Webster's Dictionary defines an
artist as
"one who professes and practices an
imaginative art; a person skilled in one of the
fine arts: a skilled performer." By any of these
definitions, guitarist and composer Vernon
is a true artist. One whose art is a work forever
in progress: from his formative years on the
downto New York jazz/funk/punk scene with the
Decoding Society, to his leadership of the
pioneering platinum rock band Living Colour, to
his collaborations with creative spirits ranging
from guitarist Carlos Santana to choreographer
Bill T. Jones.
Vernon Reid's
new 550 Music album, Mistaken Identity,
is the product of a decade of musical evolution.
He calls it "a full-cycle return to the joy
and fun that making music means to me." Mistaken
Identity is rock and jazz, hip-hop and
soul, symphonies in miniature and snatches of
soundbite culture. It's a crafty, stylish blend
of musical muscle and intellectual intrigue which
reveals new delights with each play.
Mistaken
Identity is co-produced by Vernon Reid
with the legendary Teo Macero, whose 40-year
career includes landmark recordings with Miles
Davis, Charles Mingus, Thelonious Monk, and Geri
Allen; and with hip-hop innovator Prince Paul,
whose credentials include De La Soull's 1989 masterpiece, 3
Feet High And Rising. In talking about
his collaborators, Vernon first praises Macero's
work on such controversial (and influential
electric Miles albums as Live/Evil,
In A Silent Way, Agharta,
Pangea, and Big Fun.
"I thought, 'Wow, it would be great to make
music with that vibe and the hip-hop
element,'" he recalls. "Teo proved to
be as generous as he is knowledgeable."
Working with
Prince Paul
was "equally great." Reid adds. "3
Feet High And Rising is a landmark. Time
does not diminish its stature, and there are only
a handful of albums in the history of hip-hop of
which that could be said... Paul was on equally
important part of our search in his
reconfiguration of the beats, in the way he put
some of the tracks together."
Vernon Reid
founded Living Colour in New York City circa 1985,
and piloted the band through a remarkable
ten-year career. Among the highlights: a
platinum-selling debut album Vivid,
released 1988: its gold-certified successor, Time's
Up released 1990; two consecutive Grammy
Awards in the category of Best Hard Rock
Performance: opening for the Rolling Stones' 1989
stadium tour and appearing on the first
Lollapaloozo tour in the summer of 1991. Vernon
Reid was living his dreams -- or so it seemed,
until his dreams actually began to come true.
"In the
end, I
didn't want to be where I was when they did come
true. To some degree, the struggle of Vernon Reid
defined my experience in Living Colour. kind of
separate from the music. At first that struggle
was simply to do what we wanted to do, to make a
living playing that music. Then when we were
successful, I certainly wasn't prepared for it,
and that was another struggle."
This
turbulent, self-revelatory period is reflected in the
new album's title track, "Mistaken
Identify," which Vernon describes as a song
about searching for your true self, beyond who
you have to be for your parents, who you have to
be for your crew, beyond all of that. You hear
the great poet Sekou Sundiata recite the lines
'You thought it was me/Mistaken identity.' and
then: I thought it was me/Mistaken identity.' In
other words, I too was mistaken about who I
was."
By the time of
Living Colour's official demise in January, 1995, Reid
had already begun rehearsing and sporadically
gigging with a band he called Masque. This group,
whose playing forms the core of Mistaken
Identity, includes clarinetist Don Byron:
turntable wizard Joy Logic: bassist Hank Schroy;
drummer Curtis Watts, and Leon Gruenbaum playing
his unique keyboard invention, the Samchillian
Tip Tip Tip CheeePeeeee -- "an instrument
even stranger than its name." says Vernon.
In all, some 40 songs reached
varying stages of completion. Sixteen of those 40
tracks now comprise Mistaken Identity
and its eclectic supporting cast encompasses
actor Lawrence Fishburne (satirical narration on
"Important Safety Instructions"), Chubb
Rock (guest rapping on "You Say He's Just A
Psychic Friend"), and virtual reality
pioneer Jaron Lanier (playing kaba gaida and
silijeflote as only he can). As inventive and
unusual as it may be, the music of Mistaken
Identity is not without pop precedents.
Vernon recalls the cross-genre success of such
instrumental hits as Herbie Hancock's
"Rockit," M/A/R/R/S' "Pump Up The
Volume," Weather Report's
"Birdland," and the Davis Byrne/Brian
Eno album My Life In The Bush of Ghosts.
"I have
faith in the possibility of things," Reid told Rolling
Stone in a May '96 interview. "Like
I can't talk about the way instrumental music can
connect with people. It's only possible, not
inevitable. But that possibility is enough for
me."
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