SHE'S THE NIGHT
He shook his head as if to clear his thoughts of letters and ghosts
And the turning back of clocks
Swore he'd rid himself of hope a long time ago
Swore he'd keep his past under lock
But he was hiding from his heart, and it soon found him out
Behind his thin veneer of stubborn pride
Garbed in the cheapening cloaks of blame
His regret welling up inside
She's his flesh; she's his blood
She's his mouth; she's his eyes
She's his heart; she's his soul
She's his truth; she's his lies
She's his love; she's his hate
She's his wrong; she's his right
She's his life; she's his death
She's his day; she's his night
All the years were as minutes; time went stark, raving mad
Screaming at the sight of itself
Drowning in a torrent of reborn promise
He desired her above all else
He could taste his sore need for her touch, for her voice
It had a bittersweet, familiar tang
Made him twist, made him starve for unity's sake
While the air, thick with passion, sang
She's his flesh_she's the night
It was the sleekness of her lines; it was the lustre in her eyes
It was her satin charms learned by rote
That etched her name forever on his virgin heart
`Til he spit those three words burning in his throat
Every tender nerve within him flashed its scalding, raw signal
It took every ounce of strength he had
Just to keep himself from tearing through his pale skin to reach her
Through the leather in which he was clad
He threw open wide his arms to trust, with all its fault and danger
Saw her real beauty shining bright
There was nothing more he wanted than to stand again beside her
Spend eternity in her light
She's his flesh_she's the night
c 1992 Insomniac Scarecrow Music (ASCAP)
VOICE OF ROMANCE
He drew courage one kiss at a time
From her touch and the look in her eyes
For there was clear conviction in the power she held over him
Unbridled enough to make his hot head swim
Almost as if their black years came undone
And she swallowed all his fears of life one by one
With lips that taught him to forgive himself
For the past he knew too well
And three words revisited leave their mark
Indelible textures rule his heart
And the voice of romance cuts through the dark
Saying it's ok, yes, it's ok
She don't bring him down
He began to capture back the substance of faith
That made hesitation seem to him so out of place
To believe again in the plan once held so close
All the subtle wonders of the world he needed most
And with a solemn vow he put an end to their ancient divide
Let the titles of guilt and innocence fall to the side
Then turned by degrees to meet his heart's demand
`Til he was something of a different man
And three words revisited leave their mark
Indelible textures rule his heart
And the voice of romance cuts through the dark
Saying it's ok, yes, it's ok
She don't bring him down
For all his life had been leading to this
A destination he could never resist
Down the aisle to a dream made flesh
A sanctuary in a long, white dress
And as he slipped on her wedding ring
He was certain of this one thing
Her love was heaven-sent
Her love was heaven-sent
Her love
Heaven-sent
Her love
Heaven-sent
c 1992 Insomniac Scarecrow Music (ASCAP)
SEDUCTION
Taut as a trip wire, he lay awake
Bathed in the flickering light
The sickly blue glow of the television
And the lengthening of the night
Deafened by the sound of his wild heart pounding
And the maddening tick of the radium clock
As it counted his time
With a fatal precision
Seduction tinted all his colors
Seduction stole his sleep
Seduction shattered hope like glass
And threw it at his feet
The poison of fear that hung in the air
Sent his sixth sense reeling
Down the corridors of paranoia
Laced with blacker feeling
His sanity bent at ungodly angles
Beneath the weight of his mortality
It was the lethal nature
Of his sharpened focus
Seduction tinted all his colors
Seduction stole his sleep
Seduction shattered hope like glass
And threw it at his feet
He felt oblivion deep in his bones
He felt his vibrancy fade
He felt his youth subside
And his very essence slip away
Into the shadows, the numbing darkness
The twisting cerebral pitch
The suffocation of his addiction
And its ever-tightening grip
c 1992 Insomniac Scarecrow Music (ASCAP)
THE MECHANICAL MAN
His fingers stretched toward the brass ring
That hung just beyond his reach
