doing. I mean, some people think
I'm mad. The villagers say I'm mad, the tourists say I'm mad, well I am mad,
but I'm naturally mad. I don't use any chemicals.
3rd
Voice Over: But what of the idiot's private life? How about his relationship
with women?
(Idiot
in bed. Pull back to reveal he shares it with two very young, thin, nude
girls.)
Idiot:
Well I may be an idiot but I'm no fool.
Voice
Over: But the village idiot's dirty smock and wall-falling are a far cry from
the modern world of the urban idiot. (stock film of city gents in their own
clothes pouring out of trains) What kinds of backgrounds do these city idiots
come from?
(Vox
pops film of city gents. Subtitles explain their exaggerated accents.)
First
City Idiot: Eton, Sandhurst and the Guards, ha, ha, ha, ha.
Second
City Idiot: I can't remember but I've got it written down some where.
Third
City Idiot: Daddy's a banker. He needed a wastepaper basket.
Fourth
City Idiot: Father was Home Secretary and mother won the Derby.
(Cut
to a commentator with mike in close-up. Pull back in his speech, to discover he
is standing in front of the main gate at Lords cricket ground.)
Interviewer:
The headquarters of these urban idiots is here in St John's Wood. Inside they
can enjoy the company of other idiots and watch special performances of ritual
idioting.
(Cut
to quick wide-shot of cricket match being played at Lords. Cut to five terribly
old idiots watching.)
First
Idiot: Well left.
Second
Idiot: Well played.
Third
Idiot: Well well.
Fourth
Idiot: Well bred.
Fifth
Idiot: (dies) Ah!
(Another
very quick wide-shot of Lords. There is nothing at all happening and we can't
distinguish anyone.)
Test Match
(Cut
to three TV commentators in modern box, with sliding window open. They are
surrounded by bottles.)
Jim:
(John Cleese) Good afternoon and welcome to Lords on the second day of the
first test. So far today we've had five hours batting from England and already
they're nought for nought. Cowdrey is not out nought. Naughton is not in. Knott
is in and is nought for not out. Naughton of Northants got a nasty knock on the
nut in the nets last night but it's nothing of note. Next in is Nat Newton of
Notts. Not Nutring - Nutting's at nine, er, Nutring knocked neatie nighty knock
knock...(another commentator nudges him) ... anyway England have played
extremely well for nothing, not a sausage, in reply to Iceland's first innings
total of 722 for 2 declared, scored yesterday disappointingly fast in only
twenty-one overs with lots of wild slogging and boundaries and all sorts of
rubbishy things. But the main thing is that England have made an absolutely
outstanding start so far, Peter?
Peter:
(Graham Chapman) Splendid. Just listen to those thighs. And now it's the North
East's turn with the Samba. Brian.
Brian:
(Eric Idle - He has an enormous nose) Rather. (opens book) I'm reminded of the
story of Gubby Allen in '32. ..
Jim:
Oh, shut up or we'll close the bar. And now Bo Wildeburg is running up to bowl
to Cowdrey, he runs up, he bowls to Cowdrey...
(Cut
to fast bowler. He bowls the ball but the batsman makes no move whatsoever. The
ball passes the off stump.)
Jim:
... and no shot at all. Extremely well not played there.
Peter:
Yes, beautifully not done anything about.
Brian:
A superb shot of no kind whatsoever. I well remember Plum Warner leaving a very
similar ball alone in 1732.
Jim:
Oh shut up, long nose. (Peter falls off his chair.) And now it's Bo Wildeburg
running in again to bowl to Cowdrey, he runs in. (bowler bowls us before; ball
goes by as before) He bowls to Cowdrey - and no shot at all, a superb display
of inertia there... And that's the end of the over, and drinks.
Peter:
Gin and tonic please.
Jim:
No, no the players are having drinks. And now, what's happening? I think
Cowdrey's being taken off. (Two men in white coats, a la furniture removers, so
maybe they're brown coats, are carrying the batsman off. Two men pass them with
a green Chesterfield sofa making for the wicket.) Yes, Cowdrey is being carried
off. Well I never. Now who's in next, it should be number three, Natt Newton of
Notts... get your hand off my thigh, West... no I don't think it is... I think
it's er, it's the sofa ... no it's the Chesterfield! The green Chesterfield is
coming in at number three to take guard now.
Brian:
I well remember a similar divan being brought on at Headingley in 9 BC against
the darkies.
Jim:
Oh, shut up, elephant snout. And now the green Chesterfield has taken guard and
Iceland are putting on their spin dryer to bowl.
