DNA Level C | Albums
 
ALBUM INFO:  
Artist  B.O.N.E. Enterpri$e
Dates of Release  1993, 1996 inprint
Technical Stuff  1995  CD  Stoney Burke  BR-70020
Credits: 
B.O.N.E. Enterpri$e - Producers
Dave Thompson - Remixing
Jason Bibb - Artwork
Diego Blak - Executive Producer
Kermit Henderson - Executive Producer, Photography
Bobby Jones 
 - Associate Producer
 
Insert: 
[ Covers ]
Original (Compact Disc)
Digitally Remastered (Cassette)
Digitally Remastered (Compact Disc)
 
[Taken from the Digitally Remasterd version] 

     BONE ENTERPRI$ Thanks:  GOD; Management, Executive Producers, Beverly Taylor at Joy of Music, I.F. Kermit at D.R.C., Inc. Sanders at Nikki's, Victor and Norma at 2 Live Music, Ronnie at Innovations, T-Shirt Gallery, Kamm's, Matt at Downtown Records, Record Den, Sound Asylum, B & B Music, Wizard's, Everybody's, Doris Records, Georger's Music Room, Music Factory, Fortune Records, Groove Time Records, Rose Mann, Rhed, Archie Blaine (Big Daddy Coalition), Bobby Jones, K-Chill foe hooking his niggaz up!!! Omega Psi Phi Fraternity (Nasty Que Dogs Next Door) Alpha Phi Alpha Fraternity, Stan Howse, Noreen Scruggs, Platinum Label Group, Stoney Burke, Jammitt, Toshony, Stay True, B.A.M., Kerason International, Ganja, D.J. Snake, Icy Ice, MCM, Southpaw, Stone 7 3ft., Terry Scott, Attalah, Fear No Mob, Nature Rankin, Three and a Half, Thorobred Brothers, Fresh Babes Inc., April Norris, Money Loc 1, Our Big Brother Vigilante Dre' Bone, Brick City Gankstas, Roughnecks, King 6 Steph, J. Jamall, J. Twinn, P. Brooks, J.B., Reel Tracks Studio, D'ART Studio, Andrej Jackson, Terrence Hunter, Wally and Wali for staying down all this time, Betty King, Rob-bie, Tony Tone and Derrick Houston and all dem Niggaz still doing "Everyday thangs" wit us!  93 FM WZAK, 88.7 WUJC, 89.3 WCSB, 91.1 WRUW, 881. WZIP, all other Radio, T.V. stations and records Stores that are down.  Fowler Fashions, Erica Underwood, Pamela, Linda, and Bizzy's Pop, Big Byron, all our families, Sanford, Al, Silver B, Jerome Gardner (T.O.U.C.H.), Classic Jewelry (14K), Royal Tee, all the niggaz fro the alley:  no peace niggaz!  L.G. 3, L.G. 1, R.I.P. - L.G. 2, Lo Lo, Mrs. H., R.I.P., Lil Doll, Teri, Orson Tartt and Family, Pint Cize Preps (P.C.P.) - F**k You!!!, and last but not least the Budman and the liquor store for letttin us cop when we didn't look old Enough! 
     Thanks to the Mutha F**kin Mo! Thug Organization:  Leather face, #1 Assassin, Rest in peace, Strate Jacket, Big Wally Lil Walie, Big Dre' Bone, Stan Howse, Tha Cisco Kid, Hoop Phi James, Looney Lynn , Krayzie Lanett, Tonya Tone, Hope and Heather, Lil Strate, Mr. Boogie Nite, Cool Ass Rob, Rob J., St. Nick, April, Brandy, Stew Bone. 
 To tha Cops:  STOP!  Beating On Niggaz Everyday!!! - B.O.N.E. Enterpri$e. 

All lyrics by Bone Enterpri$e 
All songs enginered by Bobby Jones,  
except Everyday Thang engineered by  
Mixmaster Quick (Reel Tracks) 
Remixed by Dave Thompson 
(D'ART Digital 24 Track Recording) 
(c)(p) 1993, 1996 Kerason Music BMI 
(Digitally remastered by A to Z Audio Services, Inc.) 
Management:  D. Blak for D.R.C., Inc. 
Executive Producers: 
   Kermit Henderson, and Diego Blak 
Associate Producer:  Bobby Jones 
Photography:  Kermit Henderson 
Artwork:  Jason Bibb for Ground Zero Airbrush Art 
Layout:  A to Z Audio Services, Inc. 
Stoney Burke Recordings 
(c)(p) 1993, 1996 Kerason Music BMI 
All Rights Reserved.  Printed in U.S.A. 
Distributed by East Cleveland One Stop 
P.O. Box 21820 
South Euclid, OH 44121-0820 
(216) 249-7200, 249-9300  *  Fax: (216) 249-1612 

