The Biography of Dieter Bohlen,
Thomas Anders' partner in
"Modern Talking"
The early years and something about his native town.
Dieter Bohlen was born on
February,
on the 7th of 1954. His parents were Hans and Edith. He was
the oldest son and lived in Oldenburg (Germany); about 40 km to the east
of Oldenburg is Bremen situated. In the west you have the Dutch border,
and in the south you find Dortmund and the Ruhrgebied. (For those who know
nothing of Germany: you find these cities in the north-west of Germany)
Dieter's father was hydraulic engineer and had also a business in constructions.
His dream was that Dieter on a day would co-operate with him.
Oldenburg was a city that
couldn't offer Dieter much. The streets were narrow, even somewhat creepy,
with high walls. Variety was there hardly and there was surely nothing
of any interest for the youth. Television wasn't available yet in that
time and the consequence was that the youth wasn't informed about the outside
world. Up to the greatest events belong: the summer city festival, in October
the old junk market and around Christmas the Lamberti-market. There weren't
anymore possibilities, for those who lived in the city. Those who wanted
to make something of their life, didn't stay in Oldenburg.
Farmers characterized the
north of Oldenburg. The south was totally different; there you have even
the greatest "Mercedes-density".
Besides this, Oldenburg
was really a city with museum and sights. But the youth wasn't interested
in this too ... They didn't like to live in a museum or the fact that old
people led their life. The more they felt narrow-minded, the more they
became impulsive. They wanted to do something with their life and stand
on their own legs. Also Dieter Bohlen belonged to this group. Already in
his early years, you saw two character-traits, which are typical for Aquarius:
to strive after freedom and curiosity to the new and to the strange. When
Dieter was forced to do something, the result was that he only offered
resistance. He would to be independent. When he felt oppressed, he didn't
control the situation anymore, but the situation controlled him instead.
Many times, when everyone was against him and they called him crazy, he
offered resistance and carried on his own opinion. On the other hand, he
developed an unusual strength and did (apparent) the impossible, when he
followed his own ideas, his ideas what he considered as right. He surprised
often his surroundings with his sudden solutions. If you consider Dieters
point of view, it's easy to understand that he couldn't work in his father's
business. When Dieter had followed his father's wish, it's clear he wouldn't
have only a physical break down, but his father's business would go smash.
This doesn't surely mean
that Dieter Bohlen has found his way as a musician and on a day will be
buried as a musician. You never know with Dieter. It could be that on a
fine day, he would start with something new, when he has enough of studios,
success or even music. The only condition is that it comes straight from
his heart. Nobody or external factors will have their influence on his
discussion.
This idea arose already
when he was at primary school. Everything went very good in his first two
years, but from the third year on, he caused a lot of problems, specially
with the teachers. They saw in him a spoiled boy, who wanted put up with
it; always carried on his own ideas and somebody who didn't adapt himself
to his classmates. Dieter's performances at school were getting worse and
worse and finally Dieter had to leave the school, because his teachers
were at a loss what to do with him. From verbal standpoint, Dieter knew
no mercy and said always his point of view directly and without discretion
to his teachers. You have to know Dieter went to school in the fifties.
On the one hand, you had the old fashioned, severe teachers and on the
other hand, you had the rebellious youth. An example of what is ridiculous
in our eyes, is the fact that the teachers forced a left-handed to become
a right-handed pupil. This happened with Dieter too. Naturally, Dieter
is left-handed. Nowadays, he's still writing with his right hand, but he
plays tennis with his other hand. The reason is easy: he learned playing
tennis after his school days.
Slow but sure, his parents
were also at the end of their Latin: Dieter was a hopeless case! If his
uncle, Heinz Giszas, hadn't helped him, Dieter was certainly going his
undoing. His uncle was in that time chief of the harbor of Hamburg and
it was exactly the authority, which Dieter respected. He admired his uncle
nearly a little bit. His uncle took care of Dieter, so he developed again
ambition and got again good results on school. Sudden, Dieter became a
modelstudent for all his classmates! You could almost say it was a miracle:
Dieter went from primary to grammar school! After this promotion, his parents
had again good hopes. Nevertheless, it was false hope. The old problems
turned up again: Dieter couldn't agree with his new teachers too. These
years, Dieter experimented also with soft drugs due to bad influence of
older students. When there were joints, Dieter was there too. His curiosity
was much too great to reject. The consequence is that Dieter had to leave
the grammar school, but he was admitted to a new one. But it was again
the same story: problems. His father found it was enough now and decided
to make consequences. Consequences which Dieter will not like at all!
