[Lem about The Cyberiad] [Bibliography] [Ilustrations by Daniel Mroz] [A fragment of The Cyberiad A fragment of The Cyberiad]

 

  Lem's explosive inventiveness is immediately apparent in The Cyberiad, aptly subtitled "Fables for the Cybernetic Age", a cycle of tales focusing on the adventures of two intelligent robots, named Trurl and Klapaucius, who are master builders ("constructors") of computers and who sally about the cosmos meeting challenges, solving problems and being, by turns, cybernetic hero-sages, and all-round nuisances and fools. The tales are sometimes wildly funny, full of intellectual slapstick and outrageous puns (frequently playing on mathematical and cybernetic vocabulary).

George Scheper

 

The book can be read on two levels. Read simply for an entertainment, the stories could appear to a superficial reader as an overdose of a good thing. However, once a more sophisticated reader perceives their philosophical and moral implications and becomes aware not only of the author's daring imagination but also of the depth of his philosophical insight, the fables acquire a new dimension.

The New York Times Review of Books


Gallery of Covers

Seabury, New York 1974

Gallery of illustrations by Daniel Mroz


 


  In The Cyberiad the paradigm taken from physics is treated in a rather humorous way. One can see this quite well in the short story The Dragons of Probability that makes use of the nomenclature of quantum mechanics. Dragons that are, dragons that aren't, virtual dragons - all of this are games from the rich apparatus of modern physics according to which there is no such thing as "nothing" (i.e. vacuum) - instead there are zillions of virtual particles. Theoretical physicists always liked this book. A certain Polish physicist translated Dragons of Probability to English in order to show it to his Western colleagues - all of this happened quite a long time ago, when only a few books of mine were published in the West.

 
 


The Cyberiad
 

     As they traveled, the emissary briefed the constructors on the laws and customs prevailing in the Kingdom of Krool, told them of the monarch's nature, as broad and open as a leveled city, and of his manly pursuits, and much more, so that by the time the ship landed, they could speak the language like natives.

  First they were taken to a splendid villa situated on a mountainside above the village--this was where they were to stay. Then, after a brief rest, the King sent a carriage for them, a carriage drawn by six fire-breathing monsters. These were muzzled with fire screens and smoke filters, had their wings clipped to keep them on the ground, and long spiked tails and six paws apiece with iron claws that cut deep pits in the road wherever they went. As soon as the monsters saw the constructors, the entire team set up a howl, belching fire and brimstone, and strained to get at them. The coach men in asbestos armor and the King's huntsmen with hoses and pumps had to fall upon the crazed creatures and beat them into submission with laser and maser clubs before Trurl and Klapaucius could safely step into the plush carriage, which they did without a word. The carriage tore off at breakneck speed or--to use an appropriate metaphor--like a bat out of hell.

  "You know," Trurl whispered in Klapaucius' ear as they rushed along, knocking down everything in their path and leaving a long trail of sulfurous smoke behind them, "I have a feeling that this king won't settle for just anything. I mean, if he has coursers like these..."

  But level-headed Klapaucius said nothing. Houses now flashed by, walls of diamonds and sapphires and silver, while the dragons thundered and hissed and the drivers cursed and shouted. At last a colossal portcullis loomed up ahead, opened, and their carriage whirled into the courtyard, careening so sharply that the flower beds all shriveled up, then ground to a stop before a castle black as blackest night. Welcomed by an unusually dismal fanfare and quite overwhelmed by the massive stairs, balustrades and especially the stone giants that guarded the main gate, Trurl and Klapaucius, ranked by a formidable escort, entered the mighty castle.

  King Krool awaited them in an enormous hall the shape of a skull, a vast and vaulted cave of beaten silver. There was a gaping pit in the floor, the skul1's foramen magnum, and beyond it stood the throne, over which two streams of light crossed like swords--they came from high windows fixed in the skull's eye sockets and with panes specially tinted to give everything a harsh and infernal aspect. The constructors now saw Krool himself: too impatient to sit still on his throne, this monarch paced from wall to wall across the silver floor, his steps booming in that cadaverous cavern, and as he spoke he emphasized his words with such sudden stabs of the hand, that the air whistled.

Translated by Michael Kandel, Harcourt Brace

 

A full version of this story (and some others) is available at the locations:

http://www.rpi.edu/~sofkam/lem


 


  

Bibliography


 Polish Editions:
  • Wydawnictwo Literackie 1965, 1967, 1972, 1978
  • Verba 1990  
  • Interart 1995
  • Świat Książki 1998 
English Editions:
  • Seabury Press, 1974
  • Secker & Warburg, London, 1975
  • Avon Press, New York, 1976, 1980
  • Seabury Press, 1976
  • Futura Publications, London, 1977
  • Harcourt Brace, 1985
  • Mandarin, London, 1990
  • Harvest Books, San Diego, 1990