Abe's Flag Project
ABSTRACT:The text below describes the flag project
that I hope to pursue in some detail. It is set in the context
of my greater and subsequent hobby activity - the creation of
a proper Dictionary (or Glossary or Encyclopaedia) of Glyphs.

This paper is a very short and early statement of the project.
I start with the idea that it would be very desirable to have a
means (either a book or a computer system, maybe accessible
from my home page) of starting with a flag and finding quickly,
using ONLY its basic design, some information about it: but
ONLY the institution for which is stands. Others who are more
learned than am I have done much work in telling the story of
the flags and their institutions. Unfortunately to avail
oneself of this information, one must know the Name of the
institution and it is my goal to make this easily obtained from
simply the flag, its design and colours.
This project continues to give me enormous amounts of pleasure.
I have devised a scheme to assign to each flag two defining
integers, each of five digits. These two numbers purport to
denote the design of the flag so that when they are sorted, the
flags that correspond to the numbers are also sorted in a
manner that will be easy to search when one wants to identify
the jurisdiction or organization for which the flag stands. I
may be re-inventing the wheel, but the only reference I can
find (and this by word of mouth from Whitney Smith in the USA
who seems to be a dean of flags there) is to work done by the
British Admiralty. I have made preliminary attempts to locate
the cited work ("Flags of the World"???) but without any
success.
I really hope to learn some things about the way one can
describe "things" by assigning code numbers to each so that
that they will sort sensibly (for easy and intuituve
retrieval). This is, perhaps, the approach that I will take
when I attack, finally, the major opus of my retired life - the
encyclopaedia of glyphs. In other words, the flag project is
the precursor of later "glyph" project. Now I have just been
told, also by Whitney Smith, that there is some work already
done in the area of glyphs: Walter Shepherd, Shepherd’s
Glossary of Graphic Signs and Symbols (early 1970s). I have
found this book and looked at it in the local university
library. It lives in their reference section so is not
available for study at my leisure off site, but I will set
aside half days to go and study it there. My preliminary
impression is that his choice of sources for the glyphs that he
catalogues (using his own scheme which is contrast to that of
Liungmann, a Swede, who wrote a little later) is not the same
as mine - he has sources that I can use, and I have some that
he does not include. I will attach as a postword to this note
the list of sources that I have compiled for my work. It will
be annotated eventually to include those from Shepherd that I
had omitted and consider appropriate.
A Preliminary List of Sources of Glyphs:
1. Editing Marks
2. Musical Notation
3. Playing Cards, Amusements (printed?), Tarot
4. Alchemy
5. Astrology
6. Mathematics (incl APL) {esp. infinity}
7. Punctuation in various languages; diacritical marks
8. Pharmacy - Prescription scripts
9. Heraldry (English, European, Japanese, ....?)
10. Jungian ARAS (Archive for Research into Architypal Symbols)
11. Artistic Glyphs (Mayan, African, Polynesian, Inuit, ...)
12. National Language Alphabets, incl Chinese, Japanese, Sanskrit,..
13. Calendars - Aztek, Maya. etc
14. Brands on Livestock (with generating granmmar? - NO!)
15. Sailing flags

If you have any comments or questions about this, please do not hesitate to
contact me.
(c) 1995 dbonyun@earthling.net
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