Dieter turned up a boarding
school in Wersen, situated in Osnabrueck (about 100 km to the south of
Oldenburg). At this school, he had practical no free time. The pupils were
nothing allowed, as longs as they didn't ask for it. Even just reading
a book or writing a letter to their parents was only allowed, if a responsible
person agreed. It isn't difficult to understand that Dieter saw the boarding-school
as a prison. He couldn't bear the continual supervision and the restrictions.
It was very hard for him, but eventually, he was speaking with his father.
And Dieter could convince his father: he might go back to Oldenburg, where
he was allowed again to the grammar school. Dieter learned a lot in the
boarding school. He discovered that the time of playing games was over.
Dieter developed his skills and his ambition exceeded everything. Dieter
went even so far, he might omit the tenth class. And even in the eleventh,
he was in practical all the subjects the best. When he was seventeen years
old, he did the examinations and went with honor to the university!
1964 was for Dieter a year where his live took an important change. In this year, the Beatles were hot. When he was ten years old, he started already playing their music. Soon, Dieter was composing his own songs. His first song was called "Viele Bomben fallen". (Many bombs fall) Dieter competed in contests, but his songs weren't a success near the general public. Next to playing the guitar, Dieter learned also to play keyboards. At this age, Dieter was already certain he would become a musician!!!
1970
His years at university
After Dieter passed the examinations
with success; his parents found (obviously) that he was ready to go to
the university. Dieter had to put his dream
aside again ... Dieter went to the university of Göttingen. He signed
up for the subject business economics. Temporary, his goal is to become
a consultant. Even the prospects to become an independent entrepreneur
or to get a job as a manager in a large concern, are really good.
Göttingen
means also something else: the supervision of his parents is gone! Now,
Dieter can develop his musical skills. What style or direction in music
he will follow, is not really sure...
At the beginning of the
seventies, the musicscene is totally different. The Beatlesmania is over
and the hippyculture seems also to disappear. Flowerpower and 'love and
peace' disappear: music is starting to put his accents on the political
and social level. It's the time of new trends.
These changes didn't fail
to notice Dieter too.
Groups like Led Zeppelin
and Deep Purple were getting popular. But also eccentric groups like Pink
Floyd and Genesis, lay the foundations of their success. Dieter Bohlen
still staggers between these extremes.
With the band 'Da Capo',
he went in the weekends through the villages in Hessen and he played on
public amusements. It doesn't bring Dieter many laurel wreaths, but financial
it's very good. At any rate, the money is enough to finance his studies
and to buy some extra wishes, something what couldn't be possible with
the money he got from his dad. It was also the pre-eminently way to stand
on his own legs.
In small students' clubs,
he played with the group Aorta and plays jazzrock. At that
moment, this was the music, which Dieter really liked, but he wouldn't
become rich with it. The English groups were much better and Göttingen
doesn't belong to the great rockcities...
The third group, where Dieter
played in, was called Mayfair. It was
one
of the hardest groups of Göttingen. Here Dieter could blow of steam
and live his aggressions to the full. Btw, when Dieter was in this group,
he let his blond hairs grow ... Besides these additional activities, he
wrote also solo-songs. In his Mayfair period, he wrote about 200
songs of all kinds. In first instance, the songs were used to supply the
group with material, but there were already ideas to contact record companies.
One thing was sure for Dieter: after his studies, he would separate himself
for the band. Dieter wasn't planning to stay
in Göttingen and going back to Oldenburg was the last thing he would
do! He needed also contacts with people, a contract with a record company
or a publishing-firm. It was for him the same to be accepted as a musician
or singer, as a songwriter or a producer. The most important thing
was that he conclude a contract and find some money to live. When he would
follow this way, Dieter also knew that he won't get any money anymore from
his father. Dieter wanted to avoid the humiliation to ask his father for
money, in case he wouldn't earn enough money with his music to pay the
rent and food.
