EARN
THIS.........................................
D-Day,
Dick Feagler's column in Toledo, Ohio, The Plain Dealer.
In a
battlefield cemetery each marble cross marks an
individual
crucifixion. Someone - someone very young
usually
- has died for somebody else's sins.
The
movie "Saving Private Ryan" begins and ends
in the
military cemetery above Omaha Beach.
By
sundown of D-Day, 40,000 Americans had landed on that
beach,
and one in 19 had become a casualty.
Director
Steven Spielberg made "Saving Private Ryan"
as a
tribute to D-day veterans. He wanted, reviewers
say,
to strip the glory away from war and
show
the '90s generation what it was really like.
The
reviews have praised the first 30 minutes of
the
film and the special effects that graphically
show
the blood and horror of the D-Day landing.
Unfortunately,
American movie audiences have become
jaded
connoisseurs of special effects gore.
In the
hands of the entertainment industry, violence
has
become just another pandering trick. But
Spielberg
wasn't pandering. Shocked by and wary
of his
depiction, I bought a copy of Steven Ambrose's
book
"D-Day." The story of the Normandy invasion is
a
story of unimaginable slaughter. Worse than I ever
knew,
and I thought I knew something about it.
The
young men who lived through those first waves are
old
men now. Many have asked themselves, every day
for
more than 50 years, why they survived. It
is an
unanswerable question. The air was full of
buzzing
death. When the ramps opened on many of
the
landing craft, all the men aboard were riddled
with
machine gun bullets before they could step
into
the water. Beyond this cauldron of cordite
and
carnage, half a world away, lay an America united in
purpose
like no citizen under 60 has ever seen.
The
war touched everyone.
The
entire starting lineup of the 1941 Yankees was
in
military uniform. Almost every family could hang
a
service flag in the window, with a Star embroidered
on it
for each son in uniform, a Gold Star for those
who
had made the ultimate sacrifice.
In the
early hours of D-Day, with the outcome of
the
battle still in the balance, the nation prayed.
Ambrose
tells us that the New York Daily News
threw
out its lead stories and printed in their
place
the Lord's Prayer.
"I
fought that war as a child," a historian on
television
said the other night. I knew what he
meant.
So did I. We all saved fat and flattened
cans
and grew victory gardens. But we did not all
go to
Omaha Beach. Or Saipan. Or Anzio.
Only
an anointed few did that.
The
men of World War II are beginning to leave
us
now. In my family, six have gone and two are
left.
We have lost the uncle who was on Okinawa, the
cousin
who worked his way up the gauntlet of Italy
and
the cousin who brought the German helmet back
from
North Africa. These men left us with a
simple
request. You can hear that request in final
minutes
of "Saving Private Ryan." I haven't read a
review
that has mentioned it, but it is what
makes
Spielberg's movie a masterpiece. In the film,
a
squad of rangers is sent behind enemy lines to save
a man
whose three brothers have been killed
in
battle. Headquarters wants him shipped home to
spare
his mother the agony of having all her sons
killed
in combat. So eight rangers risk their
lives
for one man. And when one of the rangers
is mortally
wounded, he asks Pvt. Ryan to bend
over
so he can whisper to him.
"Earn
this," he says.
And
that is the request of all the young men who
have
died in all the wars -from Normandy to the
Chosin
Reservoir to Da Nang to the Gulf.
"Earn
this."
When
the movie ended, the theater was silent except
for
some muffled sobs. But the tears that scalded
my
eyes were not just for the men who had died on
the
screen and in truth. Or for the men who had
lived
and grown old and were baffled about why
they
had been spared. I walked out into the world of
Howard
Stern and Jerry Springer and "South Park."
Into
the world of front-page coverage of Monica
Lewinski
and the stain on her dress from
Oval
Office semen.
"Earn
this," was still ringing in my ears.
And
the tears in my eyes were tears of betrayal.
Submitted
by: John Wear