rEviews

the PERFORMING SONGWRITER Magazine

July/August 1998

DIY Column (Top 12 Independently Produced CD picks)

BEN GRAVES trio

Crazy Italians

Ben Graves is an alumnus of the Berklee College of Music, where he was

awarded scholarships for vocals and saxophone, as well as being featured on

the school's promotional CD.   He holds a B.A. from Wesleyan University and

an M.F.A. in music from Washington State University.

But can he rock?  The answer:  yeah, sort of.

The Ben Graves trio seems more interested in grooves, jazz and inspired

chord changes than in your basic "learn three chords and let's rock"

approach.  References to Dave Matthews are obvious, but Graves is more

stripped-down and acoustic.  The title track is a good example; a

brushed-stroke snare pattern and accordion propel Graves' snapshot of

different cultures and the characteristics each possess.  "Princess Grace,"

with its funky, fretless bass groove, is an ode to the late, great,

actress.  "Direction" sounds like a less overwrought and more intelligent

Hootie and the Blowfish.

"Sometimes" features Graves' crisp guitar picking.  He also handles dobro,

saxophone, and harmonica, and his melodies are consistently fresh and

inventive.  Crazy Italians proves that all those years in school paid off.

Which should make his parents proud and please anyone else who enjoys

intelligent pop music.

--Neil Fagan

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SAN FRANCISCO BAY GUARDIAN

December 10, 1997

BEN GRAVES trio

You've heard of sitcoms: this is sit-pop.  Like Ben Folds and Squeeze's

Glenn Tilbrook, singer-guitarist Ben Graves delivers incisive observations

on the everyday in a honeyed voice.  Lyrically Graves interacts with Oscar

Wilde, ruminates on "girls," and has run-ins with a "boss man."  Fretless

bassist Mark Brunner and percussionist Dan Berkman lay down an ersatz Soul

Coughing groove, while Graves syncopates plucked chords in a style similar

to Dave Matthews.  The first two songs, "Princess Grace" and "Direction,"

have the happy-go-lucky feeling of Matthews' "Under the Table and Dreaming".

The sparse opening of  "Sometimes," featuring just Graves' vocal and

fingerpicked guitar, momentarily moves into James Taylor territory as

Graves waxes saccharine with lines like "Why is the sky so blue / For

everyone else but you?"  With this mix of easy grooves and smooth

roots-rock sensibility, it's easy to picture the Ben Graves trio playing in

supper clubs and neighborhood cafes alike.

--Howard Myint

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