Time was passing by ...
Dieter composed and sent off his songs to all possible addresses. But nothing
happened, he received always the same letters back, telling him they didn't
need him.
It's really incomprehensible
that in this stressperiod, Dieter still could do his studies. But also
his studies were good. It's amazing that Dieter was always right on time
for the lectures at his university. And in his spare time, he managed to
arrange his private life. All this, shows which strengths and energy are
in Dieter! Driven by his ambition and self-confidence, he never gave up
and never lost his spirit. With the refusals, Dieter had to get over; a
lot of people would be encouraged. Dieter couldn't believe that his dream
wouldn't become a reality. He really couldn't accept that! When there was
an idea in Dieters head, he could work for weeks on that project. And suddenly,
from one minute to an other, he could stop his project and start with something
totally different! But Dieter gained also some experience from this rejections,
on which he would build up his career and even today, he's benefiting from
this bad experiences. He learned in this period that you never may give
up, in spite of all setbacks. A bad experience can also give positive results.
He noticed that people in his surroundings, who reached faster and sooner
their goal, did everything wrong, because they didn't knew how do deal
with it. Others couldn't live with their luck, didn't saw their chances
and messed up things. Dieter lay his musical foundations
of his success in Göttingen. They were the different bands and the
contrast in styles, which helped him to be flexible with other artists
and he always took out with musical surprises.
One of Dieters favorite
places was the discotheque “Afro-Asiaten-Heim”
in Göttingen. Here, he met his wife Erika. She was born in Bad Wildungen
on 29.9.54. Erika did an education as a stylist. Professionally,
she has nothing to do with music and she didn't go to the university too.
Erika and Dieter lived 10 years together, before they married. They
married (in jeans!) on 11 Nov. 1983 in Wandsbeck, Hamburg.
Up till now, Dieter has
still the capability to get easy in contact with people and to talk with
them, to meet them. With this character, he sharps his feelings and he
gets to know in what subjects the people are interested. Important for
Dieter are the reactions on certain musicstyles, sounds, rhythms and effects.
Besides, Dieter is much too curious in people. He needs the company of
others and feels best when there are a lot of people. Dieter is for that
matter a great chatterbox, but on the other side, he can be an enthusiastic
and attentive listener too. It isn't amazing that Dieter is soon the center
of the interest. Wherever he goes, he attracts the attention. Only his
height (1.83 m) and his blond hairs did already the job...
In 1977,
Dieter was for the first time in a studio. With his friend Holger from
Göttingen, he formed the duo “Monza”. “Heiße Nacht in der City”
and “Hallo Taxi nr. 10” were the two songs they recorded. Unfortunately,
the two records never got in the charts. After this flop, Dieter
was really disillusioned and he decided to stop with his music-career and
started to concentrate himself on his final exams.
"Intersong"
On 8 Nov. 1978, Dieter
got his diploma in business economics. He has just finished university
and immediately he had a contract as an investment-advisor in Emden. Initially,
it's over with his music-career and the chances to get in Emden the necessary
contacts are nil. At that point of time, it is true that Dieter is still
in contact with the Hamburg publishing-firm Intersong. Often he sent his
demos to this firm, but the answers weren't very encouraging. And basically,
Dieter didn't count anymore on a positive reaction. Nevertheless, the deciding
letter came , which made his life totally different from one day on another.
They asked Dieter if he was still interested in a co-operation. Of course,
he was!!! But the contract was more a requirement, which was almost impossible
to do: Dieter was obliged to write 36 songs in one month! Nevertheless,
Dieter accepted the contract. On 1 Jan. 1979, Dieter starts as a
composer and producer for Intersong. Dieter moved with Erika to Hamburg.
