CD Writer used:
Plextor Plexwriter 8/4/32A

Software used:
Exact Audio Copy
CDRWIN

*NOTE* I am currently flooded with trades and B+P's. Sorry, no more B+P until this message disappears!

RULES!

1. I am in the process of removing all shows from my list that are flawed. I am 90% sure that I have removed them all, but I will check before each trade to be sure.

1A. Over 50% of the discs I've gotten lately have had some sort of flaw. From now on if you contact me, YOU send first. If you send me a disc that is flawed I will ask you to replace it before I send my end of the deal. I am sorry that it has come to this, but I have gotten too much garbage in trades lately. I understand that many source tapes from the 1970's have faults, and that's not the problem. The problem comes from flaws introduced in the ripping/burning phase.

1B. What I mean by flaws is tics, pops, static, and two-second gaps at the cue stops. I'm also talking about any pops, clicks, and other errors that aren't present on the source tape. I realize that some source tapes from the 1960's and 1970's sometimes have pops or other faults, I'm not worried about them.

2. I am only looking for cdrs with a known lineage from the master tapes/reels. I will sometimes accept cdrs of bootlegs depending on the title and/or rarity of the show.

2A. When it comes to the Grateful Dead, I am only interested in shows without cassette generations, except those shows where no other source is available. I am more lenient when it comes to the other bands.

3. I prefer to trade with people who care about quality. In other words, I do not want cdrs with pops, clicks, and dropouts. Use the proper software and take your time.

4. You MUST use DAO when burning! I do not want 2 second gaps between each track. This is important! I would prefer that you rip your cds with Exact Audio Copy.

5. I prefer to use brand name cdrs such as Kodak, Mitsui, etc. I am flexible to a point about what cdrs to use. Right now I am using Taiyo Yuden and TDK blanks.

6. I usually do not have time for 2:1 or B+P's, but it never hurts to ask!

7. When you contact me for a trade please mention what type of hardware/sofware you use to rip and burn. I have gotten some poor quality cdrs lately.


Are you confused? Here's some info:

DM = The master DAT
MR = The master reel
MC = The master cassette
RR = Reel-to-reel tape
C = Cassette
DAT = Digital Audio Tape
CDR = Compact Disc Recordable
SS = Sonic Solutions
CD = I own this original issue bootleg.
PCM = Recording made on the initial version of consumer digital audio.
SHN = Shorten compression format, no loss of quality.

EXAMPLES:

CD = I own this original bootleg
CD>CDR = I own a copy of this bootleg
MASTER>DAT>CDR = A cdr made from a DAT clone of the master
MASTER>C>CDR = A cdr made from a 1st generation cassette

*While I believe that the lineages are correct for the low gen shows on my list I do have to rely on the information that I get from the people I trade with. If you think any are incorrect and you have information to the contrary please drop me an email.*


