- Interview with Heather Nova by Gabriella, July 1998 -




Both, the following article and the above picture are from
the New York Rockwebsite, which also features articles and interveiws
of: Tori Amos, Shirly Manson, Green Day, Marilyn Manson,
Fiona Apple,Jewel, Ani DiFranco, Madonna, Ben Folds
Five, and Scott Weiland.
This is a really good site and I highly recomend it.



Does the more confident Heather Nova really no longer fear
the spotlight?
  • You did a huge world tour and then practically disappeared...

  • I think the thing with fame is that everybody claims they all
    want your best. They all know what’s good for you and you
    end up ragged, empty and tired. I did. I felt so empty.
    Everybody tried to grab a piece of me and everybody tried
    to push me into a corner. That was when I realized how
    important it is to still be in touch with who you really are and
    where you come from. Especially if you’re so busy that it’s
    hard to concentrate, when success doesn’t leave you the
    time to think.

  • But it must be a great feeling to have a lot of people admire
    you...

  • In a way it really is, but at the same time everybody thinks
    they know you just because they listened to your album. My
    songs are really personal and they are a part of me, they
    reflect a part of my soul but only a part of it. It’s not the
    same, not the real person.

  • You’re from Bermuda. You returned there last winter to write
    new songs...

  • I wanted to go back to my roots. I wanted to be surrounded
    by people who know me as a person, with all my faults and
    not only a part of me. I was really confused, at the same
    time I wanted to be surrounded by people and I wanted
    some peace and quiet, the kind of quiet that can only be
    interrupted by waves and wind. I need long lasting
    relationships. I need my environment and I need people I
    know around me.

  • Whereas your 1995 release Oyster sounded like you were
    hounded, Siren sounds like you freed yourself from some old
    demons...

  • At some point you have to free yourself from your past.
    Oyster healed me. Well, it started a healing process. I sang
    about things I never even talked about. I couldn’t talk
    about it before. When I saw the reaction from the audience
    at concerts, I realized that I’m not alone. I’m not the only
    one who feels like that. I’m not the only one who suffered. I
    felt less alone and that was a great feeling.

  • So touring wasn’t a purely negative experience?

  • Not at all, I learned a lot. The live gigs showed me that a lot
    of my songs work better live. They have more energy and
    force on stage.

  • Is that why Siren sounds rougher?

  • Yes, it is. I liked the way we produced Oyster. I still love it,
    but I think I used too much control. Everything has its place.
    Siren is different. It gives more room to the vocals and the
    instruments. It’s not as smooth as Oyster was, less polished
    and more rock’n’roll.

  • But even your voice sounds a bit different now...

  • The boarders have changed. My vocals explore different
    elements and you know it was really important for me to
    transfer the atmosphere of the songs with my voice. I
    wanted to sound more earthy and I think I managed it. If
    you look at Make You Mine, that’s a typical example. I don’t
    think I could have recorded it like I did a couple of years
    ago.

  • You once hated photo sessions, but the recent one didn’t
    seem to bother you...

  • I always knew that photo sessions are part of the job. I still
    didn’t like it, but I learned that it’s something you have to
    do. It’s just something you have to go through,
    unfortunately. I used to be angry if the photos were bad.
    Now, I just do my part of the job and try to make the best of
    it.

  • Paper Cup is a very touching song, but rather dark. Would
    you care to give me your interpretation of the song?

  • It’s something you wish to hang on to, something you want to
    keep because you love it so much, but sometimes it’s better
    to let it go, especially because you realize that it can’t last. I
    think that is something that describes a lot of situations. It
    can be love. It can be a friend. It can be just a moment, a
    feeling... basically anything.

  • Did it bother you to talk about one of your songs? Previously,
    you’ve stated that it sometimes feels like rape talking about
    your songs...

  • Sometimes it really felt that way, but I think I found a way to
    talk about my songs, to talk about the lyrics without digging
    too deep. Without going where it really hurts.

  • Why did you title your album Siren? Do you have a thing for
    mermaids who charm and destroy sailors with their songs?

  • (laughs.) In history and literature the siren was always the
    female being who killed men, who brought doom and death
    to men. Of course, those interpretations were given by men.
    I see sirens differently. I think sirens are women who free
    hearts and souls with their songs. Most of the songs on the
    new album were written by the sea. I was sitting on the
    shore writing songs, just like a siren...