Dieter was working very
hard and a year passed by - Intersong gave him the chance to sing a song
on his own. The single wass “Don't throw my love away”, but Dieter used
a pseudonym Steve Benson. However with this single, the public didn't pay
much attention too him. On the other hand, he made his name as a soundartist
and producer. Record companies and well-known artists are getting
interested in Dieter. Stars like Katja Ebstein, Roland Kaiser and Bernd
Clüver are getting Dieter as their producer and they ask him to write
some songs. But 1982 considered to be the real breakthrough
for Dieter! In this year, he got a golden album for his Ricky King production
– “Happy guitar dancing”. Another acknowledgement came in 1982 when Dieter
made a new single. This time he used the pseudonym Sunday and the single
is named “Hale Hey Louise”. Dieter may even present the single on the chart-show
on the German television channel ZDF. But the single didn't do very well
... But a year later, Dieter had again a golden record for the album “Gefühle
sind frei” with Roland Kaiser. Nevertheless, Dieter wasn't really happy
with this. It was not what he wants: he wants to put himself in the forefront!
He wants to sing his own songs ...
1982 was also the year where
Dieter composed his first song for the Eurovision-songcontest.
For Bernd Clüver he wrote the song “Mit 17”. This song got the third
place in the German pre-selections.
1983
"Modern Talking"
In February 1983, the Frenchman FR David releases his second single “Pick up the phone”. (“Words” was his first hit) When Dieter hears the first notes of “Pick up the phone”, he knows already that he would make a German production of this song. But he hasn't a suitable person to sing the song. The title is already settled – “Was macht das schon?” However, a tip comes from the Berlin record company Hansa. They have a singer, who has already recorded some songs, but the great hit hasn't break through yet. This guy’s name is Thomas Anders. Thomas flies to Hamburg and is immediately enthusiastic about Dieters cover.
The full biography of Thomas Anders you can read in our section “Biography”
Thomas Anders (Bernd Weidung) was born on 1 March 1963 in Munstermaifeld,
near the city Koblenz. Already on his 15th, he had his first success,
when he did a television performance in the Michael Schanze Show “Hatten
Sie heut' Zeit fuer uns?” A record company from Frankfurt noticed
this performance too. Thomas Anders got a record deal and in August
1980, his first single “Judy” was released. In September, he did with
his friend Thomas Ohner, and two other groups, a tour across Germany. After
this hotfoot start, there came soon an end. There was no chart-entry and
Thomas’ father found that he would better finish first his school. Thomas
Anders did his final examinations in the spring of 1982 at Eichendorff
grammar school. After this, he went to Mainz and studied for five semesters
Germanic and music science.
In 1981 Thomas Anders
recorded three singles more: “Du weinst um ihn”, “Ich will nicht dein Leben”
and “Es war die Nacht der Ersten Liebe”. Dieter, the blonde and casual
type, and Thomas, the dark, elegant type, liked each other from the beginning.
In the studio, they were the perfect team. They were often in Dieters house
near Bergstedt, a part of the town Hamburg. There was his 16-track studio.
Although, it wasn't plain sailing, Dieter never gave in. In the same year,
he produced with Thomas the song “Wovon trauemst du denn?”. With this song,
Thomas hits the charts. (1 October 1983) About 30.000 records were
sold. In March and June'84, were the singles “Endstation Sehnsucht”
and “Heisskalter Engel” (a cover of “Send me an angel” by Real life) released.
After the recordings of these singles, Dieter decides to take a holiday
on the island Majorca. It's the first time after 5 years of intensive work,
Dieter takes a holiday. But being idle and laying in the sun, is not really
something for Dieter. A lot of new ideas are already brewing in his mind!
One of these ideas, will be the European revelation of the year '85. “You're
my heart, you're my soul”: a song which will lead the European charts.
The song will even stay a half-year long in the German charts! And other
idea is to propose Thomas, to form together a duo.
At the same time, Thomas
was also in the south. Together with his girlfriend Nora Isabel Balling,
he was on Grand Canary, where they became engaged on 6 Aug. 1984. When
the two guys were back in Germany, they started immediately with the song
“You're my heart, you're my soul” and worked out the duo-idea. This project
will be called Modern Talking. In October '84 the single is ready.
