TURN DOWN YOUR MONITOR BRIGHTNESS
(where applicable)

MiSTing: "Surrogate" 
Original Story by Paul Sampson
MiSTed by Amanda Van Rhyn

     [Scene: The SoL Bridge. Tom has his back to the camera as he labors 
over something on center stage; we can see that a screwdriver is strapped 
into one hand and a crescent wrench into the other. As he backs away from his
project to stage right, we can see that he's been working on what looks
like a third-scale model of Crow, right down to the Floraliers. Just as Tom's
surveying his handiwork, Mike enters from stage right.]

     MIKE: Hidey-ho there, Cambot. As usual, it's me, Mi--

     [Mike, not paying attention, walks into Tom's project. The mini-Crow 
wobbles for a second and then falls to the ground with a small crash.]

     TOM: Oh, Mike, you big carbon-based oaf! Look what you've done now! 
     I've been working on that all morning!

     MIKE: Oh. Sorry, Tom. Here, I'll pick it up...

     [Mike kneels down and sets the mini-Crow back upright. It, being made of
sturdy all-American plastic, doesn't look any worse for wear.]

     MIKE: ... okay, I'll ask. Servo, why are you building a miniature model
     Crow out here?

     TOM: Oh, it's more than just a miniature model Crow! It's... the 
     Crow-Tron 5001! The most realistic Crow T. Robot simulator in the 
     universe! 

     MIKE: Um... but we have Crow here. Why do we need a Crow simulator?

     TOM: Silly Mike, Crow simulators have many utilities beyond the obvious!
     Here, I'll demonstrate. Push the button on its back.

     [Mike does so, obediently. The Crow-Tron's eyes, which have until now
been 'closed', flip open with a *click*, and the Crow-Tron begins to speak.
The voice is fairly obviously synthesized, but it's a reasonable approximation
of the real Crow's. Mike stands back and starts listening.]

     CROW-TRON: Bite me! It's fun! 

     TOM: See? Complete T. Robot-emulation technology! But there's so much 
     more!

     CROW-TRON: You know you want me, baby!

     TOM: You see, Mike, the Crow-Tron also has advanced next-generation 
     Artificial Intelligence -- or "Ayyye-Eyyye," as we call it 'in the 
     business' -- to improve your Crow experience! It can observe what its
     users and the overall environment expects from their Crow interaction and
     adapt accordingly!

     MIKE: Well, um, I suppose that's nice and all, but I still don't think--

     TOM: Oh, hush! You simply can't accept the miracles of modern technology!

     CROW-TRON: Yeah, I'd interface with her input jack any day of the week...

     MIKE: ... is it *supposed* to be saying that?

     TOM: Er... well, yes! Isn't it the sort of thing Crow would say?

     MIKE: Actually -- 

     CROW-TRON: Sex! Sex! Sex! Teehee!

     TOM: See?! It's got to be picking up excess perversion levels from its 
     environment, *Mike!* Nonetheless, it behaves exactly as Crow would! 
     You're just jealous of my science!

     [Tom hovers off stage right in a huff. The Crow-Tron runs after him, in
a chorus of "It's all right, we can just cuddle! It happens to a lot of bots!
Have you ever considered Viagra?"]

     MIKE: Well, then. Anyway. We'll be right back.

     [Cut to commercial: we fade back in on what looks like a 
dog's-eye-view camera of an insanely crowded, vaguely dystopian street scene.
The dog rushes through the crowd, and we hear a voiceover in a stereotypical
'dog' voice.

     DOG: Boy, life in this overcrowded society of suffering sure is tough!
     I hope I find my master soon! Besides, I smell... Soylent Green!

     [The dog-cam rushes into an alleyway and towards a human figure (well, a
pair of human legs) standing near the end.]

     DOG: Master! Master! Pleeeeeeease, give me some of your food! I really
     WANNA eat people! Pleeeeeeeease!

