In 1984, the movie version of the
science-fiction novel Dune came out and intersected
with my life in a most curious way.
The first science class I ever had in my
life was a junior-high biology class taught by Mr. Weast
(rhymes with “yeast”), who had an interesting philosophy.
He would write an entire blackboard full of notes before each
class, and we’d begin the class by copying them down by
hand. He did his notes in outline format, and he had an entire
year’s worth of them. By the end of the year, if a student
had paid careful attention to the outline, the result would be
a copy of his notes. I doubt anyone did that good of a job,
however, taking notes. I didn’t. My outline levels were
always way out of synch. Sometimes I would get to the
classroom early enough that he would still be writing the
day’s notes on the board.
Mr. Weast’s biology class started at
the cellular level, learning about extremely small bits of
flotsam in pond water, and their cellular organization. There
was one long-named thing that started with “m”, and
another called the flagella (which I always liked for some
reason), and the amoeba. We inspected various pond scum under
a microscope. We learned about DNA, RNA, and various other
–NAs in excruciating detail (on which I had difficulty fully
applying my attention, since we were seated in alphabetical
order, and The Raven was in the row to my right and a seat or
two in front of me, and presented quite a distraction). After
that, we studied various animals and more complex organization
all the way up the food chain: we went from unicellular little
blobs to multicellular blobs, then plants, and animals. I made
up a little saying to remember the classification system for
critters, “Keep Cats Off Gus”. Kingdom, Class, Order,
Phylum, Genus, Species. The phrase contained a rather strange
mnemonic scheme of the first letters in the classification
system, K C O F(->Ph) G S. We had to be able to sprout this
off from memory on a test. I still remember it, for some
reason.
This was seventh grade biology, where for
the first time in their lives students got to cut up dead
animals. Honesty compels me to admit I have yet to realize any
benefits from this in my life. I sliced and diced hapless
worms, frogs, and crawdads; I smelled the Egyptian mummy
smells of formaldehyde; and I soaked in the wonders of nature
as I looked at organs and body parts from animals which gave
up their lives to educate me. In vain was their sacrifice. To
this day, I can remember what the innards of a worm look like,
and can vividly recall the smells of a biology lab, but in
terms of practical use the experience has availed me nothing.
Ironically, I was not the least bit squeamish about the
dissections, and probably should have been a doctor, but that
wasn’t the life for me.
We did at least three dissections, maybe
four, in the class. We whacked and hacked on the helpless
carcass of an earthworm, a crawdad, and a frog. Once, we cut
up a grasshopper, but I can’t remember if it was in the 7th
grade. In some kind of strange irony, I had both of my biology
classes (in the 7th and 10th grades) the
period before lunch. Makes for a fun lunch to have just
mutilated a dead animal.
The grasshoppers were the most
interesting critters, since the rest of the animals were
fairly normal representatives of their species. But the
grasshoppers were not the happy little guys I saw all the time
hopping around in fields of the Western North Carolina. The
only way I can describe them is big honkin’ grasshoppers.
They looked as if they’d have been hand-picked by Moses to
plague the Egyptians. They were several inches long;
industrial strength, scientific grasshoppers. I have no idea
where these came from, but where ever it was, I’m sure that
whoever lived there was glad to see them gone.
Scientific as my education was, I didn’t get to
use a Bunsen burner until the ninth grade, though,
and I don’t think the science labs at the junior
high were even equipped with gas. I understood the
old phrase “as nervous as a cat in a room full of
rocking chairs” when I was in a room with gas
line taps and adolescents; the potential for
negligence was amazing, itself, and the potential
for intentional mayhem unimaginable. (I can recall
only one chemistry-related accident the entire time
I was in school, though, and it wasn’t very severe.)
The only thing that prevented utter chaos from
exploding was the fact that most of the true
miscreants were incapable of thinking up a way to
ignite a flame in the science lab without being
there and taking themselves out in the resultant
conflagration. What could be achieved through sheer
carelessness, though, was enough to make me
nervous.
For the climax of Mr. Weast’s class, we watched
the science fiction “classic” The Black
Hole. This reaffirmed the fact that I did not
like science fiction all that much. Dune has
been about the only science fiction novel I
enjoyed. Instead of a riveting plot, The Black
Hole consists of these people who fall into a
black hole, and wander around this gigantic
spaceship for hours upon end, and finally fall into
the black hole far enough to get to the other
side. During the interminable hours of the movie,
they wander around and around, boring viewers to
tears. I remember the third day of this boring
movie, when the end was finally in sight (I was
rooting for the robot to kill everyone so the movie
would be put out of its misery; this long predated
Mystery Science Theatre 3000 or I could have had
quite an entertaining time lampooning the movie),
when Mr. Weast made the movie live up to its PG
billing by giving us guidance: before the
hair-raising scene of whassisface being trapped in
his robot, he guided us that some people thought
hell was being trapped in what you feared most. In
my case, hell must be being bored to tears by
watching a movie.
What does this have to do with Dune?
Well, Mr. Weast, among other things that year, had a copy of
the book that was being passed around. The various teachers
were taking turns reading it, because of the movie. It must
have put the idea in my head to read the book. Turns out it
was a great experience, although it ruined me in terms of
reading science fiction. Dune is so good that it makes
all other science fiction seem bad in comparison. I’ve never
encountered a story that simultaneously existed on so many
different levels and layers at once. I have probably read it
straight through at least six times, and each time something
new comes out. Herbert created something so complex that it is
almost too good since so few people can appreciate it.
Thank goodness I read the book instead of
seeing the movie. Dune went down in flames as a movie,
mainly because it stunk. I did not see it at the time, but
when I was older I caught a rerun on television. The movie was
only loosely based on the book, despite the author’s
insistence (in his preface to the book Eye, a
collection of his short stories, he discusses his perspective
on the movie) that it was the movie he wanted to make. In a
later book, Herbert included a lengthy essay about the movie
and I didn’t understand how he could defend it. He must have
seen something (likely prefixed by a dollar sign) in the movie
which no one else could.
It’s odd, I suppose, but I had a great
love of The Police at the time Dune came out. I got
into them right when I was going to junior high in the 7th
grade. “King Of Pain” was the first single, and in fact
the first commercial recording of any sort, I ever bought.
Back then, “singles” were 45-rpm vinyl records with a
7-inch diameter. They had an “A” side with the main song,
and a “B” side with some other song. The other song on the
“King Of Pain” single was “Someone To Talk To”, a song
which did not make it onto the Synchronicity album, likely
because Andy Summers sang it. He is, almost universally,
condemned for his singing. But I heard this song at a very
impressionable age, and I didn’t even know it was him
singing it. Later on, Summer’s XYZ album became one of my
favorite recordings, in spite of (or because of) Andy’s
singing.
What does this have to do with Dune?
The Police’s lead singer, Sting, dyed his hair orange and
wore “flying underpants” in the movie. Fortunately, I did
not see the move until much later in life, and was spared from
having my image of Sting the serious intellectual ruined. For
some reason, Sting always played the villains. He was never a
good guy in his movies. I think every movie he was ever in
flopped, too, for some reason.
Anyway, these days Dune is a cable television rerun for
those times when stations have three or more hours to kill.
The director has taken his name off of the movie, in protest
of an “extended” version which adds stuff he left on the
cutting room floor back into the movie to make it longer.
Sting was on the ropes, teetering on the brink of vanishing
from pop culture, before he managed to revive his career. Andy
Summers is recording instrumental albums. I don’t know what
happened to Mr. Weast.
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