But nothing happens! And it's even getting worse on a day in November 1984.
Thomas Anders had a heavy accident with his Golf GTI. The car was totally
damaged, but Thomas and Nora were as by a miracle unhurt. And it was strange,
but with this bad luck, it meant good luck for Modern Talking! After this
occurrence, the videoclip for “You're my heart, you're my soul” was broadcasted
for the first time in the television programm “Formel Eins”, on 17 Jan
1985. A few days later, Dieter and Thomas were presenting themselves
in “Tele-Illustrierte”. This was the final breakthrough for Modern Talking!
Twenty years after his first appearance in Oldenburg and five years after
his step into the professional music-business, Dieter Bohlen (due to Thomas' magical
voice and his dance music) was at the top at last!
In March '85, the
second single “You can win, if you want” was released. You could say that
this title expresses very well the experiences, which Dieter picked up
in his whole life.
Since the success of “You're my heart, you're my soul”, Dieter hadn't
much time to compose and work in the studio. Now, he could draw from his
earlier songs, however without losing any quality. The second single was
the proof of that. For that matter also the singles “Cherie, Cherie Lady”,
“Brother Louie”, “Atlantis is calling” ... At once with the release of
the second single, the first album appeared too.
Unforgettable was the appearance
in “Peter's-Pop-Show” in September 1985, where a lift truck was
necessary to get 75 golden and platinum records. Those were handed to Modern
Talking for their success all over the world!
While the first two singles
and album are still having all the interest of the public, Dieter is already
preparing the second album. And as if this isn't enough, Dieter records
“The night is yours, the night is mine” for a second time, sings the song
himself and releases the song by the name of Ryan Simmons. On the other
hand, Thomas is singing the song on the first album. These are already
the first signs of resentments between the two. And you could read in interviews
with Dieter between the lines that something was going on. Dieter passes
some critical judgements on Thomas and complains about the fact that Thomas
isn't working hard enough. E.g. Dieter says that he worked for two months
on the second album, while Thomas comes only for two days to the studio
for singing the songs... One of the most important assistants of Dieter,
is Louis Rodriguez, who is a sound engineer and has a hand on the technical
work. For Dieter, Louis isn't only the technical man, but he may also decide
about the sound of the songs. Dieter Bohlen consults Louis Rodriguez musically!
It isn't surprising that Louis Rodriguez is the co-producer on almost all
the Bohlen productions... While Dieter was
still working on “Modern Talking”, he was already working with other groups.
In 1985 he recorded the song “Keine Träne tut mir Leid” with Mary
Roos.
Caroline Mueller lived in
Buende. She was discovered by Dieter on a "search for talent" contest in
Hamburg. On the same evening, Dieter offered her a contract and he became
also her producer. In the summer of 1985, I can lose my heart was released
as the first single. With the dancers Dag, Dirk and Pierre, C.C.Catch became
a disco-queen. Dieter and Caro worked together until the end of 1989… Twelve
singles and four albums were recorded. Dieter wrote also “Midnight lady”
for Chris Norman. The song was the title for a Tatort television serial.
Chris made a comeback with this song.
With the success of these
projects, Dieter wanted to prove that Modern Talking was not a coincidence
and that it was certainly not owing to the beauty of Thomas Anders.
But nearly nobody engaged himself with the music or lyrics of Dieter's
songs. And precisely in his lyrics, Dieter wrote about different topics
and quoted different problems. Off and on, there are some indications to
personal experiences or persons from his surroundings. But not many people
see the contents of his lyrics, because they are influenced by prejudices:
they can't believe that Dieter's lyrics have a contents.
For example, “Brother Louie”
is dedicated to his co-producer, Luis Rodriguez. Dieter wrote “With a little
love” for his son Marc, born on 9 July 1985. (Dieter named his son
Marc, dedicated to the T-Rex singer Marc Bolan.) Also the same counts for
the single “Give me peace on earth”. But because there was more attention
paid to Thomas and Nora, this single was a flop. (from the Blue System
repertoire, “Crossing the river” is also dedicated to his son Marc.)
