sedona

(Back to AOR land)


1) Hi Ray, I am really glad to chat with you. You are in Northern California right? I went to SF and Sacramento 5 years ago and I loved the place.
Hi Roger.  Yup, Northern California.  Sacramento to be specific.  Right here in the heart of California, just an hour and a half away from everything.  And the lovely seaside town of Santa Cruz is my home away from home.


sedona
"dragonfly"
(Vortex - 1998)

3) Well, to many readers you are a  newcomers but Sedona has released acouple of cds before. What's the story of the band in brief?
Since putting the band together in the fall of 1989, Sedona has put outthree CD's, played on some of the most sought-after stages in America, and appeared with many of the most legendary rock acts in the business.  Show by show, I scratch another name off my list of favorite bands I'd like to share the stage with.  We've opened for Foreigner, Fleetwood Mac, The Doobie Brothers, Cheap Trick, Night Ranger, Bad Company, Heart, Peter Frampton... all the bands I idolized as a kid.  Even if it was all to end right now, we've had a hell of a great time.

4) But Dragonfly is your first full-length album right?
Yeah, but you gotta understand... we're perfectionists in the studio.  We will release no CD before it's time.  We spend a lot of time just getting the right guitar tone or drum sound, and expend a lot of blood, sweat, and tears on the little nuances of the recording.  We're not one of those bands that walks into the studio, runs through the songs twice, and calls it an album.  Dragonfly took over a year to record. My brother, Mike Fox (Sedona's lead singer) produced the album himself, and it certainly took a toll on his personal life.  But the end result was worth it.  We're very proud of the album. And, like most of my favorite recordings, it's headphone-worthy, full of ear candy that you might not discover until the 75th listen.

5) You have put much effort in it. Vortex is your own company? How was it created?
Our independent label, Vortex, was created out of necessity when were leased our first CD, Drift.  It was during the height of the Grunge era,and the record companies simply weren't interested in our style of music at the time.  We were at the opposite extreme of what they were signing.  We joked that if we all traded instruments, played left handed, and choked our way through a record, we'd get signed immediately.

6) So you are seeking a distribution deal in the US, Europe or even Japan?
Most definitely.  The US is just starting to come around again, but Europe and Japan have maintained an appetite for melodic rock over the past decade, and we'd like to tap into that market.  Our good friend Eric Martin is huge in Japan, and he's always been a sort of mentor to us.  Nothing would please us more than to follow in his footsteps in the Japanese market.

7) Your brother's vocals have reminded me in places of Eddie Vedder but with an AOR touch... has anyone said the same? Well, in fact Sedona's music is a combination of 2 different eras (90's and 80's)...do you agree?
Yes, there have been comparisons to Mike and Eddie Vedder, due largely tothe growling baritone that they both possess. But he's also been compared to David Coverdale, Joe Elliott, Paul Rodgers, and Lou Gramm.  A pretty diverse sampling of singers, I'd say. And yeah, we manage to straddle the line dividing the music of the 90's and the music that inspired us to play in the first place.  Sedona's music is aculmination of many influences, from Aerosmith to Zappa.  Somehow we manage to attract a young crowd that's totally into today's music, as well as an older crowd that has an appreciation for Classic Rock.  We get the best of both worlds.

8) Something that makes the cd very interesting is the Multimedia content.Could you explain us a little bit about it? Who created it?
We were about half way through the recording of Dragonfly, and we began torealize that the album was evolving into something really special.  Aboutthat time, our engineer, Ralph Stover, made the suggestion to take it tosome unexplored territory and turn the project into an Enhanced CD.  Mike and I had absolutely no clue as to what we were getting ourselves into (luckily) and we proceeded to learn as much as we could about all this multimedia stuff.  I just so happened to have been dabbling with Apple'sQuickTime Virtual Reality and some 3-D software, developing 360-degree panoramas of imaginary worlds.  When I showed the guys in the band what I'ddone, they flipped out!  We went full-steam ahead on developing the rest of the content.  I handled the graphics and QTVR stuff, and Mike dove intolearning how to edit digital video and program in Lingo.  Mind you, we had NO experience with multimedia prior to the making of Dragonfly.  But after6 months of gruelling labor, we finally emerged with a unique, ground-breaking multimedia experience that we're very proud of.

