VIA CRUCIS -- the way of the cross
we leave the Franciscan church in the park
after judging and whipping and condemning Jesus
turn down the blocked street left
escorted by cop cars ahead and behind
faces at the window peeking through curtains
people on balconies watching
this sad, slow procession
through the old streets of the north end of town
moving mass of humanity
I step on someones heels I wasn't looking
while scribbling these words
beg pardon are you all right yes
perdone tu pueblo perdoname señor
the crowds are singing
we crawl past Coahuilla Street under power lines
draped with shoes
more balconies and midrange economy hotels
where they wait and watch
their own road of the cross will lead them north
to work here
or there, on the other side, beyond that iron wall
and filthy river
HOTEL BELEN todos los servicios
Sala de Belleza Baja Cuts
on the border between language
we are going to kill the Christ today
At the corner another prayer and more singing
more whipping, whipping, shouts
GET A MOVE ON WALK MÁS RAPIDO CAMINATE
algodones cotton candy and paletas popsicles
cry the street vendors
ting a ling ding a ling under the powerline shoes
in front of the gathered hotels and corner school wall
our father who art in heaven hail Mary mother of God
streets blocked off in every distance
silence of no cars nearby
only the tread of feet and echoes from megaphone prayers
and three cop squad cars following behind, shepherding, herding
their lights flashing slowly but never a siren or honk from
them
only the silent, crawling, pushing forward at the tail end of this crowd
where I wander scribble scribble scribble
amid the straggling sheep crawling forward toward the sacrifice procession
with their whips flashing in the air above three upraised burden crosses
Roman soldiers, weeping women, two thieves and one messiah
get the hammer and nails, boys, he's back again
in this vicious ironic brain against the empire
the streets are opening again behind us to let the regular traffic flow
in its right angle channels of this further zona norte where someone
loafing on a street corner will sell you a maryjane zigurat's worth
wrapped in tin foil for a lousy dollar and then turn you in to
his buddy the cop, if you're lucky
and unlucky... don't wanta no, know? No.
But not today. The migrants hoping to cross and the drugdealers
planning to doublecross all step back
and a mass of walking middleclass Christians march together down
these dusty streets to celebrate a man we killed
two thousand years ago aye the devil still has his
hands full playing both ends against the middle
¿Did you see him sneaking around in the shadows of Jerusalem
in Mel Gibson's latest film poem passion?
That was nothing. Only make believe beauty in a crystal drop of Holy Sweat.
Down here he looks every day for fresh victims to hurl
across the line, into my empire, my love, my people
who don't want to wash our own dissssssshes or dig our own cocaine vegetables
a y e tis a bitter pill
out on the edges of OUTSOURCING drugs
a n d m i g r a t i o n
and sweet, old fashioned prohibition sin
where we yankees and rebels run away to
M e x i c o
forgive us Lord forgive your people Lord
we who kill your Son t o d a y
LOOK - there's the MOLINO ROJO sign
ancient testimony from a vanished nightclub
it's only a parking lot today
an old lady is watching me scribble
whips are flashing through the air up ahead,
beyond the crowded hundreds with their baby
strollers
and
baby carriages
and children eating popsicles
drinking water and juice and sodas
and all the people on their balconies
two women hanging clothes on the rooftop
look down and smile
we pause again
more prayers and preaching
then move forward
out of the mouth of Baja California
into the rebuilding piece of lower Revolution
past the mouth of all sin and sex, Coahuilla
bright and shining in the mid-day light
we go on
we go on
we go on
up the new yellow and red cement
up the shining ornamental sidewalks
from the mouth of delicious hell
toward the silver parabola
14 stories high
we mass together behind the romans and Jesus
to climb up the little hill
that marks where the river used to flood
up toward the gigantic arch
hundreds of heads and torsos crowding together
rising up from thousands of feet
pressing forward
a mass of people climbing up
OH MAN
I could kick myself for not having a camera
the hundreds of dark clothed pilgrims
the hundreds of dark clothed marchers
the shimmering steel arch
the beckoning streets and
smiling pastel cantinas
the whips and red Roman soldiers
a scattered cluster of tourists in Easter
beige short pants and t-shirts
watching
Oh my God look it is something really Mexican
Mommy what does it mean?
scribble scribble scribble
the cables of the giant arch
are thrumming over my head
thwack thump thwack thump
in these
springtime breezes of California
and we turn, all of us, under the gigantic silver arch
turn past the broken butt-end of fake aqueduct arches
down into the narrow canyon of twisted First Street I follow the crowd
back toward the cathedral church two blocks away where we will
nail him to a cross between two thieves and celebrate
this ancient human sacrifice
for life and salvation and e t e r n i t y
But not yet. Still we must get there. Down the narrow street of bars and cheap
restaurants where old grease smells and rotten bars cry out for my dollar, your dollar
It is truly weird to see this strange, narrow, border street filled wall-to-wall
with human bodies marching and praying and singing
I am so used to walking here and sticking to the sidewalks
to save myself from rushing traffic
but now we are
all crowded together walking down
the very middle of this street
I am n o t s u r e
when I should stop writing
maybe
now
yes
not apo strophe remember
No