While Dieter and Louis form
a real good team, it's getting worse and worse between Dieter and Thomas.
These quarrels are also notable during their concerts. In the beginning
of Modern Talking, there are concerts all over Europe. But it seems already
soon that Thomas isn't a match for the stress. In the middle of 1985, Thomas
gets a nervous collapse.
When Thomas was getting better, he married with Nora on 27 July 1985
in Koblenz. The happening became a great show with 3000 crying, female
fans in a crowded church. Dieter is also invited, but he didn’t come because
his father was admitted to a hospital with a heart attack.
But those who know Dieter
better, know that he didn't like Thomas and Nora's uproar. (with a Rolls
Royce to the church, travels to Monaco and Cannes, coffee with princes
Stephanie ...) All these things took place after that Thomas had lengthen
his contract for two more years. (until the end of 1987) ...
One day, Thomas didn't turn
up at the television show “Formel Eins”. (An award for their fourth single
“Brother Louie” was handed in this show.) Also on the show P.I.T., Thomas
wasn't present. The day before, he cancelled with the reason that he had
jaundice...
On 27 May 1985, a
German tour would start in Rosenheim. And now it was Dieter, who didn't
came up, because he had contracted a double rib fraction while he was playing
tennis. The doctors advised Dieter to keep quiet for at least for four
weeks. Thomas was prepared to do the tour on his own, on condition that
the organizers agreed with a solo-performance.
The critics in the papers became more critical and more cynic. In the
long run, journalists began to invent stories about Thomas, which were
almost offensive. Thomas took revenge by bringing an action against the
journalists. But he lost the action. By this, Thomas was getting more interest
and the result was that the well-meaning press started too with writing
about this action. Instead of being quiet and let go the press, he just
kept going on with attacking them. This image, having his own way, had
strictly speaking something odd. On the other hand, Thomas proved with
that he didn't let him fool around and that he stood at the side of Dieter.
But it gave the reverse effect. He made the ideas and intentions broken.
Both were seen together less. And when they got some award, it was
Dieter or Thomas, who went, but certainly not both ...
The last time they appeared
together was at the end of 1986 during the “Formel Eins” tour. What
original the beginning was of a huge tour, became a little war behind the
scenes. It was obvious for everybody that “Modern Talking” would split.
But there was still a contract. “Modern Talking” was still obliged to exist
a year.
Dieter Bohlen was planning
already his future without Thomas. In the studio, he made already his own
songs, which would be released after the contract. At the same time, he
searched new musicians, worked on a new sound and project.
“Modern Talking” had five
number one hits in a row. The sixth single, “Geronimo's cadillac”, was
an exception. This was not so bad, because groups like the Beatles and
Abba had going through the same. Worse was that the journalists wrote in
their articles and what the fans thought about “Modern Talking”.
For Dieter Bohlen, “Modern
Talking” wasn't his priority anymore. He was even noticed in America and
England, there were already some requests to make music for some international
artists. This could be endanger. The missing number one of Geronimo's cadillac
was not a disaster, but rather a sign that something must happen. Finally,
there was a split in 1987. Three American television appearances
were lost and through this incident, “Modern Talking” lost about 200.000
$.
1987 meant eventually the
end of Modern Talking. Two albums were made: “Romantic Warriors” (June)
and “In the garden of Venus” (November). With these two albums, the contract
was fulfilled. After the split, Thomas and Dieter went their own way. Between
1984 and 1987, there were about 42 million Modern Talking records sold
...
“Blue System” and other artists
While Thomas Anders is singing
Dieter's songs in the USSR, Dieter is presenting his new project, called
“Blue System”. On 1 Oct. 1987, he appears in the program “Tele Ass”.
The first “Blue System” single
released is “Sorry little Sarah”. With this samba number, Dieter shows
that he wants to put forward a totally different sound. This single wasn't
a number one hit, but the song was still a top ten entry.