GRATEFUL DEAD

1968

  • 02/14/68 San Francisco, CA 120m 8.5 sb MR>DAT(2)>CDR>SHN>CDR (2CD)
  • 09/02/68 Sultan, WA 75m 7-8 sb MR>C>C>CDR (1CD)
  • 12/07/68 Louisville, KY 90m 8 sb SBD>MC>C>DAT>CDR (2CD)
    1969
  • 02/27/69 San Francisco, CA 120m 10 sb 16 Track MR>2track Mixdown DAT>DAT(3)>SHN>CDR (2CD)
    Bill Graham intro and first 15 seconds of Schoolgirl from an alternate source.
  • 02/28/69 San Francisco, CA 170m 10 sb 16 Track MR>2track Mixdown DAT>CDR>EAC>SHN>CDR (3CD)
  • 03/01/69 San Francisco, CA 120m 10 sb 16-track MR>2track Mixdown DAT>DAT>SSSB>SHN>CDR (2CD)
  • 03/02/69 San Francisco, CA 160m 10 sb 16-track MR>2track Mixdown DAT>CDR>SHN>CDR (3CD)
  • 04/25/69 Chicago, IL 67m 9.0 sb SBD>MR>DAT(n)>SonicSolutions>CDR (1CD)
    Some reel static at times.
  • 04/26/69 Chicago, IL 166m 9.0 sb SBD>MC>C>DAT(n)>CDR (3CD)
  • 12/12/69 Los Angeles, CA 192m 8.5-9.0 sb MR>RR>DAT(n)>SHN>CDR (3CD)
    Patches from MR>RR>C>DAT>SHN>CDR.
    1970
  • 01/02/70 New York, NY 180m 9.0 sb MR>C>DAT>CDR (3CD)
    Contains both the early and late shows.
  • 02/11/70 New York, NY 120m 9 sb MR>DAT>CDR>SHN>CDR (2CD)
    Includes last 20 minutes of early show, all of late show.
  • 02/13/70 New York, NY 220m 9.5 sb 7" reels @ 15ips>DAT>CDR>SHN>CDR (3CD)
    Complete early and late shows.
  • 02/14/70 New York, NY 210m 9.5 sb 7" reels @ 15ips>DAT>CDR>SHN>CDR (3CD)
    Complete early and late shows.
  • 04/12/70 San Francisco, CA 113:50m 9.5 sb/8.0 aud SBDMR>SS>DAT(n)>CDR+AUDMC>PCM>DAT>SS>CDR (2CD)
  • 04/15/70 San Francisco, CA 95:54m 9.5 sb SBDMR>DAT(n)>CDR (2CD)
  • 05/01/70 Alfred, NY 90m 9.0 sb SBD>MR>RR>DAT>CDR (2CD)
  • 05/06/70 Cambridge, MA 90m 8.5 sb MR>Sonic Solutions(Gans)>DAT>CDR>SHN>SHN (2CD)
  • 05/14/70 Kirkwood, MO 130m 8.5-9.0 sb MR>C>DAT>CDR>SHN>CDR (2CD)
  • 05/15/70 New York, NY 390m 9.0-9.5 sb SBDMR>DAT(n)>ZA2>CDR (6CD)
    Includes early and late shows + both New Riders sets. NRPS is 2nd gen analog.
  • 06/05/70 San Francisco, CA 130m 8.5-9.0 sb SBD>MR>C>DAT(n)>CDR (2CD)
    A low gen audience tape patches missing portions of the SB.
  • 06/06/70 San Francisco, CA 135m 8.5-9.0 sb MR>C>DAT>CDR>SHN>CDR (2CD)
  • 08/18/70 San Francisco, CA 137m 7.5-8.0 aud MC>RR>RR>DAT>CDR (2CD)
  • 08/19/70 San Francisco, CA 141m 7.5 aud MC>RR>PCM>DAT>CDR (2CD)
  • 09/20/70 New York, NY 175m 8.5 sb MR>2ndGen>DAT>CDR>SHN>CDR (3CD)
  • 11/08/70 Port Chester, NY 190m 7.0-7.5 aud MC>C>DAT>CDR>SHN>CDR (3CD)
    Two unknown gen alternate sources are used for completion, main source is Marty's.
  • 11/08/70 Port Chester, NY 248m 8.0 aud Ken Lee's Master: Sony TC124>Unknown Mics>4 Ampex C361-90 MC>DAT>CDR (4CD)
    The Port Chester Resurrection Project #7. Includes complete NRPS set.
    1971
  • 04/05/71 New York, NY 170m 9 sb SBDMR>DolbyADecode>PCM>DAT>CDR (3CD)