     MASTER: Good boy. Here you go.

     [The human pulls a few strips of greenish jerky-like stuff from a pouch
labeled "Soyl'nt Strips" (conveniently at camera level, of course), which the
dog eats happily.]

     DOG: Yay! Chewy, yummy, lentil-y, green, post-apocalyptic-y PEOPLE! People
     people people people!

     [Fade in the caption: "Soyl'nt Strips. Dogs don't know it's not 
people."]

     [Now, back to the SoL Bridge. Mike is still alone.]

     MIKE: C'mon, Tom, stop sulking! Honestly, it's a lovely juvenile innuendo
     dispenser, really it is... (He sighs.) I think it's a lost cause.

     [Crow enters from stage left, carrying a plate with a sandwich on it.]

     CROW: Oh, hey, Mike. We're out of peanut butter and honey. The Mads 
     haven't called yet, have they?

     MIKE: Not yet, but you did miss --

     [The Mad Light starts blinking.]

     MIKE: -- oh, there they are now. Hello, sirs?

     [Scene: Deep 13. Frank is seated at a card table in the foreground; he's
reading a book entitled _My Dinner With Ed Gein: A True Story_. Dr. Forrester
is standing behind the table, eagerly taking notes before looking up at the
SoL's hail.]

     DR. F: Ground control to Major Malfunction? Oh, there you are. As you can
     see, I'm currently a bit preoccupied with my latest evil experiment. 
    
     [SoL. Tom is back with the group now, as is his wont.]

     MIKE: Um... okay, I'll take your word for it.

     [Deep 13.]

     DR. F: Feh. I figured you wouldn't be able to see my latest development
     in subtle, understated, tasteful evil experiments. [He cups his hand to 
     his mouth in the universal gesture of 'shhh, big secret' and starts 
     whispering hoarsely.] I told Frank I was giving him a 'day off' - hehe -
     and, as I predicted, he had nowhere to spend it but here. Now I'm making
     observations about how someone with no life spends his free time. [He
     ceases the gesture and amplifies his voice.] So, Frank! How's the true 
     crime book going?

     FRANK: Oh, pretty good! I'm still not sure whether or not the 
     first-person narrator will survive her dinner with Gein, though!

     DR. F: [returning to his 'whisper' gesture and voice] See? Perfect, isn't
     it? Anyway, today's little chunk of nothing is precisely that; it's a 
     Ranma 1/2 story called "Surrogate", with a made-for-TV-movie's worth of
     plot twist in a convenient spamfic package. You and the Amazing Performing
     Adding Machines should waste a few hankies. Don't weep *too* loudly.

     [SoL. And cue Movie Sign.]

     MIKE: And that's Movie Sign, guys. Remember, ours is not to wonder why,
     ours is but to riff or die...

     [Door Sequence. M&tB get seated just as the fic begins to roll...]

> Paul Sampson 
>
> Surrogate.

     MIKE:  James Surrogate. I've got a license to kill... with 
     Ranmafic. 

> By: Paul Sampson

     CROW: Ah, so when you cut off his hair, all his writing power disappears?

> Proofreader: David Azure

     TOM: Boy, he must be feeling *blue*! Hoo hoo!

>     Ranma and Co. 

     MIKE: Aw, come on! You're making it sound like a wacky '80's sitcom!
     TOM: "Tonight on 'Ranma and Co.,' Kasumi decides to adopt a stray puppy!
     But what happens when the adorable pooch becomes a 'paws'-ative monster?
     The entire family learns something about life and love!"

> are owned by Mrs. Takahashi and other people who might have some claim to 
> the series. 

     CROW: You know, "other people" is now a legally binding phrase in 
     copyright law... 
     TOM: Hey! I'm an "other person"! Does this mean I own Ranma 1/2 now?

> I hope they don't resent me for this. Please don't sue, you won't get much. 
> I have a nice paperclip if you really want it.

     MIKE:  Mmm, free paper clip... 

