Rapsody on a Windy Night
Twelve o-clock.
Along the reaches of the street
Held in a lunar synthesis,
Whispering lunar incantations
Dissolve the floors of memory
And all its clear relations,
Its divisions and precisions.
Every street lamp that I pass
Beats like a fatalistic drum,
And through the spaces of the dark
Midnight shakes the memory
As a madman shakes a dead geranium
Half-past one,
The street-lamp sputtered,
The street-lamp muttered,
The street-lamp said, 'Regard that woman
Who hesitates toward you in the light of the door
Which opens on her like a grin.
You see the border of her dress
Is torn and stained with sand,
And you see the corner of her eyes
Twists like a crooked pin.'
The memory throws up high and dry
A crowd of twisted things;
A twisted branch upon the beach
Eaten smooth, and polished
As if the world gave up
The secret of its skeleton,
Stiff and white.
A broken spring in a factory yard,
Rust that clings to the form that the strength has left
Hard and culed and ready to snap.
Half-past two,
The street-lamp said,
'Remark the cat which flattens itself in the gutter,
Slips out its tounge
And devours a morsel of rancid butter.'
So the hand of the child, automatic,
Slipped out and pocketed a tow that was running along the quay.
I could see nothing behind that child's eye.
I have seen eyes in the street
Trying to peer through lighted shutters,
And a crab one afternoon in a pool,
An old crab with barnacles on his back,
Gripped the end of the stick which I held him.
Half-past three,
The lamp sputtered,
The lamp muttered in the dark.
The lamp hummed:
'Regard the moon,
La lune ne garde aucune rancune,
She winks a feeble eye,
She smiles into corners.
She smooths the hair of the grass.
The moon has lost her memory.
A washed-out smallpox cracks her face,
Her hand twists a paper rose,
That smells of dust and eau de Cologne,
She is alone
With all the old nocturnal smells
That cross and cross across her brain.'
The reminiscence comes
Of sunless dry geraniums
And dust in crevices,
Smells of chestnuts in the treets,
And female smells in shuttered rooms,
And cigarettes in corridors
And cocktail smells in bars.
The lamp said,
'Four o'clock,
Here is the number on the door.
Memory!
You have the key,
The little lamp spreads a ring on the stair.
Mount.
The bed is open; the tooth-brush hangs on the wall,
Put your shoes at the door, sleep, prepare for life.
The last twist of the knife.
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Lines to a Persian Cat - From Five-Finger Exercises
The songsters of the air repair
To the green fields of Russell Square.
Beneath the trees there is no ease
For the dull brain, the sharp desires
And the quick eyes of Woolly Bear.
There is no relief but in grief.
O when will the creaking heart cease?
When will the broken chair give ease?
When will the summer day delay?
When will Time flow away?
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Verse I from Preludes
The winter evening settles down
With smell of steaks in passageways
Six o'clock
The burnt-out ends of smoky days.
And now a gust shower wraps
The grimy scraps
Of withered leaves about your feet
And newspapers from vacant lots;
The showers beat
On broken blinds and chimney-pots,
And at the corner of the street
A lonely cab-horse steams and stamps.
And then the lighting of the lamps.
Lines to a Yorkshire Terrier- From Five-Finger Exercises
In a brown field stood a tree
And the tree was crookt and dry.
In a black sky, from a green cloud
Natural forces shriek'd aloud,
Screamed, rattled, muttered endlessly.
Little dog was safe and warm
Under a cretonne eiderdown,
Yet the field was cracked and brown
And the tree was cramped and dry.
Pollicle dogs and cats all must
Jellicle cats and dogs all must
Like undertakers, come to dust.
Here a little dog I pause
Heaving up my prior paws,
Pause, and sleep endlessly.