`Til every fiber of his very being ached
Fettered to the drab, grey world of things
Forever longing to escape
To cast his own shadows on the wall
But with his illusions wrapped about him
So tight he couldn't breathe
He could only be what he had always been
Save for his dreams of the fire-eyed seraph
So empty and alone
The mechanical man, the king of nothing at all
As he sliced through the city of lean men
With a dagger in his hand
Where the golden calf is dollar-green
And the devil lays his plans
He grew weary of the sting of lies
Of blind ambition and his own role
Yet he never could break the circle
That was life without a soul
Extracting no slivers of truth and beauty
From his day-in/day-out world
No magic keys to his narrow lock
He searched in vain for some secret self
His every waking thought
Found only that his human side was gone
Lost in the crowd that gave him form
And the hollow prize of rank
His identity fix before the public eye
With his proper mask, no face beneath
Like a cipher without point
Beyond cold routine and the comforts of his guise
As he sliced through the city of lean men
With a dagger in his hand
Where the golden calf is dollar-green
And the devil lays his plans
He grew weary of the sting of lies
Of blind ambition and his own role
Yet he never could break the circle
That was life without a soul
c 1992 Insomniac Scarecrow Music (ASCAP)
JEZEBEL GRACES
His life was a circle, an endless circle
Of serpentine lovers who spoke with their eyes
Obsessively pulsing between bliss and treason
With one fluid motion, he brushed truth aside
His slender twin fictions, a built-in deception
To keep him from mirrors, from memory's sparks
From tell-tale reflections that traced his gaze backwards
And threatened to pierce his open-sesame heart
He wore distant fashions, long blind years' denial
While jezebel graces lay claim to his soul
Enshrining salvation in strange, vacant icons
In token enchantments with sirens of gold
`Til, riddled with yearning for purpose, for meaning
For deep-healing candor, he untrapped the sound
Spoke his own name so sharply, it threw him off-balance
His veils torn to ribbons, all spells within bounds
And the way spread before him, a vast open channel
Of restless, hard currents he'd hidden from view
So intently unfolding his own latent glory
He looked his path over and started anew
For this age was of knowing, this age was of learning
The strength of his will and the lesson inside
That pulled like a magnet, a singular master
He was his one answer; she was his one light
c 1992 Insomniac Scarecrow Music (ASCAP)
OVERDRIVE
The dead of night was breathing down his neck
A claustrophobic kiss
So full of broken-heart discarded dreams
And time turning tricks
He strained to pull the future into the now
Wrap it up like silk
To make it certain, keep it safe and sound
From all encroaching doubts
His discontent unleashed the thief of peace
It stripped off self-belief
Replacing merit with a jaded spite
A penetration deep
Its razor talons cut him to the quick
Impatient, violent strokes
That splintered calm with no regard for love
Or its width of scope
He's an insomniac scarecrow, pretty as sin
Gunmetal eyes, wicked sardonic grin
Nicotine and caffeine racing though his veins
Hair-trigger action kills the pain
His head's whirling like a dervish, out of control
Spinning so fast, now he's hot, now he's cold
With the devil in the trunk and god at his side
Puts the pedal to the metal and drives, baby, drives
He carved opinion with a sharper tongue
Hot venom from rabid lips
Defiance hurled like an unaimed dart
And anger streaming from his fingertips
It lit the tinder underneath his tone
No model of restraint
Inflaming every aspect of his soul
With a fierce contempt
He's an insomniac scarecrow, pretty as sin
Gunmetal eyes, wicked sardonic grin
Nicotine and caffeine racing though his veins
Hair-trigger action kills the pain
His head's whirling like a dervish, out of control
Spinning so fast, now he's hot, now he's cold
With the devil in the trunk and god at his side
Puts the pedal to the metal and drives, baby, drive
c 1992 Insomniac Scarecrow Music (ASCAP)
MYTHOLOGY OF BEING
Instincts afire with imagination
Dynamic sensations draped across your frame
Your searing hunger for elusive heaven
Takes urgent form in both fury and pain