  • 08/06/71 Los Angeles, CA 137m 9.5 aud SONY ECM-22 MICS>SONY 770>MR>DAT(2)>HHB850>CDR(2) (2CD)
  • 11/07/71 San Francisco, CA 214m 8.5-9.0 sb PREFM SBDMR>DAT(n)>CDR (4CD)
    Some reel distortion at times, a few dropouts during D1/TR3.
  • 12/04/71 New York, NY 130m 8.5 sb MR>DAT>C>DAT>CDR>SHN>CDR (2CD)
  • 12/07/71 New York, NY 150m 9.0 sb MR@10.5ips>DAT>CDR>SHN>CDR (2CD)
    1972
  • 04/14/72 Copenhagen, Denmark 205m 9.0 sb MR>C>DAT(n)>CDR (4CD)
    Two tracks are patched in with FM>MR>C>C>DAT(n)>CDR.
  • 05/04/72 Paris, France 205m 9.5 sb SBD>MR>DAT(n)>CDR (4CD)
  • 05/10/72 Amsterdam, Netherlands 212m 9.0-9.5 sb SBD>MR>C>DAT(n)>CDR (4CD)
  • 05/11/72 Rotterdam, Netherlands 222m 9.5 sb 10"MR@7.5ips>DAT(n)>CDR (4CD)
  • 05/16/72 Radio Luxembourg 147m 9.0 sb MR>RR@7.5ips>DAT>CASS>DAT>SHN>CDR (2CD)
  • 08/24/72 Berkeley, CA 201m 9.0sb SBD>MR>DAT(n)>CDR (3CD)
    3 tracks taken from alternate soundboard: SBD>Rm>Cass>Cass>Cass>Dat>CDR.
  • 08/27/72 Veneta, OR 200m 9.5 sb SBD>4-TRACK RTR @ 7.5ips>PCM>DAT>SSSB>SHN>CDR (4CD)
    John Serafin "remastered" version.
  • 09/21/72 Philadelphia, PA 230m 8-9 sb MR>?>DAT>CDR (4CD)
  • 10/18/72 St. Louis, MI 170m 9 sb MR>C>DAT>CDR (3CD)
    A few slight flaws were present on the master; This came from a David Gans seed.
    1973
  • 11/17/73 Los Angeles, CA 184m 9.0 sb SBD>MR>C>DAT(n)>CDR>SHN>CDR (3CD)
    1974
  • 06/26/74 Providence, RI 185m 9.0 sb SBD>MR>RR>DAT(4)>SHN>CDR (3CD)
    1975
  • 09/28/75 Golden Gate Park 130m 9.0 sb MR>PCM>DAT>CDR (2CD)
    1977
  • 03/19/77 Winterland Arena 180m 9.0 sb MR>DAT>CDR (3CD)
    Slight tape warble during the end of Terrapin and beginning of Playin'. Present on master.
  • 04/23/77 Springfield, MA 180m 9.5 sb MR>DAT>CDR>SHN>CDR (3CD)
  • 05/08/77 Cornell, NY 180m 10 sb Master 7" Nagra reels 1/2track@7.5ips>Sony PCM 501>Rob Eaton DBX Decoding>DAT>SHN>CDR (3CD)
    Two reel flips filled with audience recording, Sony ECM-990>Sony TC-152 aud master>First Gen Reel>WAV>CDR.
  • 05/17/77 Tuscaloosa, AL 185m 9.5 sb SBDMR>DAT(n)>SHN>CDR (3CD)
  • 05/28/77 Hartford, CN 200m 8 aud MC>DAT>CDR (3CD)
    2 Sony 54P mics w/ Sennheiser 441 blend mic > Nakamichi 550 cassette deck FOB > reel @ 3 3/4 ips
    A "6-7" quality audience tape was used for the missing parts of the source above.
  • 06/07/77 San Francisco, CA 190m 9.5 sb MR>DAT>Gans' Sonic Solutions>CDR(2)>SHN>CDR (3CD)
    1978
  • 04/15/78 Williamsburg, VA 180m 9-10 sb MR-Betty Board>PCM>Roland SR-2>DAT(2)>CDR (3CD)
    1979
  • 05/08/79 State College, PA 205m 9.0 aud NAK CM700 MICS>Sony 158SD>MC>WAV>CDR (4CD)
    1984
  • 07/13/84 Berkeley, CA 180m 9 sb MC>DAT>CDR (3CD)
  • 10/05/84 Charlotte, NC 160m 8-9 aud Nak 300>Sony TCD5-MC>DAT>CDR (3CD)
  • 10/06/84 Richmond, VA 160m 9 aud Nak 300>Sony TCD5-MC>DAT>CDR (3CD)
    1990
  • 12/12/90 Denver, CO 210m 9.5 sb SBD MASTER>DAT(n)>CDR>SHN>CDR (3CD)