The weird thing is that Dieter was a concurrent of his own at this
period: “In the garden of Venus” had still to be released ! Dieter Bohlen
had to manage that the earlier “Modern Talking” fans would become “Blue
System” fans ... In November was the first “Blue System” album released:
“Walking on a rainbow”. From this album the first “Blue System” single
was released: Sorry little Sarah. Dieter about this song: “After “Modern
Talking”, I thought a long time what could I do now, and we never had a
samba-hit in Germany. So it was for me a big challenge to write a samba
title.”
Around Christmas, Dieter
received a telephone call from the manager from Sylvester Stallone's wife,
called Briggite Nielsen. Mister Stallone offered Dieter about 600.000 $
to convince Dieter of his wife's voice-quality. Dieter flew to the Spiama
studio in L.A. After recording some demotapes with Brigitte, Dieter went
back to Germany and improved the demos. The project fell to the ground,
because Brigitte's lawyers decided that Dieter might only wrote three songs
for her. After this news, Dieter wasn't anymore interested ...
In the beginning of 1988,
Dieter moved to Ohlstedt, near Hamburg. Dieter fitted a 40 m square large
studio up. This shows that Dieter likes to work alone, before others hear
the result. With the help of synthesizers, sequencers and drummachines,
he can deliver an almost ready-made production. Because the result isn't
perfect to his standards, he finishes the product in an other studio where
there are more possibilities. The studio in his home has also the advantage
that he's near to his family.
In March '88, the
second “Blue System”, “My bed is too big”, was released. The video was
made in Death Valley (California). At the same time, a video was shot in
Las Vegas for the song “House of mystic lights” by C.C.Catch. This track
is available on the album “Diamonds”, which is in fact a greatest hits
album. But the interesting fact of this album, is that there were three
tracks never released before: “House of mystic lights”, “Don't shoot my
sheriff tonight” and “Do you love as you look”. The same year, Dieter wrote
the fifth album for Caro: “Big fun”. In 1989, the album “Classics”
was released: again a compilation album. All of a sudden comes the news
that C.C.Catch broke a contract with Dieter. Nobody expected that such
a good and suitful co-operation through all those years would change into
a quarrel between the two. The quarrel resulted even in a court: it went
about Caro's nickname: C.C.Catch and the right to use it. Dieter claimed
that just he had created Caro's scenic name and required her to change
it, since she left him. Dieter lost the case and Caro Mueller is still
allowed to use the name. What is the real reason of the quarrel? Caroline
wanted to change her musicstyle and image. So she just turned to an English
composer and resigned the work with Dieter. Needles to say that all this
facts have hurt Dieter a lot ...
And not only Caroline leaves
him, but also Chris Norman, who made his comeback with Dieter's help. However,
Dieter’s second child Marvin Benjamin dispels the sorrow. (21 dec. 1988).
Okay, back to “Blue System”
again .... Around Christmas, the second “Blue System” album was released:
“Body Heat”. The lp is preced by the naughty song “My bed is too big”.
Apart from this hit on the album are songs as “Under my skin”, “Love suite”
and the ballad “Silent water”. This song was also used in an episode of
the German serial Tatort, which gave Dieter the opportunity to play a role
as a murderer. On 26 March, “Blue System” appeared for the first
time live on stage. This happened in the Alstendorfer sports hall, Hamburg.
The radiostation Radio Schleswig Holstein organized this, because they
wanted to give Dieter a distinction. It was very clear that Dieter was
emotional when he received this price. He thanked the radiostation and
the public with the words: "Thanks to my fans who were faithful to me."
“Blue System” sang the songs
“Sorry little Sarah” and an acoustic version of “My bed is too big”.
In October, the third video
“Under my skin”, got some headlines in the papers like 'Dieter's horror
video' or 'Dieter's torture-chamber'. The German ZDF-channel found the
video too randy and they required a new video for “Ronny's Pop Show”. The
crew had to work a whole night on a new, 'cleaner' version. So, in “Ronny's
Pop Show” there was another video played than in Formel Eins on the ARD-channel.
The video for the single “When Sarah smiles” contains some material from
the videos “My bed is too big” and “Sorry little Sarah”. Furthermore, there
are scenes where Dieter stands on reefs. These shots were made on Ibiza.