Distortion cuts along the inner seam
Throws time and space in utter disarray
The thread is lost in the tangle of elements
The lunatic spectrum of labyrinthine faith
When heads are fact and fiction
And hearts beat out of sync
In light a shade surreal
You are not what you think
You peel your concrete skin, the fabric of reason
Exposing to chance the pure emotion beneath
Passions so bold and clean they leave you breathless
Raging at life and all the cruelty you see
Sleepwalking on highs, sleepwalking on lows
Through landscapes seething with a myriad of guides
Hypnotic visions point a thousand directions
Past contradiction, past black and white
When heads are fact and fiction
And hearts beat out of sync
In light a shade surreal
You are not what you think
Swimming in his big black coat
His eyes, like coal, glower in the dark
The words from deep inside his throat
Come raining down, a shower of sparks
Feverish assassins leave proportion bleeding
Hallucination pours from electric wounds
As the mythology of being drags the heavy corpse of logic
Across the room
Disquiet, anxious dreams, the flexing devils within
Blur the safe distinctions of the waking state
In a dark, erotic frenzy borne of nights of desperate chafing
At the power of fate
You burn inside
Burn
When heads are fact and fiction
And hearts beat out of sync
In light a shade surreal
You are not what you think
c 1992 Insomniac Scarecrow Music (ASCAP)
FOREVER AND A DAY
He wears possession in a world of indifference
Done up in love's resurrected lines
A brilliant pattern, all beauty and new hope
And passions so sublime
This love imposes; it towers above him
It's so much larger than life
His sweet surrender makes vanity scarce, now
No place for menacing pride
The change is welcome; he bristles with promise
Lets down his guard, and the feeling completes
Confessions flow out with wild abandon
No ego to impede
With humble vision he recognizes
The part directness plays
Seems it's been missing so very long, now
Forever and a day
Forever and a day
This is the truth
Love it or leave it
Suspicion doesn't live here anymore
Suspicion doesn't live here anymore
Suspicion doesn't live here anymore
His gift is honor; it lays the foundation
Restoring trust to its pristine state
Desire centers on a fragile virtue
Perception concentrates
He's moving closer to understanding
How true hearts clear the way
Seems he's been waiting so very long, now
Forever and a day
Forever and a day
He wears possession
Forever and a day
He wears possession
Forever and a day
He wears possession
c 1992 Insomniac Scarecrow Music (ASCAP)
THE LIGHTENING FIELDS
Yes, he took solace in the lightening fields
His heart set finally free
Of haunting, weighted absolutes
Too steeped in muted grief
And he shed the relics of days gone by
Much given to blacker thoughts
When all the world seemed so inclined
Obscured by fear of loss
Time is no measure of man, he said
Time is no measure of man
Time is no measure of man, he said
Time is no measure of man
He said
Yes, he read dignity into the signs
That whispered hints of more
Serenity so close at hand
It pinned him to the floor
And the expectation rode his mind
Played host to his resolve
To come to terms with his design
Find value in it all
Time is no measure of man, he said
Time is no measure of man
Time is no measure of man, he said
Time is no measure of man
He said
Time
Time
Time
Time
This is a matter of life and death
This is a matter of life and death
This is a matter of life and death
This is a matter of life and death
This is a matter of life and death
This is a matter of life and death
This is a matter of life and death
This is a matter of life and death
c 1992 Insomniac Scarecrow Music (ASCAP)
ULTRAVIOLET (THE IMPERIALIST SLEEP)
And so she filters through your best defenses
Illuminates the cold shadows of steel
Brings to light all you never dared to feel
Ultraviolet
Ultraviolet
And as her smile gently melts your pale ice
A wisdom once forgotten stirs inside
The simple reason that you made her your blushing bride
Ultraviolet
Ultraviolet
Angels dream of being devils
And devils dream of being gods
Gods dream of being human
And men dream of being in love
Just close your eyes and sleep
Just close your eyes
Just close your eyes and sleep
Just close your eyes
c 1992 Insomniac Scarecrow Music (ASCAP)
