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       FOR THE FIRST TIME IN the history of the SHUDOKAN !!!


    Absolutely for his students world-wide awaiting to know of their loving instructor, the icon and pinnacle of Shudokan Aikido- Sensei Thamby Rajah !!!

An exclusive, exhaustive and in-depth  feature  on Sensei Thamby Rajah.........

Sensei Thamby Rajah has always been modest of his achievements and prowess. When questioned about his  martial arts career his answers would largely be monosyllabic and curt. He shuns fruitless verbiage. Here, for the first time , and at the behest  of his students , he opens up a few poignant experiences in the dojos of Japan at a time when most martial arts disciplines were in their infancy and down right raw and combat - oriented. Remember as you read along that you are treading backwards in history to about more than half a century ago, in terms of time, civilization, culture, value systems and most importantly the arraignment of martial arts techniques. It was also around the time when the embargo on the open practice of martial arts had just been lifted in Japan and the floodgates were flung open. Sensei Shioda had just drawn the curtain withholding the beauty of Aikido by his dazzling Aikido performance in the first All Japanese Martial Arts display after the lifting of the embargo. Read on with these happenings in hindsight , then only, shall you be aptly focused in the right perspective..... to comprehend the subject being juxtaposed here ! Aikido, at the time when Sensei Thamby studied was still "sizzling hot being fresh from the oven" , for Sensei Shioda had started studying it in 1932  ( Sensei Thamby in 1954) and the influence of Daito-ryu Aikijutsu, upon which Ueshiba sensei's Aikido was largely based, had profound influence on the art as dished out to students then. This may credibly appease  the bafflement and awe  of present-day students as regards some of Sensei Thamby's unconventional techniques.......At most times, he holds these techniques in abeyance from new students so as not to vitiate the evolvement of the art as taught by the recent instructors. With advanced students, who have had sufficient grounding in the art, he unleashes the range of traditional techniques as he was taught then. Mind you, they are darn effective, fast, deadly and "cool"... His techniques smacks of tradition, absolute pragmatism and superlative vigor. Read on to comprehend more of Sensei Thamby Rajah, the epitome of a true Aikidoist !!!                                                                         


Sensei Thamby Rajah practicing Judo in Japan

Sensei Thamby  Rajah speaks thus :

      " My interest as a school student was deeply entrenched in gymnastics. The state-of- affairs at the school where I studied fostered the growth of my inherent  interest in sports.  The school was administered by Christian missionaries from  the west and they believed in total humanistic education. Unlike the present - day schools academic and sports excellence were held in high esteem and a lot of encouragement was given. Distractions in the form of movies, TV, VCDs, computers and drugs were not rampant then. The grace and agility of gymnastics captivated me and I was naturally excelling in this sport soon. It was about this time that I was introduced to Jujutsu by Mr. Walter De Silva . He taught me the rudiments of the art and being a sportsman I soon developed a liking for it. Anything that was physical and required discipline appealed to me. I was also keen in body-building and weight-training. School boys then were disciplined, studious and valued health, physical culture and cleanliness unlike these days. I loved my school-days and eventually after completing my education ended up working, for a long period in my working life,  at my alma mater, the St. Paul's Institution in Seremban in the administrative / clerical capacity. School discipline has definitely deteriorated  over the years and together with it the moral values As regards martial arts, during those days there weren't any qualified instructors to teach  Japanese martial arts and there was in fact absolute distaste for anything that was Japanese in nature because the atrocities they had committed during their occupation of Malaya were fresh in the minds of the citizens .

        It was in the early 1950's that I went to Japan to study Judo at the Kodokan - the main dojo for Judo. Judo was  popular then and there were many foreigners, particularly westerners learning the art .  Strangely, despite the fact that I was training at the Kodokan, I never really got to meet Sensei Draeger. He was a household name at the Kodokan amidst foreign students. He attended the later classes and I the earlier ones. I knew all his friends and they were my friends too. I met Sensei Draeger only through a chance introduction by Sensei Johnny Khoo and after that our friendship blossomed until his unfortunate and untimely demise in 1982. He was a true martial artist and was adept at several martial arts. Everyone in the Japanese martial arts arena knew him and of his dedication to his chosen field - sort of a foreign leviathan in the ocean of martial arts.. He was very helpful and I remember him making arrangements for both of us to visit Hokkaido to witness Aikijujutsu. However, the plan fizzled out due to unforeseen circumstances. Even, after I left Japan he was a regular visitor to the Seremban dojo. He was a great martial artist and scholar. While studying Judo, I was gifted to be trained by great instructors like Sensei Ichijima and Sensei Mifune. These great personalities left indelible impressions on my mind. They were great teachers, disciplinarians and nice friends. I still cherish my training days with them. You rarely find instructors of that calibre any more. They lived for the art and breathed the art in their daily existence.

       Alongside Judo, I was also attending classes in Karate  at the Japanese Karate Association . Both the disciplines were tough and adherence to the instructors' commands was the rule of the day. Contending with the study of both arts that were in several ways diverse and varied was a monumental task. You get wrenched out in terms of stamina and strength. It   is the spirit and enthusiasm that keeps you going on.

