Note from the editor... first
of all I'd like to thank Kurt for joining me in
this thing called AORLAND.
Yep... it's been kinda slow in updates in the
last months but it's taking off again so I hope
to see you all here. So what is Kurt doing in
AORLAND? Well, he'll be mainly writing about all
the things pop... call it modern rock or power
pop (or pseudo-grungy shit for many people).
Actually he has total freedom to write about
whatever he likes so don't be surprised if you
find the review of a dance cd or a X-rated pic of
the man himself...after
all it's KURT'S
KRAP...
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GINGERSOL
NOTHING STOPS MOVING
FURRY
SIDEKICK
2001[Similarities:
Gin Blossoms, The Replacements,
Tom Petty]
www.gingersol.com
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The
first two songs, the bland Help Me Push The
Car and Tuck Me In, didnt
really do much for me and I almost gave up hope.
But when third track, Bring Me Along,
came blaring through my speakers, I was in pop
nirvana. Bringing to mind late 70s Tom Petty, its
urgency could have set the tone for a power pop
classic. Unfortunately, those grand moments come
few and far between with most of the songs
seemingly meandering without direction. It
wasnt until track 9, the rollicking I
Dont See How, where this disc grabbed
my attention again. With only two decent songs
out of ten, Im not left with giving much
recommendation.
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THE
JELLYBRICKS
SOAP OPERA
RITE
OFF 1999[Similarities:
Jason Falkner, The Wondermints,
Enuff Znuff]
www.thejellybricks.com
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Even
before you spin the disc, the first thing that
becomes apparent is that this band does not take
itself too seriously (one reading of the back of
the jewel case is proof of that). But upon
playing this disc the first time is akin to your
first taste of a good beer. In fact, I almost
envy those who will spin this the first time.
Fourteen numbers that vary from the all out
crunch of Speechless and
Mite to the more pure pop of the
title track, Too Far (and just check
out that Doobie Brothers-like ending!) and the
Lennon-esqe Overdrawn. And So
Many Times just has hit written all over
it, a jangly little Matthew Sweet like number
that is best described as addictive. This mob
seems to slip in and out of different relations
with relative ease that gives the whole affair
longevity. Not too many bands out there today can
dabble in so many different genres yet still
retain their own sound. The Jellybricks are one
of them
brilliant.
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LINUS
OF HOLLYWOOD
LET
YOURSELF BE HAPPY
FRANKLIN
CASTLE
2001[Similarities:
Jellyfish, Kyle Vincent, Brian
Wilson]
www.linusofhollywood.com
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Genius
sheer
fing genius! Anyone who could take
Ozzys Goodbye To Romance and
turn it into something the Beach Boys would be
proud of deserves total props. Building on the
solid pop foundation of the 70s AM Gold sound and
giving it his own wicked spin, once again Linus
knocks me for a loop. With bigger than life
melodies and harmonies songs like A Whole
New Country, The Girl Ill Never
Have and the Wings-like Where Are
You? are among some of the best pure pop
Ive heard in quite a while. And just try
listening to Every Day I Fall In Love
Again without going oh my God!.
Various types of keyboards dominate the mix,
which are strictly worked from 8-tracks, which
make it all the more incredible that everything
sounds as clean and crisp as it does. If this
isnt on everyones top 10 for 2001,
something is seriously wrong. Like I said, sheer
fing genius!
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TAXXI
CHEQUERED
PAST
FANTASY
2001[Similarities:
Rick Springfield, Hall &
Oates, Franke & The
Knockouts]
www.fantasyjazz.com
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Talk
about LONG overdue
Taxxi was one of those
bands from the 80s that not too many remember,
but those that do are very fond of them. Mixing a
hi-tech AOR sound with a Prince-like funk vibe,
this trio was somewhat unique. Though its
somewhat dated its nonetheless enjoyable.
Taken from their three albums recorded with
Fantasy, it unfortunately does not include any
songs from their work with MCA (like the
INCREDIBLE Heaven And The
Heartaches). But, songs like the all
attitude Cocktail Queen, the thumping
Whipping Boy and the HUGE ballad
The Heart Is A Lonely Hunter recall
all the great things we all loved about early 80s
AOR and make up for that small miscue. A sweet
little collection that leaves you wanting more.
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