Current Released Available: 
Mr. Money Loc "No Fear No Pain" (SBR-70213) 
Dre' Bone "My Saddest Day" (STR-70100) 
L.A. Sway "I Can't Wait" (BAM-11120) 
Soul Food "Mad Divizymes" (TOS-70214) 
Down-N-Dirty (Bottom Line) Compilation (HLR-70101) 

Catalog: 
K-Chill "Get Ya Funky Off" (JAM-70019) 
Southpaw "Left Hand Rule" (JAM-70021) 
Built to Last "Concrete Jungle" (SBR-70023) 
K-Chill "Chill Facrot" JAM-70014) cassette only  

Warning:  Unauthorized reproduction of this recording is prohibited by Federal Law and subject to Criminal prosecution!!! And A Good A-- Whipping!!! 
BONE ENTERPRI$E is (from left to right): 
Krayzie Bone (Leather Face), Wi$h Bone (Strate Jcket) 
Bizzy Bone (Rest in Peace), Layzie Bone (#1 Assassin)!!! 
Layzie Bone appears courtesy of Layzie Bone Productions & Jammit Recordings! 
[photo] 
 
TRACKLIST: 
Flow Motion (clean) Bone 
Produced by:  Bone Enterpri$e.
Everyday Thang (clean) Layzie, Krayzie, Bizzy 
Produced by:  Gizzute and Remycks.
Intro Bone, Boogie Nite [Boogy Nikke] 
Produced by:  Bobby Jones/Einstein MusicCo.
Def Dick Bone 
Produced by:  Bone Enterpri$e.
Sons of Assassins Layzie, Krayzie, Bizzy 
Produced by:  Bone Enterpri$e.
Hell Sent Bone 
Produced by:  Bone Enterpri$e.
#1 Assassin Layzie 
Produced by:  Bone Enterpri$e.
We Be Fiendin Layzie, Krayzie, Bizzy 
Produced by:  Bone Enterpri$e.
Bless Da 40 oz. Bone 
Produced by:  Bone Enterpri$e. and Bobby Jones
Ganksta Attitude Bone 
Produced by:  Bone Enterpri$e.
 
REVIEW: 
TRACK REVIEWS: 
     Flow Motion -  One of the best tracks on the albums, Flow Motion is a very quick-paced and high energy track.  The raps are quick, though not extremely complex, but the music is simplistic and repetitive.  Features one of the fastest raps by Krayzie Bone. 
     Everyday Thang - A slower track with a very methodical rythm.  Verses somewhat like a story.  The verses are relatively well-written.  The music is slow, repetitive, rythm.
     Intro - An "intro" track with short, fast verses by the members.  It has a hard-hitting feel.  The music is medium to fast-paced, and repetitive.
     Def Dick - The only Bone song to ever be sexually explicit.  It is pretty much an embarrasing track for Bone fans.  It is slow, and very explicit.  The music is slow and almost non-existent.  The only thing in its favor is an interesting way of introducing each verse.  Scraping the bottom of the barrel here.
     Sons of Assassins - A highly creative track, this effort features each member telling a similar story of their youth or how they are "Sons of Assassins."  The verses are medium paced and follow the beat very strongly.  It features some interesting characteristics, most notably a distorted echo accompanying each verse (oddly enough, Krayzie's verse is only the echo and not the actual vocal track, making it hard at first to realize who it is that is rapping).  Also, a deep voice talks throughout the song responding to what the rappers are saying, or echoing them (ex:  Bizzy: "My father went in the pen when I was about two or three..." Voice:  "Jail ain't shit!" "...they had caught him for manslaughter and murder in the 1st degree...")  The verses are all very well written and crafted in an intelligent manner.  The music is relatively simple, with an odd eerieness that fits well with the theme and the way the echoes were produced.  An excellent track for this album, and a decent song in general.
     Hell Sent - An interesting track.  It features a rather poorly done and amateurish introduction, which is best fast-forwarded past.  The song itself is pretty decent.  The music is somewhat dark, but not particularly powerful.  It has a "dark" or "eerie" feel to it, or at least aspires to it, but it is nothing oustanding.  The song has strong verses for the most part, interesting in that it tells the story of how each Bone member went to Hell to confront the Devil and eventually overthrow him.  Not an outstanding track, but interesting in content.  Good to listen to around Halloween.
     #1 Assassin - This song features only Layzie Bone.  As with his other "solo" efforts, the song feels as though it is lacking (unless you are a particularly strong fan of his).  The music sounds like most on this album, simplistic and repetetive.  The verses are decent, but it feels as if the song only has one verse that is repeated three times, since their is no real variety to the content.  Layzie has an odd sound to his rapping in this song (and on this album in general) carrying a slight reggae accent and rolling his R's.  The song tends not to hold one's interest.
     We Be Fiendin' - A weed song.  Simple repetetive music.  The verses soung somewhat lighthearted, with a "bouncy" feel.  Not particularly interesting, however.
     Bless Da 40 oz. - A song that, as the title indicates, is all about drinking.  The music is medium paced, simplistic, with a bass boost every few beats, and some variation but not much.  The lyrics are decent, and with a strong beat, with some interesting word choices but not groundbreaking.  It has one very strong point, the way the chorus is worded and the introduction of each verse:  Each Bone member says "I gott bless my forty or my crew would put me out.  My name is _____ Bone, I gotta bless the 40 oz.  Who's next to bless the 40, I don't wanna put you out.  So _____ Bone, bless the 40 oz." where the second blank holds the name of the Bone member to come next.  A decent track for this album, but nothing spectacular.
    Ganksta Attitude - One of the best tracks on the album.  The music is a bit better than most on this album, a little more complex with more instruments, and fast-paced.  The verses are well written, with some good word choices, and rapped at a medium to quick pace, and relatively hard hitting.  The song has a lot of energy.  Good for the album, and decent overall.

