Selecting the telescope for purchase/Buying tips

Summary

Your best choice in a telescope isn't buying the most powerful one you can afford, nor the biggest, nor the one with the most features. The best telescope is the one you will use most often. It will be far better than any telescope that idly is kept in the closed box because it is too heavy or too cumbersome.

Its use depends on -

Its being light (to be easily carried and set wherever you want)
Comfortable viewing for long time
Giving reasonably good image
Firmness of mount.

Discard any telescope that is promoted for its high magnification. The stunning and beautiful images are seen between 12.5 to 25x per inch of aperture - like for 4", from 50 to 100x...

An ugly telescope (lookwise) can outperform a pretty one; quality of optics, firmness of mount, and ease of use are all that matter You don't just look through a telescope. You have to store it and carry it. You have to set it up and take it down at the end of a long day when most people are ready for bed.

How good an astronomer you become, depends not on the aperture or how good telescope you own but how much time you spend observing.

The following features are also hallmarks of a quality telescope:
· A 1¼-inch focuser.
· A true image finderscope;
. minimal use of plastic, especially in moving parts such as the focuser;
· A sturdy mount and tripod combination.

If possible, star-test a telescope before buying. Use a well corrected eyepiece (Nagler, Radian, Plossl or Ortho) and don't use a diagonal or barlow in your tests (unless it is known without question, to be of very high quality). But never expect your telescope will star test perfect, as it will not. The test is just too sensitive to wavefront aberrations.

You can also do the "snap" test, which is a subjective way to test optics, but still a good general test. If the star (or planet) snaps into focus without any ambiguity of focus, the optic is probably a good one. The same holds for high power viewing. A good optic can stand high magnification on a night of good seeing, and a poor one will get mushy at high powers.

If you haven't specialized and don't intend to, an all-purpose mid-range telescope should serve best. From 4.5" to 6" is beginner's simple reflector telescope. 7" onwards Cassegrain or reflectors/refractors may be regarded for serious astronomers.

Details

APERTURE WINS, and wins big.
A telescope's most important characteristic is its aperture
The 6-inch simplest cheap mirror telescope can put world-class 4-inch apochromat refractor to shame. Likewise 8" will out-perform 6" reflector/refractor and 10" will beat 8".

Power, or magnification, is not something to consider
For starters, avoid flimsy, semi-toy, "300/600 power!" scopes that may have caught your eye. Get the biggest aperture you can afford!
But in practice it's not so simple. If a scope is too massive to lug outdoors easily and too time-consuming to set up, you'll rarely use it.

Even among telescopes with the same aperture,
some designs are more portable,
others give somewhat sharper images,
and others are more economical.

The most optical performance per unit of clear aperture
comes from modern, high-quality refractors but those are prohibitively costliests.
.
The most optical performance per unit of portability
comes from Cassegrain designs. A six/eight-inch to eleven-inch
Cassegrain design is the right size for many people; for years the 8-inch Cassegrain has remained the most popular instrument for serious amateurs.

For doing 35mm film photography or comfortable visual use
(animal, birds or landscape viewing )
a moderate to long f/ratio Cassegrain is hard to beat
But these are costlier than Newtonians.

The most optical performance per unit of cost comes from
Newtonians. They are easiest to make and very cheap too.

Having narrowed your choices get all the manufacturers' catalogs and compare details, paying careful attention to size, weight and optical quality.

If possible, star-test a telescope before buying. Use a well corrected eyepiece (Nagler, Radian, Plossl or Ortho). Don't use diagonal or barlow in your tests (unless it is known without question, to be of very high quality).

Give the scope a full two hours of cool-down time (or more if the scope has a long thermal equilibrium time or you live in a cold area), and make sure it is a night of good seeing, say 7 or better on a scale of 10.

Focus on a 1st or 2nd manitude star using very high power (50x per inch)
Turn the focus knob slightly to one side, then slightly to the other side, of best focus. The star's fuzzy, out-of-focus diffraction rings should look the same on both sides of best focus. That is, they should be the same shape and have the same distribution of light inside them

But the most important thing to remember about star testing a telescope is to
never expect your telescope will star test perfect, as it will not.
The test is just too sensitive to wavefront aberrations.