In the autumn 1989,
the third album was released “Twilight”, with the magnificent number 1
hit “Magic Symphony”. The second track on the album is “Love me on the
rocks”, a very dynamic song. Moscow was used as decor for the video of
this song. In this video, scenes are showed how it went on at the first
live appearance in Moscow. At the time, “Blue System” is formed by Dieter
Bohlen. Achim Vogel (guitar) and Michael Rollin (drums). Let's just remind
that at first beside Dieter the members of “Blue System” were Achim Vogel
(guitar), Frank Otto (Drums), sonnyboy Snoopy (keyboards) and Caribbean
girl Jeanne Dupuy (backing vocals).
At the end of 1989, Dieter
starts to produce no less a person than Engelbert Humperdinck. The result
is the album “Ich denk an dich”. It's very curious that Dieter adjusted
to the style of Engelbert. His songs on this record do not resemble those
he wrote for Modern Talking, “Blue System” or his other artists. The songs
for Engelbert are rather destined for an older generation of listeners,
but it doesn't mean of course that they aren't listenable. On the contrary,
they are very good and perhaps it's great when a music producer can change
his style so easily! At the same time, Dieter wrote also a song for Lory
Bonnie Bianco: “A cry in the night”. Dieter revives also the group “Smokie”
with the song “Young hearts”.
And so we reach February
1990,
when Dieter becomes again father. This time it's a girl. Her name is Marielin.(23
Febr. 1990)
In August 1990, “Blue System”
released a new album called “Obsession”. Several singles were released
from this album. As for “When Sarah smiles”, Ibiza was also used for the
video “Love is such a lonely sword”. In this video, you see also his friend
Nadja
ab del Farrag. (She's Sudanese/German and was born on 5 Febr. 1965
in Hamburg. Dieter met her in the Hamburg disco Mezzanotte.) The crew filmed
in Cala Comte. The location was a huge, white villa, facing to the rockisle
Es Vedra. In this video, Dieter plays the grand piano. The piano stands
varied on a sailer (the Midnight Merlin), or under water or on the breakers
of a beach. For the video was an extra budget of 10.000 $ to keep the grand
piano floating. For the aerial shots, a camera operator was hanging on
a paraglider.
In April 1990, Dieter flew
to Kenya to make the video for the single “48 hours”. In the video, Dieter
drives a jeep through the Travo Wildpark, where he meets the beautiful
Nadja in a 'Massai' village. After the return to Germany, “Blue System”
was reinforced by Joe Koli (bass), Achim Strieben (keyboards) and two girls
Afro & Sandra (background vocals, dance). At that time, Dieter and
Nadja lived in a huge, white house in Quickborn (10 km from Hamburg), so
that Dieter could see more often his children, who stay with Erika in Hamburg.
The year 1990 ends with the video “All around the world”. This video includes
all the hits from 1987 till 1990.
In the summer of 1991,
another “Blue System” is been released: “Seeds of heaven”, with a none
too heavenly single called “Lucifer”.
One of Dieter's greatest
wishes came out on 21 Aug. 1991, when he sang a duet with Dionne
Warwick in a L.A. studio. Dieter was already thinking on a duet with her,
when he saw a concert of her in Las Vegas in 1989. When he was back in
Germany, he started to made a demo-tape of “It's all over” and sent the
tape. The tape landed on the desk of her manager Clive Davis, who listened
to the tape. He was enthusiastic about the tape and so did Dionne. On 20
Aug., they called Dieter if he could fly to L.A. The song was recorded
in the Lion's Share Studio I en II. The song and video were made in one
day!
Dieter thanked the USSR
on his manner by placing his incomes from the albums “Twilight” and “Obsession”
to the disposal of the support against famine in the USSR. During this
presentation, there were also some plans made of a coming tour through
the USSR. This tour would start in November. In May 1990, Dieter started
with a second tour through the USSR. Almost one year after, on 1 and 2
June, Dieter appeared at the Moscow Olympia stadium together with other
German groups. The initiator of this event was Juergen Mueller, who is
also the tourmanager of “Blue System”.
(to be continued...)