Portrait
(oil painting on canvas) of an Inca and Ņusta/ early-mid 17th
century. This is one example -among many- of portrait paintings,
executed by mestizo artists, commissioned by the Cusco
Hispano-Inca aristocracy of the first generations ensuing after
the Spanish conquest. These are invaluable visual testimonies of
the Inca period immediately previous to the arrival of the
Spaniards, when memories of the near past were still fresh. A
good depiction of Inca attire and raiment. Noteworthy are: the
Tunic of the male figure (predecessor of the poncho) and the
center belt-like band (integral part of the tunic) composed of
three horizontal bands of "Tocapu" symbols (from which
many contemporay Pallay derive). The lace frock around the neck
bespeaks of the cultural syncretism with European elements of
dress. The female figure (Ņusta) is clad in a fine edged
embroidered mantle and holds in her right hand a drop spindle
while her left hand feeds it unspun yarn -an example of the
privileged and exhalted status of weaving and textiles in the
native pre-columbian society.
Cusco Regional Museum & Lycos Pictures
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