WHITE SKIN BELOW DIAMONDS
She spoke the words long after the fact
Jettisoned her ring and never looked back
At withered hope and affections lost
Her black perspective, disappointment's cost
Said she felt laden with the burden of being his wife
Standing in his shadow instead of at his side
Vying for attentions, an intimate look
The distance in desire was all that it took
To give doubt a third dimension, make their separation real
She shuddered at his touch and a love she couldn't feel
And her calloused heart fosters her decision to leave
The arena of needing
Now she bares the white skin below diamonds
She broke the hold of mistakes resigned
Summoned independence and the fire trapped inside so long
In a house divided, commitment cracked
Split down the middle by his darker half
And she's had enough of tears to last the rest of her life
Of tension so thick she could cut it with a knife
In search of satisfaction and dogged by disregard
She went back to the beginning, tried to make a clean start
Though the nights are never easy, self-respect is hers to keep
Only troubled on occasion by the hurt she put to sleep
But frustration serves to bolster her refusal to lead
A lifetime of lonely
Now she bares the white skin below diamonds
And everything they once were, she tries to forget
Everything
c 1996 Insomniac Scarecrow Music (ASCAP)
HELL OR HIGH WATER
You've grown accustomed to this feast or famine
To all the obstacles that stand before love
This atmosphere of fate so overwhelming
An iron fist in a velvet glove
For certain moments taken out of context
Ambivalence is always part of the game
So hard to fathom and impossible to contain
But too many years of compromise and spinning dreams from dross
Have taken a heavy toll on hope and left you at a loss
For faith was never strong enough to steer this union through
Uncharted seas of mixed emotions rising up in you
You can't divorce yourself from hesitation
Questions of character still left unresolved
Afraid to find your passion for life wanting
Settled and cheated and your own hand involved
But confrontation is a young man's business
And change a luxury afforded to few
Potential paralyzed by fear of anything new
That's you
With your trust kept under pressure and your love under the gun
Attempts to reconcile hearts and repair the damage done
Are beleaguered by the risk of failure, magnified with age
In the presence of nostalgia and tradition's gilded cage
For better or for worse
Come hell or high water
For better or for worse
Come hell or high water
For better or for worse
And you run out of tomorrows at the point of no return
Where cause must follow with effect and all your bridges burn
Exhausted by the friction between the stable and unknown
Until nothing short of a miracle can mend this broken home
c 1996 Insomniac Scarecrow Music (ASCAP)
ONE AND THE SAME
His apologies are pregnant with cosmetic gestures
Meant to buy your silence with a kiss
But his civilized demeanor gives no reassurance
That his temper can be lightly dismissed
Because he's taken you for granted ever since you allowed him
Unrestricted access to your soul
And he interprets acquiescence as an open invitation
To bring all of your existence under his control
Don't make promises you can't keep
When the past is fresh and the wounds are deep
Be careful, now, with all this talk of love
You know the object of your veneration
And the instrument of your destruction
All too often are one and the same
Apprehension is injected into every second
With submission comes the dowry of fear
And your penchant for ignoring life's unpleasant details
Makes your disposition crystal clear
Far too eager for reaction to pay heed to motive
In this button-pushing climate resides
Your excuse that provocation brings you closer together
Attracted to his anger like a moth to light
Don't make promises...
Upon returning to the source of the abuse you've learned to take
Just a creature of bad habit with a shame you'll never shake
You continue to repeat the lie until you half-believe
If concession keeps the peace, the end will justify the means
But for all your good intentions and your methods tried and true
This redundant situation only leaves you black and blue
And your heart's perverse expression is your need to seek approval
From him time and again
Don't make promises...
