Major Lance



4 April 1941, Chicago, Illinois, USA, d. 3 September 1994, Decatur, Georgia, USA. A former amateur boxer and a dancer on the Jim Lounsbury record-hop television show, Lance also sang with the Five Gospel Harmonaires and for brief period with Otis Leavill and Barbara Tyson in the Floats. His 1959 Mercury release, I Got A Girl, was written and produced by Curtis Mayfield, a high-school contemporary, but Major's career was not truly launched until he signed with the OKeh label three years later. Delilah opened his account there, while a further Mayfield song, the stylish The Monkey Time in 1963, gave the singer a US Top 10 hit. The partnership between singer and songwriter continued through 1963-64 with a string of US pop chart hits; Hey Little Girl, Um Um Um Um Um Um, The Matador and Rhythm. Although Lance's range was more limited than that of his associate, the texture and phrasing mirrored that of Mayfield's work with his own group, the Impressions. 1965's Ain't That A Shame marked a pause in their relationship as its commercial success waned. Although further vibrant singles followed, notably Investigate and 'Ain't No Soul (In These Rock N Roll Shoes)', Lance left OKeh for Dakar Records in 1968 where Follow The Leader was a minor R&B hit. Two 1970 releases on Curtom, Stay Away From Me and Must Be Love Coming Down, marked a reunion with Mayfield. From there the Major moved to Volt, Playboy and Osiris, the last of which he co-owned with Al Jackson a fomer member of Booker T. And The MGs. These spells were punctuated by a two-year stay in Britain (1972-74), during which Lance recorded for Contempo and Warner Brothers. Convicted of selling cocaine in 1978, the singer emerged from prison to find his OKeh recordings in demand as part of America's 'beach music' craze, where aficionados in Virginia and the Carolinas maintain a love of vintage soul.

by John Smith, Oxford, England


Major Lance has a stack of releases on OKeh, all of them nice Chicago sounds. I don’t have my favorite one, "I Can’t Wait Until I Get You Back In My Arms", but I remember it’s different from the others and GREAT. Still, I do like "Too Hot To Hold" (written by Gerald Sims, arranged & conducted by Riley Hampton and produced by Carl Davis and Gerald Sims) and "Little Young Lover" (written by Curtis Mayfield, arranged by Johnny Pate and produced by Carl Davis). Both are nice, clean mid-tempo productions. "Ain’t No Soul (In These Old Shoes)" is probably the most typically Northern of the lot with the strong 4/4 beat, and anything with "soul" and "shoes" in the title has to be good, huh?

by Nancy Yahiro, Los Angeles





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