What you want to see is a well defined, round Airy disk, with no more than 2 or 3 diffraction rings around it. This is the real meat and potatoes of optical performance, that is, how dim are the first and second diffraction rings at best focus?

If they are dim (a perfect optic would have 7% of the total energy in the first ring, 3% in the second), then you know the optics are good.

Poor atmospheric "seeing" -- the quivering and blurring caused by the Earth's unsteady atmosphere -- may make this test difficult.

You can also do the "snap" test, which is a subjective way to test optics, but still a good general test. If the star (or planet) snaps into focus without any ambiguity of focus, the optic is probably a good one. The same holds for high power viewing. A good optic can stand high magnification on a night of good seeing, and a poor one will get mushy at high powers.

The following advice will help you juggle all factors to make the best decision.

The best telescope is worthless if it is on a poor mounting.
Planets, the Moon, and close double stars require
high power, good contrast, and sharp resolution,
if these objects are your main interest then you have
3 excellent designs to choose from,

Long Refractor,
Dall-Kirkham, and
Classical Cassegrain.

For focal ratios longer than about f/12, the Dall-Kirkham design would be the better choice due to cost. If you wanted a short tube with a focal ratio between f/8 and f/12 or so, then the Classical Cassegrain would be the better choice. Should a long tube and very high cost for a moderate aperture be acceptable, then a 6" to 8" refractor would be suitable

Very faint objects like galaxies and nebulae need big aperture, more aperture. A big reflector is the logical choice if this will be your specialty.

Photographic use of a telescope falls into 3 categories;CCD, 35mm, and large format.

Should CCD work be your main interest, then any design would work exceptionally well.
For doing 35mm film photography or visual use, comfortable viewing - a moderate to long f/ratio Cassegrain is hard to beat.

For those who want to do only large format photography, with the high cost of camera equipment, then the Rithey-Cretien is the only viable option.

Astrophotography is in your future, then consider nothing less than an 7/8-inch Cassegrain

High Power Myth

Beginners often mistake magnification for quality. Certainly magnification has a place in observing with a telescope, but it is only part of the answer. A general rule of thumb for maximum useable power in telescopes (when the atmosphere and sky conditions are excellent, which is a rare phenonmenon) is about 50x to 60x per inch diameter of the objective (or aperture). So a 2.5" telescope can usefully go to a power of 2.5 x 50 or about 125x.

This rule is only true if it's a very clear night (both transparency and atmospheric conditions are excellent, air is steady) when stars are not twinkling. When the stars twinkle, it's because winds high above our heads are causing the star light to bend this way and that. When you look in the telescope at high power, this shaky motion gets magnified, and it's much the same as looking at a home movie where the photographer was rapidly moving the camera: you can't see anything well, everything looks blurry. Or like trying to see the bottom of a pool of water when someone drops a rock and waves move by.

On bad nights, with twinkling, 30x is more appropriate. Of course you can decide for yourself what magnification you want to use; I am only explaining how to get satisfying images where you see all the detail you can, without blurriness

The air is what limits resolution for many telescopes. This is the major reason why photos from Hubble are so stunning- it does not have to look through miles of air to get it's light. The result is seeing higher resolution when we magnify the images. The air is the reason why 50x-60x per inch is a practical limit for our telescopes on earth. due to the reduced amount of air telescopes do perform much better at high altitudes.

You may think you need a large instrument, but don't forget portability and convenience. Your first telescope shouldn't be so heavy that you can't take it outdoors, set it up, and take it down reasonably easily.

Those are the basics. But to actually choose a telescope that meets your needs, you need to ask some questions -- of yourself; and, finally, of the people who make and sell telescopes for a living.

Choosing a spaceview telescope also read -
http://www.skypub.com/tips/telescopes/telescopes.shtml
http://www.atmpage.com/design.html
http://www.stellafane.com/atm/atm_select_scope/atm_select_scope.htm

 

Next page,           contents