Why do you carry the weight of the world
Wed 'til your dying breath, around his finger curled
c 1996 Insomniac Scarecrow Music (ASCAP)
CAMILLE CLAUDEL
A beauty born to suffer from a talent unsung
Buried under envy and enamoured of one
She's served a plate full of scorn, a mouthful of hate
Pitied and remembered too little, too late
By the jealous who conspire to make passion her sin
As her madness is sculpted from the absence within
Camille Claudel
Camille Claudel
Living with a vengeance, inhibitions consumed
Turbulence alluring to a youth in full bloom
But her heart beats unrequited, anemic with neglect
Love spread like a cancer, left her charity a wreck
And the infamy of rumor is her loyalty's reward
In this world of groomed emotion and the savage unexplored
Camille Claudel
Camille Claudel
Reputations falter in a whirlwind of sheets
This complicated feeling where the flesh and stone meet
Still she waits to be acknowledged, a secret at a time
Only to discover that she'll always walk the line
Between a mistress and a martyr, validation held at bay
All her honesty forbidden and her destiny delayed
Camille Claudel
Camille Claudel
c 1996 Insomniac Scarecrow Music (ASCAP)
SOMNAMBULIST
Floating on aspirations
Swollen with inspiration
From birth he grabbed life by the throat
Red fear ripped from its socket
And death deep in his pocket
Hidden in the folds of his coat
Striking sacrificial postures
To match his heart's initial offer
Compulsion become a religion in itself
His heartache wore a thousand faces
But one love put him through the paces
Crippled discipline and turned him inside out
But in the light of success
He expected no less
Than his sheer happiness
Guaranteed
(Does your crown of thorns
Keep your bowed head warm
Or do you fall apart
Like clockwork?)
Driven to a strange distraction
Painted over sunken dreams
Of hearts fractured once too often
And love torn apart at the seams
Always walking
Sleepwalking
Just the somnambulist in me
I'd take on the laws of nature
And tear up the rules of man
For the key to the kingdom of heaven
Burning in the palm of my hand
Offer me a consolation
A blanket over brutal truth
An answer for embittered lovers
When reason makes poor substitute
Just the somnambulist in me
c 1996 Insomniac Scarecrow Music (ASCAP)
FATHERS AND SONS
A dozen years and counting since the torch was passed
He stepped into the white light, no turning back
And his mantle was assumed like the legacy of kings
Relatively speaking, death's a pretty simple thing
But it's the living that separates the men from the boys
Just like fathers and sons
So you picked up where he left off, pieced together what remained
Hindered only by your brooding and your need for placing blame
And your loathing cost you dearly all the joy you ever had
Disconnected from your family by this monkey on your back
As you held on to your sorrow like some private souvenir
Just like fathers and sons
Now maturity's contagious, it's a hand-me-down part
Because the circle never ends where the circle always starts
Responsibility increases as it passes down the line
But the future works itself out if you only give it time
And so the tree grows as the twig is bent
Just like fathers and sons
c 1996 Insomniac Scarecrow Music (ASCAP)
CIRCLE LIMIT NUMBER FOUR
We feed on lies and manipulations
Reactionary daily bread
Lip service echoes from a blank generation
Of poisoned love and the truth cut dead
Our definition is sorely lacking
Our peace of mind is a thing of the past
And our compassion is the first sent packing
When rhyme and reason are fading fast
We run on empty as we cater to ego
With godforsaken, mercenary hearts
Agendas hidden behind innuendo
And trust that's done before it even starts
Now the ideas that we once held sacred
Have been disposed of, reduced to this
A weak reminder, abstract and vacant
Without an anchor one thought persists
Angels or devils kiss and tell
Where black and white once fit you like a glove
There is no heaven and there is no hell
Now good and evil are simply not enough
Though we lie down virgins and we wake up whores
And human nature falls somewhere in between
Circle Limit Number Four
With karma hard at work behind the scenes
We shy away from our only real hope
Of comprehending this life we lead
Salvation offered in all manner of long robes
We kill the messengers and watch them bleed
In our aversion to accepting the obvious
The end result of our obstinate pride
When unity is suggested in all of us
The world intrinsic if we open our eyes
Angels or devils...
