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Virginia Woolf described Orlando as "an escapade, half-laughing, half-serious; with great splashes of exaggerations," but many think Woolf's escapade is one of the most wickedly imaginative and sharply observed consideration of androgyny that this century will see. Orlando is, in fact, a character liberated from the restraints of time and sex. Born in the Elizabethan Age to wealth and position, he is a young male aristocrat at the beginning of the story - and a modern woman four centuries later. The hero-heroine sees monarchs come and go, hobnobs with great literary figures, and slips in and out of each new fashion. Woolf presents a brilliant pageant of history, society, and literature as well as subtle appreciation of the interplay between endings and beginnings, past and present, male and female. | |||||||||||||||
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Woolf-- a major British novelist, essayist, and critic-- was one of the leaders in the literary movement of modernism. This elite group also included Gertrude Stein, James Joyce, Ezra Pound, and T. S. Eliot. In her works, she used a technique called "stream of consciousness", revealing the lives of her characters by revealing their thoughts and associations. Her most famous novel, To the Lighthouse, which was written in 1927, examines the life of an upper middle class British family. It portrays the fragility of human relationships and the collapse of social values. She was also a feminist, socialist, and pacifist who expressed her beliefs in essays such as A Room of One's Own. | |||||||||||||||
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ORLANDO - THE NOVEL VIRGINIA WOOLF
A ROOM OF ONE'S OWN - THE NOVEL |
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