A Step Through Time
"Conspicuous Consumption with Elegance"
Reconstructing
History
Venetian Noble Women's Dress
Late Sixteenth Century
Patterns
The seam lines of the bodice is along the slight back of the shoulders and the side back. This can be seen in the Juan de Alcega 1589, Spanish tailors hand book, and the Janet Arnolds Patterns of Fashion 1560 - 1620, studies of existent garments. Also in some portraits the seam lines have been painted in.
The seam lines for the front opening is either parallel or in a V shape.
The parallel opening is simply taken back an inch or more either side of
the centre front to create the open front effect. The V opening is similar but the opening is marked at an inch or
more either side of the centre front opening at the top of the bodice, the
neckline, and then ruled straight down to where the centre front is at the
bottom of the bodice, the adjusted waist line.
Thus giving the V shape.
Armholes are not excessive and are of a normal shape and proportion.
The neckline is taken out wide at the shoulder.
The resultant shoulder strap between the armhole and the neckline sits on
the point of the shoulder.
The waistline is marked at the natural waist at the sides and then the length is added to the centre front and back. The skirt is not cut in tapered gores as seen in the Juan de Alcega 1589, Spanish tailors hand book, rather in the straight panels of fabric. There is a gradient cut into the waist line of the skirt from the natural waist line to the centre front and back, to accommodate the gradient in the bodice.
All of these images shows the side back seams.
Front Page Introduction Principles of Design 1555 Titian 1560 Veronese 1570 Veronese 1580 Vicellio Accessories Lace Textiles Patterns About the Designers Further Reading
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