Circle Limit Number Four
Think. Feel. Do. Be.
c 1996 Insomniac Scarecrow Music (ASCAP)
ART OF DECEPTION
Although he couldn't quite place its deeper meaning at the time
There was cool detachment in her voice
A vague familiarity, unspoken battle lines
And reluctance as her weapon of choice
But the powers of persuasion of his loneliest of moods
Let him view her in a generous light
Blind to tragic consequence, his heart worn on his sleeve
In the hope that his sincerity would set things right
She loves him
She loves him not
Art of deception
She loves him not
Despite their hip-grinding havoc in a war zone of a bed
Communication was both foreign and strange
But with the tyranny of feeling kicking 'round in his head
And all his principles rearranged
He put her history aside, he let his better judgment slide
He gave accommodation his own name
Self-esteem diluted and integrity enslaved
To the way her secret sympathies waxed and waned
She loves him
She loves him not
Art of deception
She loves him not
His head was full of notions
A litany of lies
With accent on devotion
No matter what the price
Love/hate
Love/hate
Art of deception
Art of deception
Art of deception
Art of deception
c 1996 Insomniac Scarecrow Music (ASCAP)
LOVER'S LEAP
We could dredge up the past forever
Never crossing the borders of blame
But I'm too tired to play that stupid game
There is no point in histrionics
I have no time for idle threats
No need to wait and see or hedge my bets
I just want to get on with leaving
Moving forward, beyond revenge
And all the petty bullshit on which we hinge
Always had to find out the hard way
All is fair in love and war
Guess I never knew 'til now what my heart was for
We could dwell on the minor details
Of who did what to whom and when
The simple fact is we'll never be that way again
It's evident that there's no escaping
How love and hate go hand in hand
But what we feel is not the same as what we understand
I'm sick to death of eating my heart out
Night and day, all my energy spent
Safe to say familiarity breeds contempt
Peering over the edge in silence
As bruised and battered broken dreams
Toss and turn, tumble, fall, plummet, careen
And so it goes...
Lover's leap
c 1996 Insomniac Scarecrow Music (ASCAP)
GIVING UP THE GHOST
You're a ghost, now, baby
Nothing but a dream
Because the truth killed sentiment where it stood
No merciful lies for nobody's own good
Nothing but a dream
Because this heart, survived by estrangement, claimed
An inheritance built on sex and pain
Nothing but a dream
Blue Judas Kiss
Blue Judas Kiss
Blue Judas Kiss
Blue Judas Kiss
You're a ghost, now, baby
Nothing but a dream
Because yesterday's sheen faded so damn fast
And the harm sustained is all that lasts
Nothing but a dream
Because this love was never quite enough
To fulfill the promise it conjured up
Nothing but a dream
c 1996 Insomniac Scarecrow Music (ASCAP)
ARMAGEDDON LULLABY
Armageddon lullaby
No one here gets out alive
Guns and drugs are all the rage
The new world order has come of age
Channel surfing for happy endings
You might not like what you find
As culture vultures hype golden arches
You run the rat race like a slave to the grind
Gimme danger, little stranger
Kiss the American dream goodbye
With Times Square at ground zero
The revolution will be disneyfied
While crypto-fascists sleep much better
Because you never read between the lines
Incorporated into submission
Your nightmares kept out of sight, out of mind
Make way for indoor malls
With trees and no-smoking laws
Overrun by teen-idol clones
Who hang on cellular phones
And drive big luxury cars
Endorsed by Hollywood stars
This is as good as it gets
This is both promise and threat
Big Brother's watching you
Big Brother's marketing tool
c 2000 Insomniac Scarecrow Music (ASCAP)
MY SIAMESE TWIN
I've been waiting so long
For you to share all your senses with me
To take a chance on love
To touch, taste, smell, hear and see
Because we're cut from the same cloth
A shimmering silk
Both searching for the promised land
Of honey and milk
So lonely for the company
Of one of our ilk
And I'm yours for the taking
Somewhere between
All the pleasure and the pain
Two hearts run parallel
My Siamese twin
Christine, Christine
Yin yang
Be my mirror tonight
You be my left, and I'll be your right and wrong
Come crawl around in my skin
Just say the word, and I'll let you in
Because we're birds of a feather
Two of a kind
Both living in a world
Of our own design
So, let's split it up between us
And see what we find
And I'm yours for the taking
Somewhere between...