OVERALL:
     It is difficult to rate this album.  There are many different ways to look at it.  Die hard Bone fans might want it just for posterity, whereas those who just like Bone's popular tunes would probably find it a waste of their money.  Those who like some of the older style rap (in particular N.W.A) or who can appreciate how Bone developed from this album would probably enjoy listening to it, whereas those who are more accustomed to speed-of-light raps, highly thought out lyrics, complex engineered music, and the rest that you find with a veteran group, would probably be disappointed by this amateurish album.
     Compared with other Bone albums, this one comes out very poorly.  The music is probably the biggest noticable aspect which is lacking.  On most tracks, their is very little music at all--the lyrics drown it out most of the time (however, that was in some ways the style at the time).  The music is very simplistic consisting of a drumbeat and some melody, but not much, all of which is repeated.  Of course, in rap music the background is often looped, however the difference is that here the music is poor to begin with and very much lacking in variation.  The lyrics are decent, although you can tell that this is early Bone because they tend to all sound more alike without having developed their individual patterns or word preferences yet.  But, as with most Bone track, their lyrics are well thought out for the most part.
     Those are the facts.  My opinion?  Well, I like the album.  Despite its flaws, I enjoy it in its own right.  I appreciate that it is an early attempt and they had little experience and no money to fund a high-profile D.J.  Listening to it is almost like a "throw-back" experience--looking at their roots and the roots of some modern rap.  Simplicity is not always a con.

 
INTERESTING FACTS: 
 MULTIPLE RELEASES 

     Faces of Death was released twice.  There is an original version, and also a second release.  This second release is "Digitally Remastered" (although I have listened to both versions of the CD and I can't hear the difference), however that is the only real difference--all the songs and info are the same.  The cover is similar but does not look quite so crude (though still only low-budget drawings).  The cover of this second release has the Grim Reaper figure saying "B.O.N.E.  The Orignal Thugs!  Layzie * Krayzie * Bizzy * Wi$h" and pointing to their heads (their bodies aren't in this pic).  The "BONE Enterpri$e" logo looks better, too:  BONE is typewritten with a skull for the O and Enterpri$e is typewritten on a bone below it. 

B.O.N.E. 

     If you read through the "Thank You's" section of the Faces of Death leaflet you will find one of the meanings of the acronym B.O.N.E. . . . "To tha cops:  STOP!  Beating On Niggaz Everyday!!!"

THEORY OF RELATIVITY 

     This album, although not featuring Flesh~n~Bone, does make reference to him and in fact states his relation to Layzie Bone.  In the song "Flow Motion," Layzie says "Ya fuckin' with me, yea it's on.  Cause I got Krayzie, and Bizzy Bone without a doubt, Wish Bone and my bigger brother Stan Howse." 

WI$H BONE 

     On this album, Wish Bone spelled his name with a dollar sign instead of an "s".

NOTEWORTHY NAMES 

In the "thank yous" section of this album, some names well-known to Bone fans are mentioned here:  Archie Blaine (producer for II Tru), Stan Howse (Flesh-n-Bone), Tony Tone (member of Poetic Hustla'z), Wally (mentioned in "Crossroad" and "Tha Crossroads"), and Mr. Boogie Nite (Boogy Nikke--member of Poetic Hustla'z.

THE FACES OF WAR 

    There is a possible reference to "Faces of Death" on the album "The Art of War."  In the song "Family Tree" Krayzie says "Now, come meet them faces of death." 

FACTS POINT TO FACES FLASHBACK

     Bone did a song on the Panther movie soundtrack called "The Points."  For this song, Krayzie reused part of his verse from "Flow Motion."

 
DNA Level C | Albums
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