        
  
Japanese Karate Association                 Hachiman Dojo ( 1st Yoshinkan Aikido dojo)

 The Japanese instructors were outright strict and each technique had to be mastered well .There was no special treatment for foreigners. Everyone was treated alike. Sometimes you get to train with very brusque characters out to injure you if you are not careful. Another problem was the language. I understood most of the martial arts terminologies and friends helped me in the translations when necessary. In the dojos there wasn't any talking but just training. You look at your sempai and just followed them - every single move and action.  It was also around this time (1954) that I started studying Aikido under Sensei Shioda at the first Aikido Dojo (Sokudo Hachiman dojo). Training was once a day from 4.00 to 5.00 pm and my dear friend Sensei Cunningham was  of immense help. He assisted me by explaining the Japanese terms in English. I also remember training with him in his makeshift dojo at his house. At that time, sensei Inoue and other senior senseis at the present Yoshinkan dojo  were young, fledgling sempais. Later when the dojo shifted to Yoyogi dojo . I also trained there and stayed with sensei Takeno. From Yoyogi dojo it was then the Koganei dojo. The present Yoshinkan dojo is the Shinjiku dojo and I have not trained there . However, several students of mine have been there. Most notable being my nephew, Sensei Joe Thambu - the youngest foreign  student  to be awarded the 5th dan  by Sensei Shioda before his untimely demise in 1994. Talking of Sensei Shioda, he was a very, very fast man on the dojo mats. You have to observe very closely to understand what he did. Otherwise, it was unclear. One slight lapse in your concentration and he gets you down on the mat. He was young then and full of vigor, speed and power.  In the dojo, there was no dilly-dallying with the training for he was superlatively strict but a good teacher. As regards the techniques then, they were done in one swift movement and there was no Kihon-dosa, as you train today. The present-day techniques are the same but have been broken down into several discrete parts to facilitate teaching and learning. When done as one movement you see the link between the past and present-day movements. It was hard training all along then. Several students gave up unable to withstand the training. I remember being taught Hiriki-no-yosei (with partner) and there was a lot of bokken training. A lot of emphasis was on the basics and the training in Aikido was tiring as it involved the entire body and mind. But, the gracefulness of the art and its effectiveness kept me going. Once, the basics were mastered Aikido became interesting . Sensei Shioda was the main dynamo at the dojo then. His charisma and mastery of his field was way ahead of the other instructors. He was simply good.

       My association with the late Sensei Ted Stratton began in the 60's when he was with the armed forces in Seremban. He had a natural flair for Aikido and martial arts in general. He was a keen student and practiced hard and diligently. Today, the growing popularity of Shudokan Aikido in United  Kingdom is due to his untiring commitment and vision. Sadly, however, time has overtaken him but he shall remain in our minds as a good teacher and to all his students out there train hard and in the manner he taught you. Personally, I have lost a good student and friend. 

      Studying martial arts is not just for acquiring dan rankings alone. You need to develop a passion for it and it is not just a one-off attempt, like when you sit for the school examination. You need to polish what you already know each day in your mind and physically. Keep your minds open and train patiently, intelligently and persistently. Master each move well. Don't be humbled if you can't do it. Just keep doing and you shall be perfected in no time to your amazement. The basics are the foundation and spend a lot of time perfecting the basics well. Keep training and the beauty of Aikido shall reveal itself. "

               
A young Sensei Shioda then.         Demonstration by sensei Shioda before Senator Robert Keneddy
                                                from the United States of America.

 

" With love and sincere wishes to all instructors and students of Shudokan Aikido "
    

       From:


            ( Sensei K. Thamby Rajah )
   Chief Instructor and Founder
              Shudokan Institute of Aikido,
              Seremban, West Malaysia.

 

OVER THE LONG  SPAN OF YEARS.........

SOME  OF SENSEI THAMBY'S TIPS IN THE DOJO WHILE TRAINING.

                                
Always finish strong with good zanshin.                         In Nikajo, trap  uke's thumb well.

                             
In Sankajo do not detach the gripped  hand.            Ensure your thumb grips uke's elbow.  

                          
Bokken training is crucial for kamae,                               Hijishime starts with twisting uke's 
strong hands and lungs.                                                       wrist well (palm upwards).

                               
    The body and mind must be one.                 The little finger in Aikido plays an important
     Total engagement is the norm.                            role. It traps the wrist here and redirects the 
                                                                                       oncoming momentum.

               
Keep your fingers open and let your            Applying ikkajo is like kneading
fingers get the strength                                    the flour

                    
Grab your lapel for better hold                   The first finger points to the uke's face

                
Lock by pushing your chest forward                Open your shoulders wide, extend out
                                                                                and reach forward to break the balance.

    More tips below :

    - " In executing the Irimi-nage use your hip diagonally to finish the throw .
        
If you rely on just the hand power, it isn't sufficient for a powerful throw."


    -  "If a trainee's mind is persistently not on training, he rather not train and waste the 
        time of others. This is so with some children who train under compulsion from parents."


    - " Empty your mind of all thoughts and your concentration ought to be just on executing 
         the techniques well. Nothing else."


   - " Respect your partner. Always be of help to him. It has to be mutual otherwise, Aikido
         techniques can't be studied well."


   - " While being strict, do not be over-zealous and push the students up the wall. Gauge their
         strengths and weaknesses and dish out the training accordingly. Let them enjoy the art !"
   
  -   "Don't rush through all the techniques. Take a technique and train in pairs for an hour. This
         is an effective learning methodology in the dojo."

 -    " Aikido can be practiced by ladies and elderly people too. No need for muscles or  too
         much of strength. However, the teaching for them will be slightly lighter and slower."

-    " Aikido develops posture and poise. After a good workout in the dojo you are bound to 
        feel fresh and rejuvenated. "

-    " Train with everyone. Then you get to feel different joint-types and power."

-    " If the dojo is overcrowded on a given day, then train the locks not the throws."

-    " Aikido as an exercise form is total. It works the entire body. "

    ( All sketches, illustrations and compilations by  A. Madawan)