> ***

     TOM: Three stars?! Geez, what was Leonard Malt - 
     CROW: Oh, it's been done to death. 

>     "As far as I'm concerned, " Akane stated, "Our engagement
> Never Happened."  

     TOM:  Notice how I've gained the ability to Regulate my Capitals!

> She jumped up and ran, tears in her eyes.
>
>     "Come on Akane, don't be this way," yelled Ranma running
> after her, "It's not what you think."

     CROW: Oh, look, a generic Akane-Ranma argument. What an original way to 
     start a Ranma fanfic! I would have never guessed it!
     TOM:  Honestly, Akane, the only thing even remotely appealing 
     about Kodachi are her huuuuuge... tracts of land!

>     Akane didn't answer.  "Akane, I did _Not_ sleep with
> Shampoo," still no answer, 

     MIKE:  The brain you are attempting to reach
     is temporarily out of service. Please hang up and dial again. This is a 
     recording.

> "I was drugged, when I woke up she was, well _there_ nud--- next to me," 
> Akane kept running, 

     TOM:  Sanctuary! Sanctuary!
     CROW: C'mon, Ranma, use the GUN!

> "I DIDN'T SLEEP WITH HER, 

     MIKE:  At no time were we actually sleeping!   wait, that didn't 
     come out right.

> please stop we can talk about this?"

     TOM:  In the middle of the street? So the entire Nerima district 
     will know our private affairs within the hour? Please, honey?

>     Ranma was close to catching her, so close his fingers slid
> across her arm.  

     MIKE: Practicing for the greased P-chan competition, are we, Ranma?

> She pulled ahead again when suddenly SMASH,

     CROW: "Ness tried PSI Rockin' Beta! SMAAAASH! 358 damage to Akane!"

> Akane was swept away from Ranma by an eighteen wheel transport.

     [Pause. And somewhere, a cricket chirps.]
     TOM: All right, I'll say it. "And then suddenly Akane was hit by a 
     truck. The End."

> "NNNNNNOOOOOOOOOOOOO!!!!!!!!!!"

     MIKE: Poor Ranma; he always picks the moment *after* the tragedy to kick 
     into Super Slo-Mo.

> Ranma ran to her side, to as she landed. 

     CROW:  AKAAAANE, NNNOOOO   *WHUMP*   Ow! Hey, watch your air 
     speed velocity, you kawaiikune tomboy!

> "Akane don't die Akane I love you pleasedon'tdie." he jabbered.

     TOM: And wockied.
     MIKE:  Dirty Frank! NO!

>     "R..an..ma, listen, I... love you too, could you do me one
> last thing?" Akane asked weakly, life draining from her body.

     CROW:  I'...ve g-got some...thing... to... say! I... killed 
     your... baby... today!

>     "Anything, just don't die, I need you!, don't die," Ranma
> was close to hysterics.
>
>     "Find ... away to uni...te our families, ... please."

     MIKE:  Oh, that's easy! We've just gotta become star-crossed 
     lovers and then take our ... hey, we've got half of it already!

>                    ***
>
>     "Whaaaaaaaaaa."

     TOM: Oh, look! It's Soun!

>     "I'm coming Akane," 

     [Another moment of silence. Mike turns his head and coughs; the bots say
nothing.]

> Ranma got out of bed and went to his daughter's crib.  

     TOM: Um...?
     CROW: Whoa, guys, looks like we got caught in the mother of all scene 
     changes there!

> He looked at his late wife's namesake and smiled.
>
>     He raised the pitcher of cold water.  He dumped it on his
> head and fed her daughter. 

     MIKE: Guys, I'm completely lost. And I don't think I wanna be found.
     CROW: Oh, I *wish* I was lost...

> Smiling wistfully, she looked around
> the room. Akane's old room, now his and their daughter's.

     TOM:  Y'know, even if I am preserving this room as a shrine 
     to my late beloved, maybe I *should* get rid of the Manson posters.

