LIVE REVIEW
- Woolwich Coronet Theatre, London
Few groups around are as central as The Fall. They are now genuine masters of this chugging acid diatribe, this sniping parody of behaviour. The Fall are seeing things superbly clearly and intently.
I was surprised tonight how fully guitar-based they are; Brix, a refreshing and powerful force, yet always there's braking and checking, a constant halting and re-routing of their punishing, battering rhythm - the absolute obverse of gratuitous noise. the careful precise thrash thrusts attention at Mark Smith's words, and still he intones that curious, edgy delivery, suspended between shouting and squealing.
The Fall are imposing tonight. As Smith intones on his haunches, back towards us, drawling an intense address with guitars lurching and spinning around him, it suddenly occurs that like New Order, they don't attempt to qualify their performances. They are far more intent on shaping this music's fiery and straining form then presenting it to us - they make no superficial pretence at concern. This is only true kind of respect for an audience. After The Fall, all else is patronising showbiz antics.
ANON - MELODY MAKER, 22 February 1986
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