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Turning
Point
Before a special experience in eighth grade, clarinet
playing was only a filler for the required music credit. Every other
day, I'd pull out my instrument in the band room like I would pull
out my calculator in math class, and try to play the right notes
for the right lengths at the right time. The day before a band quiz,
I would spend ten minutes rehearsing a passage so I'll receive a
check plus like I would study for a history test. My private lesson
teacher probably loathed our lessons as much as I did because she
and I both knew that we had forty-five minutes of lecturing, and
being lectured, about good practicing habits ahead of us.
Yes, this was before a very special experience in
eighth grade - one that altered my perception of music and clarinet
playing as a whole.
After spending two months working with me on the
same music and realizing that I cannot sound any better without
practice, my teacher assigned me a new piece -- a clarinet sonata
by Saint Saen. She also gave me a CD with Paul Meyer playing the
same piece. I've never listened to any classical CDs before this
one, and was as enthusiastic about listening to it as I was about
practicing. However, I still popped it into my CD player one night
when I had nothing better to do.
Wow.
That night was the first time music really appealed
to me. I found myself melting in the cradling of the first movement,
waving my arms insanely to the intense melody of the fourth and
gasping at every unique harmony in between. The whole twenty minutes
of the piece was an emotional journey that brought me from laughter
to tears. And I loved it! The recording left a burning desire in
me to recreate what I heard, and to move other people the same way
this music has moved me. So I practiced my head off.
My teacher recalls the lesson that following week:
"He strode into the room confidently and played everything correctly
the first time through!" That was one of the greatest private lessons
I ever had. Having gotten the mechanical obstacles out of the way,
my teacher and I worked on real music - phrasing, interpretation,
etc. And we played a whole movement through without stopping in
the middle. For the first time, I felt the coherence and passion
of a continuous piece of music. Coming out of MY instrument! The
lesson went over time because we enjoyed rehearsing the sonata so
much.
I've been practicing clarinet and performing regularly
ever since then. The most satisfying moments would be during a performance,
when I notice members of the audience swaying in their seats to
my melody and breathing with my phrases. The ability to touch people's
hearts has always been something I wished to possess, and I find
it truly a thrilling sensation to guide my audience through the
same emotional journey that I embarked on that night. Clarinet playing
is a part of me now, and I have decided to pursue it as a career
even though all of my relatives insinuate (very nicely, of course)
that I will starve. I could easily say that the turning point in
my life would be Saint Saen's clarinet sonata; it is what revealed
to me the power of music and my own potential.
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