>     Glancing at the pictures on the desk Ranma saw the wedding
> photo, her male self at Akane's hospital bed.  Akane was smiling
> just days before she died.

     MIKE: Actually, she was *going* to make a full recovery from the car 
     accident, but Nabiki had a few Yakuza friends show up to 'maintain the 
     tone'...

>     The baby finished and Ranma dressed herself and little
> Akane. Then they headed down stairs.
>
>     "Hello Ranma, want me to hold Akane for you?"

     TOM:  Hey, sur-- ew, NO, Happosai!

>     "Thanks Nabiki," answered Ranma, giving his sister-in-law a
> kiss on the forehead, while handing over the baby.  Ranma had
> grown a (new) respect for Nabiki these last ten or so months.

     CROW: Along with growing a few other new things, obviously...

>     Thinking back, Ranma admitted to hi- herself that she had
> Nabiki to thank for his daughter.  She paid for all the medical
> costs for little Akane, isn't modern science wonderful, 

     MIKE:  This fanfic sponsored by Science. Science -- ask for it
     wherever you live or work!

> and was a big help through it all.

     TOM: Yeah, she got the, erm, samples from Kuno and everything!

>     Ranma headed towards the kitchen for a snack. Passing her
> father, and father-in-law she looked over and smiled.  Soun put a
> brave face on, obviously he was crying again, he's been doing it
> more and more often since the funeral. 

     CROW: Wait a second... you've got to be kidding! Soun crying for a 
     *good* reason in a Ranma story?

> Her father, human form,he just nodded approvingly. Ranma's dad was still 
> proud of her decision, and he does love his granddaughter.

     TOM: In fact, he'd already promised her in marriage to five baby sons of
     rival schools! That wacky Genma!

>     Ranma got a snack from Kasumi, reclaimed her daughter and
> went up towards the bath, stopping only slightly to look at a
> picture of her pregnant self from a few months back.

     MIKE: ... um. Well, I suppose that's nice and all, story, but would you 
     mind explaining what you're getting at to the audience? We're about two 
     steps from wandering over to the other theater to see if the Disney 
     movie is less complicated...
     TOM: Uh, Mike? We don't have another theater.
     MIKE: So?

> Tofu had protested strongly and at great length against the
> fertalization. Ranma could have been seriously harmed.  Even
> though her fiancess had after trying to stop them. 

     CROW:  What, you mean you don't want me to have a child as a 
     symbol of peace and the joining of two families? I'll KICK your ASS, man!

> But the birth was somehow a sucess, and Ranma decided to name her new child
> after her orginal mother. 

     MIKE: Besides, "Kodachi Kuno Jr." didn't have a nice ring to it. 

> Ranma-chan eased open the bathroom door,
> deciding to drop by Uuchan's later tomorrow with Akane. Uuchan
> just adored the kid. 

     TOM: Yeah, we all know how much women love babies named after the 
     romantic rivals that have destroyed their lives!

> Ranma smiled. It did bring out her maternal
> side. She was cute when juggling babies, food orders, and grease
> fires. 

     MIKE: Besides, Ranma figured he should celebrate little Akane's recovery 
     from her third-degree burns... 

> She tickled Akane's stomace and closed the door.
>
>
> -------------
> fin
>
>  How did ya like it.  Please put the gun away, blood isn't a
> good thing.  

     CROW: C'mon! What else are we going to store our fresh brains in?
     TOM: I prefer Mason jars, actually.
     CROW: ... you're a very strange, strange little 'bot, Mr. Servo. 

> I think the title is a little off, I wasn't sure
> what to call it so David named it.  I still think it's a little off.

    MIKE:  Actually, the entire story is so off that it has no 
    concept of what 'on' is, but let's go with the 'a little off' idea.

>  I've always wondered what Ranma would do if Akane was
> to ever die.  I thought that he'd find a way to always remind him of
> her.

