Origins of Jazz: I by Otis Ferguson
Origins of Jazz: II by Otis Ferguson
Young Man with a Horn by Otis Ferguson
Eva Cassidy: Bitter-Sweet Songbird
The Man Who Wrote Jazz
The Heavenly Jukebox
In a Universe of Music, a World Tour of CDs
Wynton Marsalis: It's Precision Jazz for Non-Smokers
Riffing on Bing Crosby
A Perceptive New Bio of Bing Crosby
Looking Beyond the Sentimental Schubert
On the Centenary of His Death, Verdi's Reputation is Secure
Not Quite All That Jazz
Ken Burns' 'Jazz' Suffocates Tradition in Superlatives
Sonicnet.com Critics' Picks of the Best Albums of 2000
2000: Where Did the Music Go?
Seven Years in the Fab Four Life
Stravinsky by Edmund Wilson
Yo La Tengo's Devastating Melodies in Woolly Layers of Feedback
Was Cellist Jacqueline du Pré a Saint or Slut?
Fight to Reclaim the Poet of the Piano
The Brilliance of Bach
AOR is Not A-OK
After Television: Interview with Richard Lloyd
Greatest Hits - October 2000
Badfinger's 'Head First' : The Great Lost Album
Why Pop & Politics Don't Mix
Bob Dylan's Desolation Row
Astor Piazzolla and His Tango Legacy
Yankee Doodle Discs: A Celebration of American Composers
The Cultural Politics of Eminem
Voice in the Dark -- Elvis Presley's Post-Army Years
Aaron Copland's Masked Persona
Radiohead's Neat Net Coup
Leonard Cohen Redux Angst for the Memories
In The World with Hiphop and Heidegger
Bud's Bubble: The Genius of Bud Powell
How the Beatles Reinvented Themselves Single by Single
Andrew Rissik Reviews 'The Beatles Anthology'
'The Beatles Anthology' Condensed for Fast Online Consumption
The Robert Johnson Notebooks
Our Lady of Sorrows: A Portrait of Billie Holiday