Sunny
Deol has
a reputation: his films are guaranteed to succeed in India.
Anil Sharma, who directed him in the superhit Gadar --
Ek Prem Katha (2001, with Amisha Patel) and, now, in The Hero
-- Love Story of a Spy (costarring Preity Zinta, Priyanka
Chopra, Kabir Bedi and Amrish Puri) says there is nobody more macho
in Bollywood than Sunny.
Sunny also has another reputation:
of being difficult to pin down for an interview. Shy and reticent, he
seldom speaks his heart out and has always dodged the media.
Vickey Lalwani found him in a rare,
talkative mood:
Come April 11, will you and Anil Sharma
recreate the Gadar magic with
The Hero?
We hope to. We have
done our best. In fact, The Hero has the potential to scale
bigger heights than Gadar.
Looking at the promos,
there seems to be a Gadar hangover in
The Hero.
(interrupts)
I disagree. Both films are totally different.
What is
The Hero
about?
This spy, Major Arjun
Khanna [Sunny Deol], dreams of putting a lid on cross-border
terrorism. To achieve that, he has to bring Ishaa Khan [Amrish
Puri], the evil mastermind, to book.
What are the
girls doing in the film?
(smiles)
Preity Zinta plays a Kashmiri girl and Priyanka Chopra plays a
Pakistan-born Canadian doctor.
Will such an
extravagant project work when most films are turning turtle at the
box-office?
I don't know why
everyone is making an issue of the fact that the film has been made at Rs
55 crores (Rs 550 million).
A film must give the
audience their money's worth. In The Hero, every cinemagoer
will get more than his/her money's worth. There are colossal sets.
International action experts have coordinated the stunts.
[Producers]
Shah Brothers hired professional wrestler Mike Lorio for an action
sequence. Mike, who is 6 feet 8 inches tall and weighs 350
pounds, plays Kabir Bedi's bodyguard.
Many portions [of
the film] have been shot in Canada
and Switzerland.
Aren't you being modest by not
mentioning your 11,000 feet jump?
(smiles)
Yes, I jumped off an 11,000 feet tall peak for [an action
sequence in] The Hero. Looking back, one may say it was
foolish of me. But I love doing [stunts] on my own. It was
difficult, but not back-breaking.
Was it easy shooting in
Canada and Switzerland?
Are you kidding?
Every five minutes, we had to be transported to rooms with
heaters. We just froze -- it was that cold. The temperatures dipped below
-20 degree Celsius.
The climax, which is
one of the film's highlights, was shot at Jungfrau [Heights,
Switzerland] at -16 degree Celsius.
You have won
appreciation for your roles in director Rajkumar Santoshi's
Ghayal
and Damini. Can we
expect to see you together again?
We have had
differences in the past, but we have patched up now. Santoshi is a fine
filmmaker and we both want to get together again. I would love to work
with him if he has something nice to offer
me.
What's next on the
agenda?
After The
Hero, you will see me in Jaal -- The Trap [as a singer], Khel
[as a police inspector]
and in Vicky Kumar's untitled venture directed by choreographer Ahmed
Khan. I can't tell you about my role in Vicky's film; it is too early
to speak about it.
A word on Anil Sharma's forthcoming film
featuring the three Deols?
Anil is thinking of
directing my dad [Dharmendra], [younger brother] Bobby
and me in a film, but a few things still need to be finalised. It
will be shot extensively in the US.
Have you become very
choosy in selecting your roles?
Nothing like that.
But today, most scripts are extremely disappointing. Where have the
good scriptwriters disappeared to? For that matter, where have the good
directors disappeared to? I can hardly see any!
What
is your opinion about the latest trend of making crossover
films?
Crossover cinema may
be a bit popular today, but does that imply it will remain popular in the
long run too?
I don't
think [working on] a crossover film would suit me.
I like it when my
film does well in the overseas market. I want a Hindustani to conquer
the world. But I don't get carried away by overseas acclaim and
returns. I want my film to do well in India first.
A word
about your father?
(raises his
eyebrows) My dad is unarguably one of the finest
actors Bollywood has seen.
Unfortunately, rather
inexplicably, he never got his due. Neither in the media, nor by way of
awards.
Tell me one actor who
can boast of a repertoire like Anupama, Aayi Milan Ki
Bela, Satyakam, Phool Aur Pathhar,
Aankhen, Chupke Chupke, Sholay, Mera Gaon
Mera Desh and Pratigya in his kitty?