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REVIEWS |
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HINDUSTAN TIMES by DEBU MAZUMDAR
Atma Daho is Mitra's version of Mahabhatata. The production was infused with a passionate concern for getting the truth.
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A PLAYWRIGHT WHO BELIEVES IN EXPERIMENTING
Aasheesh Mamgain, FLASH, New Delhi, February 13, 2000
Theatre for me is like oxygen as well as a poison. This statement by Torit Mitra underlines the importance of theatre in his life...Writing plays is not simple. Every aspect of human nature should be understood. What goes on in the society and in the whole human environment needs to be studies before one ventures into play writing... Sadly there are not many writers with such ability, intent and deep understanding of theatre...
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SUNDAY TIMES, 19th September 2000 by Mohua Chatterjee
"Hanyaman" was a gripping play well scripted, well acted and well presented, well coordinated effort of the group spoke through the effective lights, set and background music each player essayed his or her role with sensitivity.
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Anando Bazar Patrika, 1st February, 2003, by Monoshij Mazumdar
Jagor is inspired from Rabindranath Tagore's "Visarjan", but it is a new and original play. This play is basically a conflict between state and religion.
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(Written originally in Bengali by Sh. Monoshij Mazumdar and published in Ananda Bazar Patrika, 20th March, 2004)
This play could be better named as "Macbeth through a Marxist Playwright". This play is a re-interpretation of the original play, "Macbeth".
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UPASHALYA
(Written originally in Bengali by Sh. Debabrata Sarkar and published in the magazine "Unmukto Uchchash" in their 11th year, June- July issue, 2005.)
It is a play about the slum-dwellers of South Delhi, rather, a play about their naked lives and language.
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