Dave Matthews Band
24 June 2004
Germain Amphitheatre
Columbus, Ohio

Taper: Chris Jones 
Source: DPA 4015 Wide Cardioid > Luminous Audio Technology Synchestra 4/9's Silver XLR Interconnects > Apogee Trak2 Integrated Pre | 24/96 A/D (@ 96kHz) > Luminous Audio Technology Allegro Signature 4/9's Silver AES/EBU Interconnect > Metric Halo Mobile I/O 2882 +DSP FireWire Interface (slaved to Trak2 clock @ 96kHz via AES) > Apple PowerBook G4/1gHz/768MB (with Hitachi 7K60 7200 RPM Internal Disk) > Metric Halo MIO b26 Recording Console (@ 24-bit / 96kHz) 
Location: Section A, Row T, Seats 8 and 9.  Stageleft stack, stand at 15',  4015's spaced 1', A-B, as part of a modified Corey-Martin surround configuration (see below).
HD > .shn: Apple PowerBook G4/1gHz/768MB > Apple Power Mac G4 MP800/512 > MOTU Digital Performer 4.12 (@ 24/96kHz) > Spark XL 2.8 > xACT 1.3

Dithered to 16-bit and resampled via T.C. Works' MegaBitMax and its Ultra-Noiseshaping function.

d1t01 Introduction						02:58.56
d1t02 Ants Marching						08:22.68
d1t03 Rhyme And Reason						05:34.62
d1t04 Good Good Time						08:59.35
d1t05 Don't Drink The Water					07:59.53
d1t06 Hello Again						07:09.71
d1t07 What Would You Say					05:33.40
d1t08 Dancing Nancies						11:26.41
d1t09 Sugar Hill						12:21.52
d1t10 Where Are You Going					04:39.19

								75:06.47

d2t01 Recently							10:33.15
d2t02 Jimi Thing						17:38.10
d2t03 Joy Ride							04:32.21
d2t04 If I Had It All						05:30.29
d2t05 Drive In Drive Out					07:44.50
d2t06 Crazy Easy						05:13.37
d2t07 So Much To Say > 						04:15.17
d2t08 Anyone Seen The Bridge > 					01:24.50
d2t09 Too Much							14:38.69
---
d2t10 Tripping Billies						07:18.00

								78:48.73

>   Indicates a segue into the next song

Notes:

Dave breaks strings on both "Too Much" and "Tripping Billies"

24-bit, 96kHz .flac24 files of this stereo recording are available immediately. 

Mics were arrayed in a Corey-Martin surround configuration, with 4015 subcardioids (the source of this recording) A-B, spaced about 1', and a pair of DPA 4011's oriented vertically, aimed at the roof of the amphitheatre, spaced about 1', and placed behind the forward-facing subcardioids. All channels were tracked to disk simultaneously, and in addition to a 24/96 .flac stereo version, a surround.flac24 version is available, from which a 4-channel DVD-Audio disc (Lf, Rf, Lr, Rr) can be authored.  The source for the surround channels was the following: 

DPA 4011 > DPA AO0182 XLR > Metric Halo Mobile I/O 2882 +DSP FireWire Interface (slaved to Trak2 clock @ 96kHz via AES) > Apple PowerBook G4/1gHz/768MB (with Hitachi 7K60 7200 RPM Internal Disk) > Metric Halo MIO Beta Recording Console (@ 24-bit / 96kHz). 

Compiled by Chris Jones  28 June 2004.
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