CINEMA QUOTES
QUOTES ABOUT MOVIES
QUOTES IN MOVIES
Alpha 60: "Sometimes reality is too complex for oral communication. But legend embodies it in a form which enables it to spread all over the world." - Alphaville (Godard)
Prof. von Braun: "Men of your type will soon become extinct. You'll become something worse than dead. You'll become a legend." - Alphaville (Godard)
Harry Lime: "In Italy for thirty yeard under the Borgias they had warfare, terror, murder and bloodshed but they produced Michelangelo, Leonardo da Vinci and the Renaissance. In Switzerland, they had brotherly love; they had five hundred years of democracy and peace and what did that produce? The cuckoo clock." - The Third Man (Reed)
Walter Neff: "So I let her have it, straight between the eyes. She didn't fool me for a minute, not this time. I knew I had ahold of a red hot poker, and the time to drop it was before it burned my hand off... I was all twisted up inside and I was still holding on to that red-hot poker. And right then it came over me that I hadn't walked out on anything at all, that the hope was too strong, that this wasn't the end between her and me. It was only the beginning." - Double Indemnity (Wilder)
Hildy Johnson: "Now get this, you double-crossing chimpanzee! There ain't gonna be any interview and there ain't gonna be any story. And that certified check of yours is leaving with me in twenty minutes. I wouldn't cover the burning of Rome for you if they were just lighting it up. And if I ever lay my two eyes on you again, I'm gonna walk right up to you and hammer on that monkey skull of yours 'til it rings like a Chinese gong!" - His Girl Friday (Hawks)
Brigid O'Shaughnessy: "I haven't lived a good life. I've been bad, worse than you could know."
Sam Spade: "You know, that's good, because if you actually were as innocent as you pretend to be, we'd never get anywhere." - Maltese Falcon (Houston)
Hans Beckert: "It's there all the time, driving me out to wander the streets, following me, silently, but I can feel it there. It's me, pursuing myself! I want to escape, to escape from myself! But it's impossible. I can't escape, I have to obey it. I have to run, run... endless streets. I want to escape, to get away! And I'm pursued by ghosts. Ghosts of mothers and of those children...they never leave me. They are always there... always, always, always!, except when I do it, when I.... Then I can't remember anything. And afterwards I see those posters and read what I've done, and read, and read... did I do that? But I can't remember anything about it! But who will believe me? Who knows what it's like to be me? How I'm forced to act... how I must, must... don't want to, must! Don't want to, but must! And then a voice screams! I can't bear to hear it! I can't go on! I can't... I can't...." - M (Lang)
"The children of Marx and Coca-Cola" - intertitle in Masculin-feminin (Godard)
Charlie: "You don't make up for your sins in church. You do it in the streets. You do it at home. The rest is bullshit and you know it." - Mean Streets (Scorsese)
Octave: "Everyone has his reasons." - The Rules of the Game (Renoir)
"Perhaps an object like this will make it possible to link up..., to move from one subject to another, from living in society, to being together. But then, since social relations are always ambiguous, since my thought is only a unit,...since an immenses moat separates the subjective certitude that I have for myself from the objective truth that I am for others, since I never stop finding myself guilty, even though I feel innocent, since every event transforms my daily life, since I always seem to fail to communicate...since...since...since I can't tear myself away from the objectivity that crushes me, nor from the subjectivity that isolates me, since it isn't possible for me either to raise myself into Being, or to fall into Nothingness..., it's necessary that I listen, it's necessary that I look around me more than ever...the world...my fellow creatures...my brother..." - a narrator in 2 or 3 Things I Know about Her (Godard)
John Ferguson(Scottie): "And then what did he do? Did he train you? Did he rehearse you? Did he tell you exactly what to do and what to say? You were a very apt pupil, too, weren't you? You were a very apt pupil. Why did you pick on me? Why me?...
And the necklace, Carlotta's necklace, there was where you made your mistake, Judy. You shouldn't keep souvenirs of a killing. You shouldn't have been, you shouldn't have been that sentimental." - Vertigo (Hitchcock)