the Drift |
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summary
1.
equates
to what x
and y
truly are
in relation
to the sum
of a, b or c.
"Jack, the lumberjack, has enough fuel
to last 20 days. if there are 200 cypress
trees left in the swamp, how many days
does he have to cut them down?"
200 = x
20
x being the number
of stumps left to rot:
desecration
is not mutually
exclusive
to churches.
2.
there was a heron standing, blue, in shallow
water swallowing whole those puny fish,
naked to the eye of a 'gator or Jack,
it took flight at the slightest sound.
the inevitable
will always
turn back
the weak
of mind.
3.
y becomes more than a number--
the question
of how come
rests solely
on survivors.
4.
now neptune has slipped
through pisces floating
on its side, now the skin
has dried.
© D. E. Williams 2000
amethyst
they gave me
a stone at birth
distinct
from the egg-
plant
or plum it was
the bruise
of a woman
they gave
freely a purple
stone
told me
it was passion
told me its name
that rolled
off the tongue
like goddamn
you to hell he did
they gave me
a passionate purple
stone
said it was mine
scoured
by history placed
in the last beam
of a quarter-moon
I was given
this purple stone
but I'm hard like the rock
I am annals
that were & are
now in the making
I am the passion
of this stone
© D. E. Williams 2000
P
I do not wish for
death though
it may seem so at times
when the hand
penetrates bramble
to retrieve
a rubber ball
that has lost its bounce
the cut thorn
across the wrist reveals
an appearance
of attempts
at life
death
has never been an obsession
like poetry
to me Carol
agrees break
here or
not
replace a word
thought on for days
into months extend
metaphors to the point
of confusion or snap
it short
only to doubt
what has been written
no matter the amount
of applause
or the degree
of angle the jaw
drops
"it must point to something"
this poetry
that takes hold like death
but I do not wish
to die
© D. E. Williams 2000
tracks
I've been lost
in this wood, blanketed
by recent
blizzards,
for a day or so.
have tried back-
tracking in the prints
that follow
regardless
of directions
I take.
yet the freshly fallen
refills my tracks
and those
of the big foot
hare
who scrambles in zigzag
logic to avoid the lynx
making new prints in the snow.
somewhere
the path has turned.
somewhere
there is a trail
I remember
marking
like a wildcat
spraying
territory
50 miles
either side
of a straight
________________ line.
the sycamore
was mine
once.
the lynx
avoided
my tracks
my scent,
now
like all men
I sniff--
sniff the tracks
for who
has been here
before.
© D. E. Williams 2000
man behind the glass
not everyone
listens
to banter
as well as I
mindlessness
being what it is
and knowing
you will spew forth
what was not taught
bullshit
isn't so bad
when dried out
remember though
it is considered rude
to chew
with your mouth
full of crow
© D. E. Williams 2000
Copyright Notice: all written material
on this page is fully © copyright protected by the author, D. E. Williams.
Do not reproduce or redistribute by any means, electronic or otherwise,
without full written permission from the author. If you're interested
in this poetry, contact me, don't steal it.
artwork Skull of a Skeleton
with Burning Cigarette, 1886
by Vincent Van Gogh
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