Born on the cusp of Gemini
Yours for the taking
c 2000 Insomniac Scarecrow Music (ASCAP)
EMBLAZONED
Emblazoned on his skin
Everything she once meant to him
Tattooed, inked and dried
A flesh memory kept alive
His dedication to her inscribed
In a painted, barbed wire, modern tribal design
Emblazoned on his skin
Emblazoned
On his skin
Decorated 'til the day he dies
Her name in letters half an inch high
In a broken red heart with a black outline
Grown paler than her passion with the passage of time
Emblazoned on his skin
Emblazoned on his skin
Emblazoned, body and soul
Like camouflage for a gaping hole
Head to toe in needle-bled art
Obsession captured his head and his heart
His technicolor torso vividly scarred
Deep and forever, 'til death do them part
Emblazoned, body and soul
Emblazoned
Body and soul
Multi-hued, his pigment betrays
Emotions tinted with the shadow of days
Of painful permanence, when love held sway
Over the patterns he so proudly displays
Emblazoned, body and soul
Emblazoned, body and soul
c 2000 Insomniac Scarecrow Music (ASCAP)
VISION IN BLACK
Flirting with disaster
In a low-cut dress
The epitome of sultry
Sensuality's best
She's a Gotham City batgirl
She's got fireworks for eyes
She knows the devil's in the details
With heaven on the sly
She's a vision
A vision in black
When she hits the dance floor she burns the room
While all the glampires doom and gloom
Just a beat and a groove and she loses herself
In this tune
Apocalyptic rapture
Under banshee overtones
All hit-and-run desire
As she dances all alone
She's seduction incarnate
She's absinthe over ice
With a twist of melancholy
In the passions she ignites
She's a vision
A vision in black
And like some self-fulfilling prophecy
Come-hither glances lock on me
So hypnotizing, tantalizing
Oh, ecstasy
c 2000 Insomniac Scarecrow Music (ASCAP)
NETHERWORLD
This side of sleep and empire bound
They ride the rails, the lost and found
Into the heart of darkness
Sabres drawn and flags unfurled
Nocturnal armies on parade
Welcome to the netherworld
Machismo permeates the room
A deadly, sickly sweet perfume
They brag of prowess
And their conquests of the night before
As if the devil himself kept score
Melt into the netherworld
Ironic how they come aware
Once life's polluted with despair
As power, once seductive
Slips their slackening, jaded, weary grasp
Most vile aphrodisiac
Welcome to the netherworld
And true believers speak in tongues
How youth is wasted on the young
Below the surface
Of ambition, industry, and fear
Blood lust and glory disappear
Melt into the netherworld
c 2000 Insomniac Scarecrow Music (ASCAP)
LOWRIDER
Reliving legends tonight
The stuff of rock'n'roll dreams
When vinyl hissed and guitars attacked
And new romantics all dressed in black
I find your picture and it carries me back
Now, ride, ride with me
Back then I wanted to be
Like Ziggy, Iggy, and Reed
With wraparounds on my leather-chic head
My naive heart and a sophomore bed
And you, so blonde-haired and blue-eyed instead
Now, ride, ride with me
Let's ride, baby, ride
Ride with me
Come on, Sister Midnight
And it was us versus them
Rebellion for its own sake
When sex and music were the spoils of war
Two twentysomethings just looking to score
Caught in the moment as the radio roared
Now, ride, ride with me
But those were furious times
Or maybe it was just us
When every word of every song rang true
Our finest hour, as far as we knew
And no one since has held a candle to you
Now, ride, ride with me
Let's ride, baby, ride
Ride with me
c 2000 Insomniac Scarecrow Music (ASCAP)
RED ROVER
Red Rover, Red Rover
A hundred times over
He's told her not to move an inch
The boredom of ritual, cold and predictable
Her legs spread wide, no muscles flinch
As the voice in her head makes a terrible noise
Saying girls will be fodder, and boys will be boys
And the straw that broke the camel's back
Is not for us to see
