Chapter 1 | wampum appetite notion irritation gleamed |
mollusk properly canopy ladle |
bluff substitute encouragingly hospitality |
Chapter 2 | flints frayed occurred darted rawhide |
coax ceremony rustle satisfied bluffing |
compromise accusation confided superior insisted |
Chapter 3 | necessary guides insight abandoned resisted hospitable waddled |
resist murmur predicament presence concerns haunches craving |
forbidden pleaded gnarls tapered quivered shimmering bough |
Chapter 4 | quills denying accusation barriers |
perception warrior blazed homely |
trillium insult ricocheted imitated |
Chapter 5 | inquired preferred thudded gusty divert |
familiar dismiss wake contradict accumulated |
persuade overtake ebbing consulted reconsider |
Chapter 6 | rustle assembled denying hunched |
vibrate rumpled plaits fortunate |
squall emerged obliged |
Chapter 7 | stern indicate roily absorbed |
gestured possession chasm |
likelihood procession ancestors |
Chapter 8 | persuade coaxed endure silhouettes |
impatient suspicious floundered hovered |
perceiving oblige embers decipher |
Wampanoag Boys and Girls
Play the "Who Are You?" Game
Have a Debate
Be a Storyteller
Make Brochures About the Wampanoag People
Wampanoag History
Make a chart contrasting the differences between the tasks expected of Wampanoag boys and Wampanoag girls. Imagine that you are a member of this tribe and expected to live by these rules. Do you think you would enjoy your roles? Why or why not? Ask yourself this question: How would your life be different if you were the opposite sex? Then write a one-page journal entry from that point of view. Once your piece is edited and you have created a final draft, make the pages look "old" by dipping them in a bucket of cold tea or coffee. When the pages are dry, arrange them on the bulletin board.
Generate a list of characters from the book. Select one of the characters and fill out a Character Chart or a Who Am I? Worksheet. This worksheet may be used during the game. Choose a partner. Partner #1 is the questioner and Partner #2 will pretend to be one of the characters in the book until his or her identity is revealed. At that point, switch roles with your partner. In the following example, Student #2 is Little Red Riding Hood:
Student #1: Who are you?
Student #2: I am a granddaughter.
Student #1: Who are you?
Student #2: I am someone who wears a red cape.
Student #1: Who are you?
Student #2: I could be someone's dinner.
Student #1: Who are you?
Student #2: I am someone with a basket of food.
Student #1: Who are you?
Student #2: I am someone who walks in the forest.
Student #1: Are you Little Red Riding Hood?
Student #2: Yes, I am.
In the book Guests, you can conclude that the "guests" who come to the harvest feast are the Pilgrims. What proof is there in the book that they are, indeed, the Pilgrims? Choose a group: those who will argue that the guests are the Pilgrims, those who will argue that the guests are not the Pilgrims, and those who will act as judges of the debate. Help your group find specific descriptions and examples from the book to support your point of view. The judges can look for evidence that supports either view so they can decide if an argument is valid or not. Allow each group to present their arguments, then let the judges decide who wins the debate.
Michael Dorris includes three Native American stories in this book: "Running Woman," "How the People Lost Each Other," and "The Beaver and the Muskrat Woman." Read each of them aloud to the class and explain that storytelling was a way for Native Americans to pass history, stories, traditions, and fables down from one generation to the next. Conduct a class discussion in which students try to capture the main point of each story and then create a moral for it. Tell students that each member of the class will perform one of these stories from memory. Instruct each student to select the story she likes the best and read it silently to herself one more time. Suggest that each student picture the events of the story in her head rather than trying to memorize the words. If students are nervous about performing without the book, allow them to write a one-sentence description of each important event from the story on an index card. Allow time for students to practice telling their stories. Encourage them to use hand motions, facial expressions, props, and different tones of voice to bring the story to life. When the students are ready, invite an audience (parents, classmates, teachers) to come and listen to the fabulous Native American stories they have to tell.
As a way to understand the differences between stereotypes about Native Americans and reality, students will conduct research about the Wampanoag people (including their lives today) and create brochures. Gather reference materials such as books, magazines, and the Internet resources below for student use, and allow students to browse through them for a few minutes. Afterward, conduct a class discussion in which students generate a list of topics to research. These might include clothing, food, where the Wampanoag lived in the past and where they live today, cultural traditions, etc. Write the list on the board and allow each student to select a topic that interests him. Explain that each student will research his chosen topic and then create a brochure about it to share with the class. To make the brochures, fold a blank piece of paper into thirds, which will give students six panels (using both sides of the paper) to fill in with illustrations and information. Ask students to put a title at the top of each panel, follow that with facts about the title, and include at least one illustration on each panel. When the brochures are finished, have students share them with one another.
Internet Resources
This site provides descriptions of the Wampanoag people's population, names, language, culture, history, and sub-tribes.
http://www.dickshovel.com/wampa.html
Michael Dorris' Biography
Michael Dorris describes why he became a writer and how he created his characters on this Web page by Scholastic. It also gives an overview of his life.
http://www2.scholastic.com/teachers/authorsandbooks/authorstudies/authorhome.jhtml?authorID=30&collateralID=5150
The Young Adult Novels of Michael Dorris - Lesson Plan
This article from the Alan Review analyzes Michael Dorris' "small but important body of work written for students in grades 4 through 8" and provides insights for educators who are teaching these books.
http://scholar.lib.vt.edu/ejournals/ALAN/spring98/charles.html