I search for a face
to believe and belong to
a loosening mask
with a voice
ears
and a conciousness
breathing through
a nose
I can see
Day to day
it's the only way
I like to travel
noticing the colors of a cheek
or curvature of brow
and the public declarations
of two lips
Okay!
I did not say male
or female
I did not say Serbian
or Tutsi
I said
what tilts my head
into the opposite of fear
or dread
is anyone
who talks to me
A face
to claim or question
my next step away
or else towards
fifteen anemones
dialated well beyond apologies
for such an open centerpiece
that soft
forever begs for bees
one morning
and the birdsong and the dew-
struck honeysuckle blending
invitations to dislodge
my fingers tangling with my sunlit
lover's hair
a face
to spur or interdict
my mesmerized approach
or else
my agonized reproach
to strangulations of the soul
that bring a mother
to disown
her children
leaving them alone to feed
on bone and dust
A face
despite a corpse
invasion of a cradle
where I rock my love
alive
A face
despite numb fashions
of an internet connection between nobody
and no one
A face
against the narcoleptic/antiseptic
chalk streaks
in the sky
that lie
and posit credit cards
and starched defacto exposes
as copacetic evidence
that you and I
need no defense
against latrine
and bully bullet-proof decisions
against limousines
deviding up the big screen
into gold points
cold above the valley
of the shadow of unpardonable
tiny
tiny
tiny
this breathing and that breath
and then
that and that
that death
I search a face
a loosening mask
with voice
ears
and a conciousness
breathing through
a nose
that I can see
I search a face
for obstacles to genocide
I search beyond the dead
and
driven by imperfect visions
of the living
yes and no
I come and go
back to the eyes
of anyone
who talks to me
(Dedicated to Erwin Cho-Woods, May 27, 1997) ~June Jordan, "Kissing God Goodbye"