She looks at me, quizzically,
as I plead my case:
threats and offers
give way
to desperate promises,
and they in turn
to three syllables
wrapped distinctly
by my blueing lips.
An
y
thing.
And then she laughs crazily but soundlessly
on the other side of the glass,
before turning away and leaving the room,
and only then do I realize
that sound doesn't travel in a vacuum.
Copyright (c) 1997 {hamlet}Ophelia