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(c) Ian Hammond 1999
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Two Bridges

All Together Now has a peculiar structure:

        Intro + Verse + Verse + Bridge + Chorus + ...

I only know of one other Beatlesong where the bridge precedes the
chorus. What's more both bridges have the same five unit structure
where the closing phrase is extended an extra bar:

        c       b       c       d       f#      Tune -- this song
        C       G       C       D       D       Chord

        e       eb      e       f#      f#      Tune -- other song
        C       F7      C       D       D       Chord

The other song is Sgt Pepper's Lonely Hearts Club Band. In that
song the first bridge is orchestrated for the horn solo, but it's the
bridge nevertheless. 

        Intro + Verse + Bridge + Chorus + Bridge + Verse..

There are other similarities. Both are in G major and have horn parts. 
Both are primarily McCartney songs. Although not credited, Lennon sings
the bridges. I suspect he also wrote both bridges.

Lennon says little about Pepper. The recent McCartney book puts it
thus:

  Sgt. Pepper was Paul's song, with little or no input from John.
    BMPM310

But in 1990 McCartney said it a little differently:

  What's nice about Sgt Pepper is the way John and I conceived it,
  it's all directed to an audience. Splendid time guaranteed for
  all... the whole idea of Pepper is a show, a circus. The song
  works great live cause you're saying You're such a lovely audience
  we'd love to take you home with us...
     McCartney, December 1990 in ATB44

Note that in quoting the bridge, McCartney inadventantly uses Kite: A
splendid time is guaranteed for all, rather than Pepper: but they're
guaranteed to raise a smile.
  

McCartney doesn't mention Lennon in regard to All Together Now at
all. Lennon is fairly brief:

  Paul. I put a few lines in it somewhere, probably.
   Lennon DSL170

I think the bridge lyric sounds very Lennonesque:

        Sail the ship
        Chop the tree
        Skip the rope
        Look at me...

So, why do I think Lennon wrote them: the five bar structure, the fact
that Lennon sings them, the Lennon-language. There are other factors
too, but not as strong.

One of the frustrating things about McCartney's Many Years From Now
was that although he said that they contributed sections to eachs
others songs, he gave few examples. These are two strong candidates.