9) Another highly interesting side of the band in the live performances. Iwas impressed to see you have played with almost every big AOR act in the US including Rick Springfield, REO Speedwagon, Eric Martin, .38 Special toname a few... you should have a great management office!!!! Tell us something about these gigs.  Any funny stories behind any of them?
Actually, we're looking for a good management team to represent us.  So far, all our success has been achieved through our own determination and tenacity, and through grass roots efforts.  Imagine what could accomplishwith a little professional help.

As for "funny" stories, well, when we opened for Fleetwood Mac, their crew was having a great time messing with us.  They were screwing with our sound, unplugging cords, etc.  It got to the point where we weren't even coming through the main speakers. We just stood at the edge of the stage, singing as loudly as we could, hoping the audience in the back of the auditorium would at least hear the vocals. Somehow we got through the set, and afterwards, Mick Fleetwood came out of his dressing room and apologized, in his elegant English manner, for all the crap his crew had given us.

I remember when we opened for Foreigner, we were all standing backstage after our set just as the band came out of their dressing rooms to go on. There's 10,000 people chanting "Foreigner! Foreigner! Foreigner!", rockin' the joint.  Lou Gramm comes walking by on his way onstage, spots us, and makes a detour to come chat with us.  Here he is, giving us compliments on our set and making small talk, while 10,000 sreaming fans are going wild in their seats waiting for him to come on.  It was a very surreal moment.


Then there was the time we were on stage, soundchecking before a show, and suddenly the air was filled with what sounded like African safari drums. We turned around to find Loverboy's drummer, Matthew Frenette, back behind his congas, playing along with the band.  He smiled and said "I just wanted to be able to say that I jammed with Sedona."  He went so far as to let our drummer, Darrell Hale, use some of his drum kit during our set.  Very nice guy.

10) But you also tour intensively as I have seen in your website... actually you are to do a couple more gigs with Eric Martin.
Yeah, the next two weekends we'll be playing with Eric.  What a talent he is. Our guitarist, Mark Holley has known Eric for years, but most of us first met him right after Mr. Big's Lean Into It came out.  I remember my first encounter with him, when he walked in while we were soundchecking, and his jaw dropped.  He just stood there staring for a minute.  He had heard us running through Don Henley's "New York Minute" while he was out in the parking lot, and was amazed to walk in and find that it wasn't just the CD playing. At the time we met Eric, Lean Into It really hadn't done all that well on the charts, and Eric was out doing his solo thing around Northern California.  We wound up doing an acoustic show with him, and he dug the band so much that he gave us a song of his for our first album, Drift, and we ended up doing a whole string of shows with him.  He really liked the band's vocals, so we'd go up and finish out his set singing background harmonies with him. In the midst of these gigs, "To Be With You" had rocketed up the charts, out of nowhere.  So there we were, doing this gig at a small club in Sacramento called the Boardwalk, just when it hit number one. We were up on stage with Eric singing "To Be With You" and the audience was going absolutely crazy.  Honest to God, it sounded like the Beatles at Shea Stadium.  I will never forget the sound of those girls screaming.

11) So is there any hope for Sedona's music in the SF area?
I sure hope so.  We take great pride being from this part of the world. The San Francisco Bay Area has been home to some of the best rock bands ever to step foot on stage.  To be listed among those names would be a dream come true.  I remember standing on stage when we played with Frampton at the Fillmore, thinking of all the legendary players that had stood where I was standing.  It was quite a rush.

12)  After ending the interview, I am gonna ask you the same that I have asked to Scudiero and Freak Kitchen. Why the fans of Melodic rock should buy "Dragonfly"?
Put me on the spot, why don't ya?  It's hard to be objective when talking about your own art, but I feel Dragonfly is truly a great album.  The songs are very diverse, so there's something for every fan of melodic rock.  Rich harmonies, tasty guitar solos, meaningful lyrics, and just plain good music.  Not to mention the cool Interactive portion.  That's worth the price of admission alone. Stop by
www.sedonaworld.com and check out the RealAudio versions of Sedona's music on our website.  All of Sedona's material is there for the listener to explore and decide for themselves whether it's what they've been looking for.  Or go by mp3.com and download some of Sedona's MP3 files.  If you're into melodic rock, I think you're gonna like what you hear.

13) Well, thanks a lot Ray for answering these questions. I wish you all the luck... and hopefully a good contract.
My pleasure Roger. Anytime.