     TOM:  Maybe carrying her picture in his wallet, donating money
     to a charity in her memory, having a child and naming it after her... 
     y'know, the usual. 

> What better way then a child.  If you want me to make it clear how Ranma
> got pregnent ask, or use you're imagination it's not that hard.

     CROW: Well, I *would*, but my imagination just threatened to go on
     strike. Something about conditions above and beyond the contract or
     something...

> C&C will be read and some replied to, flames will be left to burn till
> they are ashes, ashes left till they are dust, and dust left for no one.

     TOM: So... uh... if you wanna flame no one, forward it to him? 

> "All things are simple at heart, it is in the minds of mortals that
> they are made indecipherable." -Unknown (to me at least)

     CROW: Made indecipherable in the mind of mortals? So, like half the 
     sentences in the story?
     TOM: *rimshot!*

> http://members.tripod.com/~PaulSamp/index.txt
> earthbind@usa.net

     CROW: Earthbind? The author works for Giygas?

> Paul Sampson signing off

     MIKE: Remember, kids, tune in next week for more Sampson! Same Sampson 
     Time, Same Sampson Channel!

> TTFN!!!!
> 
> (A)bort
> (R)etry
> (G)rab_Hammer

     TOM: ARG, indeed... [they file out of the theater.]

     [Door Sequence]

     [Scene: SoL Bridge. Mike is standing near stage left, carrying a plate
with two slices of bread, a nearly-empty jar of peanut butter, and a near-empty
squeeze bottle of honey. He begins to use the dregs of the peanut butter and
honey to make a sandwich when Crow enters from stage right, holding hands (er,
claws) with something that looks remarkably like the Crow-Tron 5001. However,
this version has been enameled metallic pink, and its Ping-Pong Ball eyes
are light blue.]

     MIKE: Oh, hey, Crow. Turns out there's actually enough stuff left for one
     more sandwi-- uh, Crow?

     CROW: Oh, hi, Mike! You remember Debbie, right?
 
     MIKE: Debbie?

     [Crow gestures towards the pink Crow-Tron 5001.]

     CROW: You know, Debbie! From the one time I changed my sex so I could have
     a child and name it after my late wife, Debbie Senior? You remember, 
     right? After the forklift accident?

     MIKE: Crow, we've talked about when you do this...

     CROW: I'm serious! Debbie, say hi to the nice organic lifeform.

     DEBBIE:  Hi!

     MIKE: .. hi, Debbie.

     CROW: Now, what did you want to ask Uncle Mike, Debbie?

     DEBBIE: Unka Mike, can you show me awound the load pan bay?

     MIKE: Aw, what the heck. Sure I can, Debbie. C'mon, let's go...

     [Debbie toddles over to Mike, taking his outstretched hand, and the two
exit stage left. Crow picks up Mike's half-completed sandwich and begins 
finishing it before Tom enters from stage right and starts whispering to Crow.]

     TOM:  Did he buy it?

     CROW:  Basically. He was a little skeptical at first. I think
     we've pulled the "me confusing movie and reality" gag on him a few too 
     many times.

     TOM:  We should lay off it for a while... but this is gonna
     be worth it! Hoohoo! It should kick in any --

     DEBBIE:  You know you want me, baby!

     MIKE:  YAARGH!

     TOM:  -- any time now. Woohoo! High claw, man!

     CROW:  Woo! Buzzkill! Buzzkill! ... we should check in on the
     Mads. [He pushes the Mad Light with the claw not currently occupied with
     a sandwich.]

     [Scene: Deep 13. Frank is still at the card table, but now he's playing
solitaire -- a very unsuccessful game of solitaire, it seems -- with what
look like Smurfs playing cards. Dr. F is standing in the background, taking 
notes and mumbling to himself.]

