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9 April 2004
21st day of Spring
21st day of the Moon
48th year of the Space Age





VIA CRUCIS -- the way of the cross

we leave the Franciscan church in the park after judging and whipping and condemning Jesus turn down the blocked street left escorted by cop cars ahead and behind faces at the window peeking through curtains people on balconies watching this sad, slow procession through the old streets of the north end of town moving mass of humanity I step on someones heels I wasn't looking while scribbling these words beg pardon are you all right yes perdone tu pueblo perdoname señor the crowds are singing we crawl past Coahuilla Street under power lines draped with shoes more balconies and midrange economy hotels where they wait and watch their own road of the cross will lead them north to work here or there, on the other side, beyond that iron wall and filthy river HOTEL BELEN todos los servicios Sala de Belleza Baja Cuts on the border between language we are going to kill the Christ today At the corner another prayer and more singing more whipping, whipping, shouts GET A MOVE ON WALK MÁS RAPIDO CAMINATE algodones cotton candy and paletas popsicles cry the street vendors ting a ling ding a ling under the powerline shoes in front of the gathered hotels and corner school wall our father who art in heaven hail Mary mother of God streets blocked off in every distance silence of no cars nearby only the tread of feet and echoes from megaphone prayers and three cop squad cars following behind, shepherding, herding their lights flashing slowly but never a siren or honk from them only the silent, crawling, pushing forward at the tail end of this crowd where I wander scribble scribble scribble amid the straggling sheep crawling forward toward the sacrifice procession with their whips flashing in the air above three upraised burden crosses Roman soldiers, weeping women, two thieves and one messiah get the hammer and nails, boys, he's back again in this vicious ironic brain against the empire the streets are opening again behind us to let the regular traffic flow in its right angle channels of this further zona norte where someone loafing on a street corner will sell you a maryjane zigurat's worth wrapped in tin foil for a lousy dollar and then turn you in to his buddy the cop, if you're lucky and unlucky... don't wanta no, know? No. But not today. The migrants hoping to cross and the drugdealers planning to doublecross all step back and a mass of walking middleclass Christians march together down these dusty streets to celebrate a man we killed two thousand years ago aye the devil still has his hands full playing both ends against the middle ¿Did you see him sneaking around in the shadows of Jerusalem in Mel Gibson's latest film poem passion? That was nothing. Only make believe beauty in a crystal drop of Holy Sweat. Down here he looks every day for fresh victims to hurl across the line, into my empire, my love, my people who don't want to wash our own dissssssshes or dig our own cocaine vegetables a y e tis a bitter pill out on the edges of OUTSOURCING drugs a n d m i g r a t i o n and sweet, old fashioned prohibition sin where we yankees and rebels run away to M e x i c o forgive us Lord forgive your people Lord we who kill your Son t o d a y LOOK - there's the MOLINO ROJO sign ancient testimony from a vanished nightclub it's only a parking lot today an old lady is watching me scribble whips are flashing through the air up ahead, beyond the crowded hundreds with their baby strollers and baby carriages and children eating popsicles drinking water and juice and sodas and all the people on their balconies two women hanging clothes on the rooftop look down and smile we pause again more prayers and preaching then move forward out of the mouth of Baja California into the rebuilding piece of lower Revolution past the mouth of all sin and sex, Coahuilla bright and shining in the mid-day light we go on we go on we go on up the new yellow and red cement up the shining ornamental sidewalks from the mouth of delicious hell toward the silver parabola 14 stories high we mass together behind the romans and Jesus to climb up the little hill that marks where the river used to flood up toward the gigantic arch hundreds of heads and torsos crowding together rising up from thousands of feet pressing forward a mass of people climbing up OH MAN I could kick myself for not having a camera the hundreds of dark clothed pilgrims the hundreds of dark clothed marchers the shimmering steel arch the beckoning streets and smiling pastel cantinas the whips and red Roman soldiers a scattered cluster of tourists in Easter beige short pants and t-shirts watching Oh my God look it is something really Mexican Mommy what does it mean? scribble scribble scribble the cables of the giant arch are thrumming over my head thwack thump thwack thump in these springtime breezes of California and we turn, all of us, under the gigantic silver arch turn past the broken butt-end of fake aqueduct arches down into the narrow canyon of twisted First Street I follow the crowd back toward the cathedral church two blocks away where we will nail him to a cross between two thieves and celebrate this ancient human sacrifice for life and salvation and e t e r n i t y But not yet. Still we must get there. Down the narrow street of bars and cheap restaurants where old grease smells and rotten bars cry out for my dollar, your dollar It is truly weird to see this strange, narrow, border street filled wall-to-wall with human bodies marching and praying and singing I am so used to walking here and sticking to the sidewalks to save myself from rushing traffic but now we are all crowded together walking down the very middle of this street I am n o t s u r e when I should stop writing maybe now yes


not apo strophe remember


No





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text copyright 2004 daniel charles thomas
photo of Molino Rojo from digthatcrazyfarout