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It begins with a swift opening credit sequence that is low-tech but does the job. Just like the rest of the movie. This, along with other Hitchcock films, is what horror movies are. You don’t need excessive blood and gore and amorous teenagers. All you need is a decent story and tension galore.
Actually, this landmark films is pretty much thrill-free for the first half. Marion Crane (Janet Leigh) is a secretary. She is asked to take $40,000 to the bank, but instead she runs away with it, without telling anybody. She then decides to check into the Bates Motel and chats a bit with loner owner Norman Bates (Anthony Perkins). She then takes a shower….
Everybody knows the plot, everyone knows the shower scene. What most people also know is how great this film is. It’s finely crafted with superior music and terrific acting all around, with some symbolism all around. First, the music.
Bernard Herrmann, who produced the score for most of Hitch’s other movies, did a top-notch job here, also. His strings orchestra really brought out the noir-ish mood. Even when Marion is just driving, you still feel tense because of his A+ score. The superimposed voice-overs that weren’t very frequent were also quite good; it seemed like you couldn’t tell whether Marion was thinking that or not. Hitchcock is a great directory; his camera shots and precise timing are superb. Most horror filmmakers try to carbon copy his style, but never succeed, because they don’t have any of his wit and superiority. This is a fine craftsman at work.
Perkins is eerily great. He manages to be vague and yet vulnerable. He’s being overpowered by his overbearing mother who lives in the house behind the motel. He seems like he could be a nice guy…until he snaps. Leigh is also great, along with Vera Miles (Marion’s sister Lila), John Gavin (Marion’s boyfriend Sam), and Martin Balsam (P.I. Arborgast).
I don’t understand why Psycho was remade thirty eight years after it came out. Nobody needed to see it in color, with new actors, and the same scene-by-scene! It probably would have been a lot better if Gus Van Sant (who directed the new one) did a “reimagining”, like Tim Burton and Planet of the Apes. Sure, William H. Macy is in the new one, but I’ve seen some of it and it’s just horrible.
Reading up online, I see some symbolism throughout the movie. Norman’s obsession with birds (his middle name is Francis in the movie) means he wants to fly away from his mother. Something that I always love in movie is when they put “hints” of the movie in. For example, in the office where Marion works, there are two pictures: one of where she will be pulled over by a cop and one of a swamp that comes into play later. That type of stuff I always find fascinating.
Look for Hitchcock’s cameo (like he always has) as a man in a cowboy hat around four minutes into the movie, outside of Marion’s office.
Rated R for two scenes of violence.
Review Date: January 19, 2003