Cantos from CC to CCVI 


CC 
My poem's epic, and is meant to be 
Divided in twelve books; each book containing, 
With love, and war, a heavy gale at sea, 
A list of ships, and captains, and kings reigning, 
New characters; the episodes are three: 
A panoramic view of Hell's in training, 
After the style of Virgil and of Homer, 
So that my name of Epic's no misnomer. 

CCI 
All these things will be specified in time, 
With strict regard to Aristotle's rules, 
The Vade Mecum of the true sublime, 
Which makes so many poets, and some fools: 
Prose poets like blank-verse, I'm fond of rhyme, 
Good workmen never quarrel with their tools; 
I've got new mythological machinery, 
And very handsome supernatural scenery. 

CCII 
There's only one slight difference between 
Me and my epic brethren gone before, 
And here the advantage is my own, I ween, 
(Not that I have not several merits more, 
But this will more peculiarly be seen); 
They so embellish, that 'tis quite a bore 
Their labyrinth of fables to thread through, 
Whereas this story's actually true. 

CCIII 
If any person doubt it, I appeal 
To history, tradition, and to facts, 
To newspapers, whose truth all know and feel, 
To plays in five, and operas in three acts; 
All these confirm my statement a good deal, 
But that which more completely faith exacts 
Is, that myself, and several now in Seville, 
Saw Juan's last elopement with the Devil. 

CCIV 
If ever I should condescend to prose, 
I'll write poetical commandments, which 
Shall supersede beyond all doubt all those 
That went before; in these I shall enrich 
My text with many things that no one knows, 
And carry precept to the highest pitch: 
I'll call the work "Longinus o'er a Bottle, 
Or, Every Poet his own Aristotle." 

CCV 
Thou shalt believe in Milton, Dryden, Pope; 
Thou shalt not set up Wordsworth, Coleridge, Southey; 
Because the first is craz'd beyond all hope, 
The second drunk, the third so quaint and mouthy: 
With Crabbe it may be difficult to cope, 
And Campbell's Hippocrene is somewhat drouthy: 
Thou shalt not steal from Samuel Rogers, nor 
Commit--flirtation with the muse of Moore. 

CCVI 
Thou shalt not covet Mr. Sotheby's Muse, 
His Pegasus, nor anything that's his; 
Thou shalt not bear false witness like "the Blues" 
(There's one, at least, is very fond of this); 
Thou shalt not write, in short, but what I choose: 
This is true criticism, and you may kiss-- 
Exactly as you please, or not--the rod; 
But if you don't, I'll lay it on, by G{-}d