     DR. F:  Subject continues to exhibit 'card-playing' behavior. 
     For someone who has no doubt spent so much time engaging in such pointless
     activity, he certainly seems to be rather inept at it -- for example, the
     subject continually neglects that he really *should* put the red five on
     the black six. Further observations once he goes through the deck again.
 
     [A few more minutes pass as Frank continues to play solitaire badly. 
Suddenly, he sets his deck down on the table and stands up quickly.]

     FRANK: My *God*! What if Camus was right, after all, and this is really
     all life means? What if there is no essential order to the universe? I...
     I have to make the most of my life as it stands, or I'll end up like 
     Meursault, clinging to the tiniest shreds of meaning! I've got to go out
     and do something -- write a book, do charity work, love another human 
     being! This life is too brief for me to waste any more time!

     [Frank bolts for the 'door' of Deep 13... before tripping some sort of 
wire. Ominous grinding noises begin offscreen, and Frank conveniently stumbles
and falls offscreen in the noises' direction. They get louder, and we hear
a few screams from offscreen.]

      DR. F:  Note to self: even subtle, tasteful, understated evil
      experiments need emergency Death Booby Traps. Also, don't leave "The 
      French Existentialist Movement's Greatest Hits" lying around the lab 
      anymore. End experiment.  Push the Button, Fra--oh, sorry,
      you're dying, No Exit Boy.

      FRANK:  Hell is... other mad scientists...

      [Dr. F leans over and pushes the button. Cue love theme...]

      THE CREDITS THAT BE

      MiSTing: "Surrogate"

      Original Story by Paul Sampson

      MiSTed by Amanda Van Rhyn

      Mystery Science Theater 3000 created by Joel Hodgson

      Ranma 1/2 created by Rumiko Takahashi

      This story was found on JP's Ranma 1/2 Fanfiction Reviews, a very good 
webpage devoted to (surprise) reviewing Ranma 1/2 fanfiction. 
It can be found at http://ayukawa.tass.org/~jcarson/reviews/index.html; 
I advise those interested to check it out.

      As far as I recall, this MiSTing is being done with the permission
of "Surrogate"'s author; however, I've lost my original request e-mail and 
its reply, so this may not be the case. If I didn't get permission, I'm very 
sorry.

    This MiSTing, and the rest of my work, can be found at my modest excuse 
for a MiSTing website:
http://www.geocities.com/TimesSquare/Lair/1868/MiSTings
Visit, but please don't feed the non-standard cast.

     Special thanks go out to Antaeus Feldspar for prereading this thing, 
telling me what works and what didn't, and generally helping "Surrogate" 
actually get finished. Thanks, Feld.

     Keep circulating the .txt files.

     [Disclaimer: Mystery Science Theater 3000 and all situations, 
locations, characters, and other things thereof are (C) Best Brains, Inc. 
Ranma « and all related characters, situations, etc, are (C) 
Rumiko Takahashi etc.. All other copyrighted things are (C) their owners. 
All rights reserved. Please don't sue me! "Surrogate", the original story,
is owned by Paul Sampson, and it's his to keep. No offense whatsoever is 
meant to Paul or anyone else involved with the story. This MiSTing was done 
in the spirit of fun and fair riffing. All characters, settings, situations,
etc. in this MiSTing are fictitious or used fictitiously. All resemblence to 
reality is coincidental. Do not read this MiSTing while operating heavy
machinery.] 
     
     [Legal Stuff: This MiSTing of "Surrogate" is (C) Amanda Van Rhyn and 
Fevered Little Minds Productions, 2000. This MiSTing can be freely 
distributed provided you give me and Paul the credit we're due, contact me 
beforehand, and don't mutilate it. Meta-MiSTing isn't mutilation if you ask 
me first. Post this at any archive, anywhere; I couldn't care less about 
your Web site host or ISP. Do not fold, spindle, or submerge in water.] 

> Tofu had protested strongly and at great length against the
> fertalization. Ranma could have been seriously harmed.  Even
> though her fiancess had after trying to stop them. 



     

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