Werner Herzog: The Life and Loves of a He-Devil
The Art and Life of Terry Southern
D. W. Griffith Went Out of Style But Lillian Gish Refused to Go
Hannibal Lecter's Harrowing of Hell
George Lucas Takes Special Effects to New Realms
Stanley Kramer (1913-2001) Shunned 'Message' Label, But His Films Pricked the Conscience
The Only Brave People in Hollywood are the Stuntmen
'Beijing Bicycle': Diverting Chinese Riff on 'The Bicycle Thief'
Germany is At Last Acknowledging Fritz Lang As One of Its Great Movie Makers
Postmodern 'Hamlet' on Film: Can Shakespeare Survive the Dissolution of the Self?
Giving the Angels Wings
Japanese Director Kinji Fukasaku Defends Violence Portrayed in 'Battle Royale'
Martial Masterpiece
Soderbergh's Choice
Director Mira Nair's Wedding Picture Reveals a Heart of Darkness
Films Worth Seeing
Mr Showbiz's 'Who Said It?' Quiz
Steven Soderbergh's 'Traffic' Unfolds Like a Series of Jazz Riffs; Gillian Anderson is a Perfect Wharton Heroine in 'House of Mirth'
The Motel as Metaphor for Angst and Alienation in the Movies
'Castaway', 'An Everlasting Piece'
Chris Petit Weighs Up the Hitchcock Legacy in Peter Conrad's 'The Hitchcock Murders'
Shouldn't Critics Be Asking Where the American Buñuel, Bergman, or Fellini is, Says Director Walter Hill
Creatively Speaking, French Film is in One of its Periodic Upswings
Crying at the Movies
Interview with Frank Rich
An Interview with Celebrated Film Critic Pauline Kael
In 'Quills', Philip Kaufman's Riveting Film, the Imprisoned Marquis de Sade Can't Stop Writing
Vincent Canby, Prolific Film and Theater Critic for The Times, Is Dead at 76
Art House Lives... Thanks to the East
Film Noir Revisited
Review of 'George Lucas in Love'
Errol Flynn: Satan’s Angel?
Escape from Pleasantville
Otis Ferguson's Acute 1941 Review of 'Citizen Kane'
Mr. Showbiz Interviews Robin Williams