Red Rover, Red Rover
A thousand times over
He's told her not to cause a scene
Obedience cherished, her liberty perished
As she plays the pathetic, long-suffering queen
And the look in his eyes is the same as before
Not mother, not daughter, not sister, but whore
And the straw that broke the camel's back
Is not for us to see
Red Rover, Red Rover
A million times over
She swears up and down that she'll finally leave
But, harnessed to fear, iron will disappears
As she begs and she cringes and falls to her knees
She's a glutton for punishment, dark and depraved
Inflicted by monsters infected with rage
Like some masochistic, passion play addict
In dire need of a fix
When she was a girl she was pretty and proud
Now curled in the corner she wonders aloud
When will she learn to treat him much better
And how she makes herself sick
c 2000 Insomniac Scarecrow Music (ASCAP)
ADRENALIZED
His head was brimming with drastic thoughts
Of swastikas, suicide and mayhem
And his back was up against the wall
Said if you can't join them, hate them
For too long he'd walked the razor's edge
Inside of pain, outside of love
A time bomb waiting for something to give
Just waiting for push to come to shove
Adrenalized, adrenalized
He felt his anger come alive
Adrenalized, adrenalized
Just like an animal deep inside
Adrenalized, adrenalized
The glint of madness in his eyes
Adrenalized, adrenalized
Adrenalized
And his heart grew darker day by day
As he watched his world turn from sugar to shit
Ate, slept, and breathed this pent-up rage
This feeling never knows when to quit
But aggression's got the upper hand again
Payback's a bitch, and here's the rub
At least with violence he knows where he stands
Dehumanized and out for blood
Adrenalized, adrenalized
He felt his anger come alive
Adrenalized, adrenalized
Just like an animal deep inside
Adrenalized, adrenalized
The glint of madness in his eyes
Adrenalized, adrenalized
Adrenalized
He's throwing off bad vibes
He's throwing off bad vibes
He's throwing off bad vibes
He's throwing off bad vibes
Adrenalized...
c 2000 Insomniac Scarecrow Music (ASCAP)
HERETIC KICK
You live and die, arrogant and blind
Like pretenders to the throne
You stake your claims on holy names
But your gods are not my own
And I will not join in your crusade
To subjugate my soul
I turn my back and walk away
Where faith will not follow
You burn my ears with your talk of fear
But your dogma leaves me cold
You crucify all who dare to defy
Your authority's stranglehold
But I will not kneel to kiss your ring
For you have no power here
Tradition does not mean a thing to me
I'm on a heretic kick
You try to kill off my spirit and will
With your emphasis on shame
You press and judge and my freedom begrudge
But I'll never play your game
And I don't buy half your reasons why
Because your other half's a
lie
So far beyond remote control
Where your rules do not apply
I'm on a heretic kick
c 2000 Insomniac Scarecrow Music (ASCAP)
OVER AND OUT
Receiving signals loud and clear
No static noise to interfere
Transmissions pure as pure can be
Adjusting to your frequency
Words float from mouth to ear on ether
Across the miles, over years
I-love-you's repeated like a mantra
Erasing doubts, allaying fears
When I was hazy, you were poignant
When I was crazy, you held fast
Taught me to savor without starving
And how to balance the present with the past
Relaying messages from home
A trace of worry in your tone
Broadcast directly from the heart
My hope and strength when worlds apart
I hung in limbo before you found me
I'd named my poison in my pride
Descended into the mouth of madness
`Til I couldn't avoid you if I'd tried
For you harbor something akin to magic
A sweet, strange elixir in your voice
That soothed and tamed me without warning
As if I ever really had a choice
Oh, the lengths I'd go
To win your hand
Over and out
c 2000 Insomniac Scarecrow Music (ASCAP)