(Furniture
fielding. The whole pitch is laid out with bits of furniture in correct
positions. Three chairs in the slips; easy chair keeping wicket; bidet at mid
on; TV set at cover; bookcase at mid off,' roll-top writing desk at square leg;
radiator at mid wicket etc. The spin dryer moves firward and bowls a real ball
with its snozzle to a table, which is at the batting end with cricket pads on
the hits the table on the pad. Appeal.)
Jim:
The spin dryer moves back to his mark, it runs out to the wicket, bowls to the
table... a little bit short but it's coming in a bit there and it's hit him on
the pad... and the table is out, leg before wicket. That is England nought for
one.
(Cut
to a race course. Furniture comes into shot racing the last fifty yards to the
finishing post.)
Commentator: (Eric Idle) Well here at Epsom we take up the running with fifty yards of this mile and a half race to go and it's the wash basin in the lead from WC Pedestal. Tucked in nicely there is the sofa going very well with Joanna Southcott's box making a good run from hat stand on the rails, and the standard lamp is failing fast but it's wash basin definitely taking up the running now being strongly pressed by ... At the post it's the wash basin from WC then sofa, hat stand, standard lamp and lastly Joanna Southcott's box.
‘Take Your Pick’
(A
simple 'Take Your Pick' style set with Michael Miles grinning type monster
standing at centre of it.)
Michael
Miles: (John Cleese) And could we have the next contender, please? (a pepperpot
walks out onto the set towards Michael Miles) Ha ha ha... Good evening, madam,
and your name is?
Woman:
(Terry Jones) Yes, yes...
Michael
Miles: And what's your name?
Woman:
I go to church regularly.
Michael
Miles: Jolly good, I see, and which prize do you have particular eyes on this
evening?
Woman:
I'd like the blow on the head.
Michael
Miles: The blow on the head.
Woman:
Just there. (points to the back of her head)
Michael
Miles: Jolly good. Well your first question for the blow on the head this evening
is: What great opponent of Cartesian dualism resists the reduction of
psychological phenomena to physical states?
Woman:
I don't know that!
Michael
Miles: Well, have a guess.
Woman:
Henri Bergson.
Michael
Miles: Is the correct answer!
Woman:
Ooh, that was lucky. I never even heard of him.
Michael
Miles: Jolly good.
Woman:
I don't like darkies.
Michael
Miles: Ha ha ha. Who does? And now your second question for the blow on the
head is: What is the main food that penguins eat?
Woman:
Pork luncheon meat.
Michael
Miles: No.
Woman:
Spam?
Michael
Miles: No, no, no. What do penguins eat? Penguins.
Woman:
Penguins?
Michael
Miles: Yes.
Woman:
I hate penguins.
Michael
Miles: No, no, no.
Woman:
They eat themselves.
Michael
Miles: No, no, what do penguins eat?
Woman:
Horses! ... Armchairs!
Michael
Miles: No, no, no. What do penguins eat?
Woman:
Oh, penguins.
Michael
Miles: Penguins.
Woman:
Cannelloni.
Michael
Miles: No.
Woman:
Lasagna, moussaka, lobster thermidor, escalopes de veau a l'estragon avec
endives gratineed with cheese.
Michael
Miles: No, no, no, no. I'll give you a clue. (mimes a fish swimming)
Woman:
Ah! Brian Close.
Michael
Miles: No. no.
Woman:
Brian Inglis, Brian Johnson, Bryan Forbes.
Michael
Miles: No, no!
Woman:
Nanette Newman.
Michael
Miles: No. What swims in the sea and gets caught in nets?
Woman:
Henri Bergson.
Michael
Miles: No.
Woman:
Goats. Underwater goats with snorkels and flippers.
Michael
Miles: No.
Woman:
A buffalo with an aqualung.
Michael
Miles: No.
Woman:
Reginald Maudling.
Michael
Miles: Yes, that's near enough. I'll give you that. Right, now, Mrs Scum, you
have won your prize, do you still want the blow on the head?
Woman:
Yes, yes.
Michael
Miles: I'll offer you a poke in the eye.
Woman:
No! I want a blow on the head.
Michael
Miles: A punch in the throat?
Woman:
No.
Michael
Miles: All right then, a kick in the kneecap?
Woman:
No.
Michael
Miles: Mrs Scum, I'm offering you a boot in the teeth and a dagger up the
strap?
Woman:
Er...
Voices:
Blow on the head! Take the blow on the head!
Woman:
No, no. I'll take the blow on the head.
Michael
Miles: Very well then, Mrs Scum, you have won tonight's star prize, the blow on
the head.
(He
strkes her on head with an enormous mallet and she falls unconscious. A sexily
dressed hostess in the background strikes a small gong. The three bishops rush
in and jump on her.)